Author: DjPaulT

June 2, 2020

Amii Stewart – Knock On Wood (Ash 48) / Light My Fire (137 Disco Heaven) (New Remix) (UK 12″)

BURNING THE GROUND EXCLUSIVE 1985

Celebrating Pride Month!

“Knock on Wood” is a 1966 hit song written by Eddie Floyd and Steve Cropper and originally performed by Floyd.

In 1979 American soul/disco singer Amii Stewart released a disco version of the song. It reached number one in the U.S. charts in April 1979; it also made it to the soul singles and disco charts, becoming the best-known version of the song. This recording was co-produced by Simon May. It reached the Top 10 twice in the UK, first in 1979 (peaking at number 6) and again in a remixed version backed with “Light My Fire” / “137 Disco Heaven” in 1985 (peaking at number 7).

“Knock On Wood” would become one of the “anthems for the LGBTQ community.”

SIDE A:
Knock On Wood (Ash 48) 7:45

SIDE AA:
Light My Fire (137 Disco Heaven) 7:33

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Sedition ‎– EDITL 3303
Format: Vinyl, 12″, Single, 45 RPM
Country: UK
Released: 1985
Genre: Electronic
Style: Hi NRG, Disco

CREDITS:
Drum Programming [Drum Doctor] – Peter Boita
Keyboards [Emulator / Keyboards] – Dave Hewson*
Other [Genetic, Uncredited Mixing & Engineering] – Timm Baldwin
Other [Maison Rouge, Uncredited Mixing & Engineering] – Charles Harrowelt
Other [P R T, Uncredited Overdubs] – Bob Mallet
Other [Uncredited, The Entertainment Business] – Simon Lait
Producer [Original Productions] – Barry Leng
Remix – Alan Coulthard, Barry Leng
Sleeve, Design – Carz

NOTES:
Remixed at Maison Rouge, Genetic
Overdubs PRT Studios
Marketed and distributed by Precision Records & Tapes Ltd

Find the 12″ at DISCOGS

Made In England

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
DAC/Phono Pre-amp: Alpha Design Labs GT40a USB DAC
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

Username: btg
Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

June 1, 2020

Paul McCartney & Stevie Wonder – Ebony And Ivory (UK 12″)

BURNING THE GROUND EXCLUSIVE 1982

NEW 2020 Transfer!
Meticulously Remastered!

Originally posted March 18, 2012

“Ebony and Ivory” is a 1982 number-one single by Paul McCartney and Stevie Wonder. It was released on March 29 of that year. The song is featured on McCartney’s album Tug of War. A self-empowerment hit that struggles issues of racial equality, the song reached number one on both the UK and the US charts. In 2013, Billboard ranked the song as the 69th biggest hit of all-time on the Billboard Hot 100 charts.

At the simplest level, the song is about the ebony (black) and ivory (white) keys on a piano, but also deals with integration and racial harmony on a deeper, human level. The title was inspired by McCartney hearing Spike Milligan say “black notes, white notes, and you need to play the two to make harmony, folks!”. The figure of speech is much older. It was popularized by James Aggrey in the 1920s, inspiring the title of the pan-African journal The Keys, but was in use from at least the 1840s.

The B-side of the single, the song “Rainclouds”, is written by Paul McCartney and Denny Laine, though on early pressings of the single the song was credited only to McCartney.

SIDE A:
Ebony And Ivory 3:43
Vocals [Additional] – Stevie Wonder

SIDE B:
Rainclouds 3:08

Ebony And Ivory (Solo Vocal) 3:43
Vocals [Solo] – Paul McCartney

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year	Single	Chart	Position
1982	Ebony And Ivory	U.S. Billboard Hot 100	#1
1982	Ebony And Ivory	U.S. Billboard US Hot Adult Contemporary Chart	#1
1982	Ebony And Ivory	U.S. Billboard Hot Black Singles	#8
1982	Ebony And Ivory	U.S. Billboard Hot Mainstream rock Tracks	#34

RELEASE INFORMATION:
Label: Parlophone – 12R 6054
Format: Vinyl, 12″, 45 RPM
Country: UK
Released: 1982
Genre: Rock
Style: Pop Rock

CREDITS:
Producer – George Martin
Written-By – McCartney*

NOTES:
A-Side: From The Album “Tug Of War”
Stevie Wonder courtesy of Motown Records Inc.

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

Username: btg
Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

May 29, 2020

Olivia Newton-John – Twist Of Fate (France 12″)

BURNING THE GROUND EXCLUSIVE 1983

“Twist of Fate” is a song recorded by English-born Australian singer Olivia Newton-John for the soundtrack to the 1983 film Two of a Kind. It was written by Peter Beckett and Steve Kipner, and produced by David Foster. It reached number four in Australia and Canada while peaking at number five on the US Billboard Hot 100 in January 1984. Billboard ranked it as number 42 on its listing of the top 100 singles of 1984.

**The 12″ Remix of “Twist Of Fate” is exclusive to the France and Japan 12″ singles and differs from the version released previously in the USA, Canada, Australia and Sweden which had a fade ending to the mix. For this 12″ the track is about ten seconds longer with a cold ending.

The b-side “Jolene” was recorded live in Ogden, Utah during Olivia’s 1982 “Physical World Tour”. Olivia had previously recorded the Dolly Parton penned song for her 1976 album “Come On Over”.

I have previously posted the Japan 12″ however this is a new transfer.

SIDE A:
Twist Of Fate (12″ Remix Cold End) 5:32

SIDE B:
Jolene (Live) 3:36

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year	Single	Chart	Position
1983	Twist Of Fate	U.S. Billboard Hot 100	#5
1983	Twist Of Fate	U.S. Billboard Hot R&B/Hip-Hop singles	#28

RELEASE INFORMATION:
Label: EMI ‎– 1545286
Format: Vinyl, 12″, 45 RPM, Maxi-Single
Country: France
Released: 1983
Genre: Electronic, Rock, Pop
Style: Pop Rock, Synth-pop

CREDITS:
Mixed By – Humberto Gatica (tracks: A)
Photography By – Herb Ritts
Producer – David Foster (tracks: A), John Farrar (tracks: B)
Written-By – Dolly Parton (tracks: B), Peter Beckett (tracks: A), Steve Kipner (tracks: A)

NOTES:
On front sleeve it states “Maxi 45tours”
B is a live version of “Jolene” recorded in Utah USA, 1982 – This is not stated in the title, but on the label and the back sleeve below the track it says “Enregistre en public dans l’Utah (U.S.A.)”

Made in France

“Twist Of Fate” from the Motion Picture Soundtrack “TWO OF A Kind”

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

Username: btg
Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

May 28, 2020

Sheena Easton – Sugar Walls (US 12″)

BURNING THE GROUND EXCLUSIVE 1985

NEW 2020 Transfer!
Meticulously Remastered!

Originally posted March 6, 2013

“Sugar Walls” is the second single from Sheena Easton’s 1984 album A Private Heaven. It spent 16 weeks on the Billboard Hot 100 in the United States, nine of which were in the top 40. It reached #9 overall, as well as #3 on the R&B chart and #1 on the Dance chart. The song failed to chart well in Easton’s native UK. It was composed by Alexander Nevermind, a pseudonym used by Prince.

The song title is presumed to be a euphemism for the lining of a vagina, which was perhaps sufficiently subtle by itself, but the general content was considered suggestive enough to qualify the song for the “Filthy Fifteen.” Although Easton’s music video for “Sugar Walls” did not in itself feature any controversial visual content, some broadcasters refused the video airplay because of the sexual imagery of the song’s lyrics. Televangelist Jimmy Swaggart and Tipper Gore’s PMRC criticized the song when it was first released.

SIDE A:
Sugar Walls (Dance Mix) 7:00

SIDE B:
Sugar Walls (Red Mix) 5:24

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year	Single	Chart	Position
1984	Sugar Walls	U.S. Billboard Hot 100	#9
1984	Sugar Walls	U.S. Billboard Hot Dance Music/Club Play	#1
1984	Sugar Walls	U.S. Billboard Hot Black Singles	#3

RELEASE INFORMATION:
Label: EMI America ‎– V-7852
Format: Vinyl, 12″, Single, 33 ⅓ RPM
Country: US
Released: 1985
Genre: Electronic, Pop
Style: Synth-pop

CREDITS:
Engineer [Remix] – David Leonard
Producer – Alexander Nevermind, Greg Mathieson
Remix – Greg Mathieson, Rusty Garner
Written-By – Alexander Nevermind

NOTES:
Album version can be heard on “A Private Heaven”

“An Endless Music Mix”

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

Username: btg
Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.