Category: Boy George

April 22, 2019

Culture Club – The War Song (US 12″)

BURNING THE GROUND EXCLUSIVE 1984

“The War Song” is a 1984 song by the British band Culture Club which features background vocals by Clare Torry. It was the lead single from the band’s third album Waking Up with the House on Fire. The song became the group’s seventh top-five hit on the UK Singles Chart, peaking at number two. In the U.S. the single peaked at #17 on the Billboard Hot 100 and hit the top ten in many countries including Canada (#7), Ireland (#1), Italy (#3) and Australia (#2). While very popular at the time, it was not appreciated by some music critics for some weakness in the lyrics and less original arrangements.

The song was assisted by a popular music video, directed by Russell Mulcahy, which features hundreds of children dressed as skeletons. Lead singer Boy George is shown with his new flame-red hair, and also employs four wigs in black, white, yellow and blue.

In many countries, the single was released with a B-Side consisting of a native-language version (Spanish, French, Japanese or German) of the song. It was available in two different extended versions, a first in Culture Club discography. Its 7″ picture disc was shelved, and the only remaining copies are very rare.

It was Culture Club’s last UK top 5 hit before 1998’s “I Just Wanna Be Loved”.

The record labels list the album title as “Waking Up In A Burning House”.

SIDE A:
The War Song (Ultimate Dance Mix) 6:50

SIDE B:
The War Song (Shriek Mix) 6:17
La Cancion De Guerra 4:05

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year	Single	Chart	Position
1984	The War Song	U.S. Billboard Hot 100	#17
1984	The War Song	U.S. Billboard Hot R&B/Hip-Hop Singles	#87
1984	The War Song	U.S. Billboard Hot Dance Music/Club Play	#7

RELEASE INFORMATION:
Label: Epic ‎– 49-05107
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1984
Genre: Electronic, Pop
Style: Synth-pop

CREDITS:
Artwork [Sleeve Produced By] – Assorted iMaGES
Backing Vocals – Alanda Marchant, Alice Kemp (2), Andriana Loizou, Imogen Exton, Tara Thomas
Mixed By – Jon Moss
Mixed By, Producer – Steve Levine
Other [Styling] – Kim Bowen
Photography By, Other [Make Up] – Stevie Hughes
Voice [Primal Scream] – Clare Torry
Written-By – Culture Club

NOTES:
Special Version from the Virgin / Epic LP “Waking Up In A Burning House”

Produced for Do Not Erase Productions.
Mastered at Sterling.

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Schiit Mani
Soundcard: ESI Juli@ XTe Audio Interface
Monitiring: Novation Audiohub 2×4 Audio Interface
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Username: btg
Password: burningtheground

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December 20, 2017

Band Aid – Band Aid Special (Japan LP)

BURNING THE GROUND EXCLUSIVE 1985

Probably my biggest undertaking to date since I usually do not transfer full albums. I have been working on this off and on over the last rew days and I think it turned out nicely. The Japan pressings always sound very good. I realize this album was released on CD however I prefer vinyl and for those of you who share that love I really hope you enjoy this collection.

Happy, Merry Christmas! -DjPaulT

“Band Aid Special” is a 1985 album compiled by Mercury Records in Japan, released on March 31, 1985 a few months after the release of the single “Do They Know It’s Christmas?”. This compilation contains all three mixes of “Do They Know It’s Christmas?”that were originally released on 12” single. The rest of the album was filled artists that were involved with the recording of “Do They Know It’s Christmas?”, along with other artists to fill out the album.

The album was re-issued in December 1985 under the title “Rock ‘Now” 12 Hits!”.

Band Aid is a charity supergroup featuring mainly British and Irish musicians and recording artists.was founded in 1984 by Bob Geldof and Midge Ure to raise money for anti-famine efforts in Ethiopia by releasing the song “Do They Know It’s Christmas?” for the Christmas market that year. On 25 November 1984, the song was recorded at Sarm West Studios in Notting Hill, London, and was released in the UK four days later. The single surpassed the hopes of the producers to become the Christmas number one on that release. The 12″ version was mixed by Trevor Horn.

SIDE A:
Band Aid – Do They Know It’s Christmas? (12″ Mix) 6:13
Engineer – Trevor Horn
Producer – Midge Ure, Trevor Horn
Remix – Trevor Horn
Written-By – Geldof*, Ure*

Big Country – In A Big Country 3:52
Producer – Steve Lillywhite
Written-By – Big Country

Marilyn – Calling Your Name 4:04
Producer – Clive Langer & Alan Winstanley
Written-By – Marilyn, Caplin*

Status Quo – Marguerita Time 3:27
Producer – Quo*
Written-By – Frost*, Rossi*

The Boomtown Rats – Tonight 3:53
Producer – The Boomtown Rats
Written-By – Bob Geldof

Genesis – That’s All 4:23
Producer – Genesis, Hugh Padgham
Written-By – Genesis

SIDE B:
Band Aid– Do They Know It’s Christmas? 3:53
Engineer – Steve Lipsom*
Producer – Midge Ure, Trevor Horn
Written-By – Geldof*, Ure*

BBon Jovi – Runaway 3:51
Producer – Lance Quinn, Tony Bongiovi
Written-By – G. Karak*, J. Bon Jovi*

Elton John – Sad Songs (Say So Much) 4:48
Producer – Chris Thomas
Written-By – Elton John & Bernie Taupin

ABC – The Look Of Love 3:29
Producer – Trevor Horn
Written-By – ABC

Tears For Fears – Mothers Talk 3:54
Backing Vocals – Stevie Lange
Producer – Chris Hughes
Written-By – Ian Stanley

Band Aid – Feed The World 4:16
Engineer – Steve Lipsom*
Producer – Midge Ure, Trevor Horn
Written-By – Geldof*, Ure*

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint
OBI: Near Mint
Insert: Near Mint

RELEASE INFORMATION:
Label: Mercury – 25PP-161
Format: Vinyl, LP, Compilation
Country: Japan
Released: 1985
Genre: Electronic, Rock, Pop
Style: Alternative Rock, New Wave, Pop Rock, Synth-pop

NOTES:
Among super hits of prominent names included on this special compilation album are songs by The Boomtown Rats, Big Country, Genesis, Status Quo, and Marilyn who participated in the Band Aid project.

℗ 1985 Phonogram International, B.V.
Manufactured and Distributed by Nippon Phonogram Co., Ltd.
Made in Japan

Find the LP on DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Bellari VP130 Tube Phono Preamp
Tube: Tung-Sol 12AX7 TubeGold Pins
Soundcard: Novation Audiohub 2×4 Audio Interface
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

May 23, 2017

Ferry Aid – Let It Be (US 12″)

BURNING THE GROUND EXCLUSIVE 1987

Although this single was recorded to help victims of a 1987 tragedy. Today we pray for those affected in Manchester, England.

Ferry Aid were a British-American ensemble group, brought together to record the song “Let It Be” in 1987. The single was released following the Zeebrugge Disaster, which had occurred on 6 March 1987 involving the capsizing of the MS Herald of Free Enterprise ferry, which killed 193 passengers and crew. All proceeds from sales of the single were donated to the charity set up in the aftermath of the disaster. The recording was organised by The Sun newspaper, after it had sold cheap tickets for the ferry on that day. “Let It Be” was written by Lennon–McCartney and originally recorded by The Beatles in 1969.

Garry Bushell, then with The Sun newspaper, organised the recording of the song by recruiting record producers Stock, Aitken and Waterman. They then put an invitation out to the music industry for artists to contribute their vocals to the song. Although many stars were initially reluctant to join forces with the newspaper, eventually artists such as Boy George, Kate Bush, Gary Moore and Mark Knopfler agreed to take part. Original writer, Paul McCartney also contributed to the song, although his performance (and section in the accompanying video) were recorded independently in his own studios. In fact, it was later revealed that McCartney used his voice of the original recording of the 1970 Beatles track and added it to the Ferry Aid recording. The song was recorded over three days between 14 and 16 March 1987 and the single was released on Monday 23 March 1987. The first artist to record his part was Mark King (who also played bass guitar on the song) on the Saturday morning, while the last was Paul King on Monday evening.

In the original Beatles recording George Harrison did the guitar solo but for the purposes of this song – as shown in the video – the solo was divided with Gary Moore first, then Mark Knopfler, then back to Gary Moore with Moore’s parts being more ‘rock’ and Knopfler’s being more laid-back.

“Let It Be” reached #1 in the UK Singles Chart in its first week on 4 April 1987, and remained at that position for three weeks. It was the 13th best selling single of the year in the UK; it was certified gold for shipping over 500,000 copies. The single was also a number one hit in Norway and Switzerland, and reached the top 10 in several European countries.

Artists to have contributed and performed solo spots on the song are as follows:

Paul McCartney
Boy George
Keren Woodward and Nick Kamen
Paul King
Mark King
Jaki Graham
Taffy
Mark Knopfler (guitar solo)
Andy Bell
Pepsi & Shirlie
Mel and Kim
Gary Moore (guitar solo)
Kim Wilde and Nik Kershaw
Edwin Starr
Ben Volpeliere-Pierrot
Ruby Turner
Kate Bush

The closing choruses of the song feature an ensemble choir featuring many of the above performers as well other recording artists. The back-up chorus consisted of:

The Alarm, John Altman, Debee Ashby, Al Ashton, Rick Astley, Bananarama, Simon Bates, Alison Bettles, Jenny Blythe, Errol Brown, Miquel Brown, Bucks Fizz, Jay Carly, The Christians, Nick Conway, Linda Davidson, Hazell Dean, Anne Diamond, Difford and Tilbrook, Doctor and the Medics, The Drifters, Drum Theatre, Frankie Goes to Hollywood, Roy Gayle, Go West, Carol Hitchcock, Felix Howard, Gloria Hunniford, Imagination, Jenny Jay, Ellie Laine, Annabel Lamb, Stephanie Lawrence, Loose Ends, Linda Lusardi, Ruth Madoc, Bobby McVey, Suzanne Mizzi, The New Seekers, Sadie Nine, The Nolans, Hazel O’Connor, Mike Osman, Su Pollard, Tim Polley, Pamela Power, Maxi Priest, Princess, Jimmy Pursey, Suzi Quatro, Mike Read, Sally Sagoe, Nejdet Salih, Ray Shell, Mandy Smith, Neville Stapleton, Alvin Stardust, Steve Strange, Sylvia Tella, Terraplane, Bonnie Tyler, Maria Whittaker, Working Week.

SIDE A:
Let It Be 6:30
Engineer – Mark McGuire
Mixed By – Burni Adams, Jamie Bromfield

SIDE B:
Let It Be (Mega Message Mix) 6:11
Mixed By – Jamie Bromfield

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Profile Records ‎– PRO-7147
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1987
Genre: Pop
Style: Pop/Rock

CREDITS:
Bass – Mark King
Drums – A. Lynn
Guitar – Gary Moore, Mark Knopfler
Keyboards – Matt Aitken, Mike Stock
Producer – Stock/Aitken/Waterman*
Written-By – Lennon/McCartney*

NOTES:
Recorded at PWL Studios.
Special thanks to: Michael Jackson and Paul McCartney

Find the 12″ on DISCOGS

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Bellari VP130 Tube Phono Preamp
Tube: Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard: ESI Juli@
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

September 22, 2016

Culture Club – Do You Really Want To Hurt Me (UK 12″)

BURNING THE GROUND EXCLUSIVE 1982

“Do You Really Want to Hurt Me” is a song written and recorded by the British new wave band Culture Club. Released as a single in September 1982 from the group’s platinum-selling debut album Kissing to Be Clever, it was the band’s first UK #1 hit. In the United States, the single was released in November 1982 and also became a huge hit, reaching #2 for three weeks.

“Do You Really Want to Hurt Me” was the third single released in Europe by Culture Club and their debut release in the United States and Canada. The song was picked up by BBC Radio 2 and became a UK #1 single for three weeks in October 1982. The song entered the American Pop chart the week ending December 4, 1982. It hit #1 in Cash Box magazine and held at #2 for three weeks on the Billboard Hot 100 chart in March and April 1983 (kept from the #1 spot by Michael Jackson’s “Billie Jean”). The single achieved sales of 900,000 US copies and also hit #1 in Canada. It was also number one in Australia.

This was Culture Club’s first success, after their first two releases, “White Boy” and “I’m Afraid of Me” charted in the UK at #114 and #100 respectively. According to Boy George, it was their last chance to get an album deal.

The song rose rapidly in the UK charts after the group’s first appearance on Top of the Pops, which resulted in George’s androgynous style of dress and sexual ambiguity making newspaper headlines. The group were only asked to appear on Top of the Pops the night before the show, after Shakin’ Stevens pulled out.

In a retrospective review, Allmusic journalist Jose F. Promis described “Do You Really Want to Hurt Me” as “a simple masterpiece, resonating with an ache that harked back to the classic torch songs of yesteryear.”

In 2007, Boy George said that the song was “not just about Culture Club’s drummer Jon Moss, my boyfriend at the time. It was about all the guys I dated at that time in my life.”

The B-side was a dub version featuring Pappa Weasel in many countries and “You Know I’m Not Crazy” on the US release. On the 12″ version of the record, the track “Love Is Cold (You Were Never No Good)” was also included.

SIDE A:
Do You Really Want To Hurt Me 4:22
Do You Really Want To Hurt Me (Dub Version) 3:39

SIDE B:
Love Is Cold (You Were Never No Good) 4:24

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year	Single	Chart	Position
1983	Do You Really Want To Hurt Me	U.S. Billboard Hot 100	#2
1983	Do You Really Want To Hurt Me	U.S. Billboard Hot Black Singles	#39
1983	Do You Really Want To Hurt Me	U.S. Billboard Hot Adult Contemporary	#8
1983	Do You Really Want To Hurt Me	U.S. Billboard Mainstream Rock Tracks	#21

RELEASE INFORMATION:
Label: Virgin ‎– VS 518-12
Format: Vinyl, 12″, Single, 45 RPM
Country: UK
Released: Sep 1982
Genre: Reggae, Pop
Style: Reggae-Pop, Dub

CREDITS:
Bass – Michael Craig
Design [Cover] – Jik Graham
Drums, Percussion –Jon Moss
Engineer [Assistant Engineer] – Gordon Milne (tracks: A1, A2), Richard Lengyel (tracks: B1)
Featuring, Vocals [Additional Vocals] – Papa Weasel* (tracks: A2)
Guitar, Keyboards, Piano – Roy Hay
Mastered By – JA*
Mixed By – Jon Moss (tracks: A1, A2)
Photography By – Mark LeBon
Producer, Engineer, Mixed By – Steve Levine
Vocals – Boy George
Vocals [Additional Vocals] – Helen Terry
Written-By, Performer – Culture Club

NOTES:
The debut album “KISSING TO BE CLEVER”

Find the 12″ on DISCOGS

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Bellari VP130 Tube Phono Preamp
Tube: Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard: ESI Juli@
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Brother MFC-6490CW Professional Series Scanner

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi