Author: DjPaulT

The Rolling Stones – One Hit (To The Body) (US 12″)

Burning The Ground Exclusive 1986

In memory of drummer Charlie Watts 1941-2021. Watts had been a member of the Stones since January 1963, when he joined Mick Jagger, Keith Richards, and Brian Jones in their fledgling group. Watts helped them become, with The Beatles, one of the bands who took rock ‘n’ roll to the masses in the 60s with classics like (I Can’t Get No) Satisfaction, Jumpin’ Jack Flash, Get Off My Cloud, and Sympathy for the Devil. He will be deeply missed.

“One Hit (To the Body)” is the opening track to English rock band The Rolling Stones’ 1986 album Dirty Work. The first Rolling Stones single to feature a Ron Wood co-writing credit with Jagger and Richards, it charted in the USA, Netherlands, and Australia. Reaching number 80 in the UK, it was their poorest charting single at the time.

Credited to lead singer Mick Jagger, guitarist Keith Richards and guitarist Ron Wood, “One Hit (To the Body)” was largely the work of Richards and Wood. Both guitarists contributed heavily to Dirty Work overall, with Wood receiving credit alongside Jagger and Richards on another three songs. A sign of Wood’s heavy contribution is the song’s distinctive opening of an acoustic piece. Wood used Richards’ own 1967 Martin D-18 to perform the jam in an attempt to come up with a proper electric riff, but the acoustic version remained. The band is known for their use of acoustic guitars to “shadow” their electric guitars; “Brown Sugar” is a prime example. Both Richards and Wood played electric, but the solo was provided by Led Zeppelin guitarist Jimmy Page. Page’s contribution was the result of a short studio session between him and Wood after Page’s request to hear what the band was working on. Drummer Charlie Watts provides the song’s driving beat as well as its notable cymbal opening, while Bill Wyman plays bass.

Backing vocals on the song were provided by Richards, Wood, Bobby Womack, Patti Scialfa, Don Covay, and producer Steve Lillywhite’s wife Kirsty MacColl. Recording and re-recording lasted throughout much of 1985. Two locations used were the Pathé Marconi Studios in Paris and New York City’s RPM Studios.

“One Hit (To the Body)” was released as Dirty Work’s second single on 16 May in the United Kingdom and 9 May in the United States with the album track “Fight” as its B-side. The single reached the top 30 in the US. Dirty Work has long been known as the album produced at the height of Jagger and Richards’ feud during the 1980s.

SIDE A:
One Hit (To The Body) (London Mix) 7:02
Engineer – Alan Douglas (2)
Remix – Steve Lillywhite

SIDE B:
One Hit (To The Body) (Edit) 4:08
Fight 3:10

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1986 One Hit (To The Body) U.S. Billboard Hot 100 #28

RELEASE INFORMATION:
Label: Rolling Stones Records – 44-05388
Format: Vinyl, 12″, 45 RPM
Country: US
Released: 1986
Genre: Rock
Style: Pop Rock, Classic Rock

CREDITS:
Producer – Steve Lillywhite, The Glimmer Twins
Written-By – Jagger-RichardsWood*

NOTES:
Taken from the LP “Dirty Work”

Find the 12″ at DISCOGS

VINYL RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge/Stylus: Ortofon 2M Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

Pretty Poison – Laced (US 12″ EP)

Burning The Ground Exclusive 1983

“Laced” is the debut EP by the American Synth-pop band from Philadelphia, Pretty Poison formed by Jade Starling and Whey Cooler. The EP is well before the band had their biggest hit in 1987 “Catch Me (I’m Falling)” which became a top-ten hit in the United States on the Billboard Hot 100.

“Laced” is a much less produced sound for the band with tracks like “Seal It With A Kiss” which sounds like a track that Company B would have recorded on their debut record, but Starling’s vocals bring it home as a Pretty Poison track. “Let Freedom Ring” was re-recorded for their debut album in 1987, it’s stripped to little more than Starling’s voice, a drum machine, and a warbly (but not overpowering) synth. “Expiration” is a cool Halloween song and sounds very 1983. “Temptest Nightmare” is the biggest shocker on the EP, an electronic new wave cut deeply rooted in goth rock, a sound which is nowhere to be found in the band’s later work.

SIDE A:
Seal It With A Kiss 4:03
Let Freedom Ring 6:11

SIDE B:
Expiration 4:01
Tempest Nightmare 5:27

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Svengali Records – SRPP 1
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1983
Genre: Electronic, Rock, Funk / Soul
Style: Electro, New Wave, Goth Rock

CREDITS:
Artwork, Layout –  Cheryl Knowles
Bass – Patrick Callen (tracks: B2), Antonio Romeo*
Cover [Cover Concept] – Graham*
Drums – Bobby Correy*
Engineer – Larry Spivack
Guitar, Bass [Synthetic Bass], Synthesizer, Chimes – Whey Cooler
Mastered By [Digital] – Nimitr Sarikanarda*
Music By, Producer – Cooler*
Percussion – Kaya Pryor*
Photography By – Jim Graham
Producer, Cover [Cover Concept], Lyrics By – Starling*
Producer, Engineer – Spivack*
Programmed By [Rhythms], Synthesizer [Additional] –  David Lunt
Transferred By [Digital Transfer], Mastered By [Digital Mastering] – Chas. Gerber*
Vocals – Jade Starling

NOTES:
Recorded January through March ’83

Find the EP at DISCOGS

VINYL RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge/Stylus: Ortofon 2M Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi


Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

Kim Wilde – The Touch (UK 12″)

Burning The Ground Exclusive 1984

NEW 2021 Transfer!
NEW Meticulous Restoration!

Originally posted November 25, 2017

“The Touch” is the second single from the 1984 Kim Wilde album Teases & Dares, released at the end of the year it did not match the success of her previous single.

It was released as both a 7″ and a 12″ single. The 7″ had a remix of the album version on side A, and a track was written by Wilde herself on side B entitled “Shangri-La”, also from the Teases and Dares album. Both tracks were extended for the 12″ release. It also featured in the soundtrack of the American movie Secret Admirer.

SIDE A:
The Touch (Extended Version) 6:35

SIDE B:
Shangri-La (Extended Version) 4:58

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: MCA Records – KIMT 2
Format: Vinyl, 12″, 45 RPM, Maxi-Single
Country: Europe
Released: 1984
Genre: Electronic, Pop
Style: Synthpop

CREDITS:
Engineer – Nigel Mills
Producer – Marty WildeRicki Wilde*
Sleeve –  XL Design

NOTES:
Taken From the Album “Teases & Dares”

Find the 12″ at DISCOGS

VINYL RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge/Stylus: Ortofon 2M Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi


Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

Debbie Harry – Rush Rush (Special Extended Remix) (US 12″)

Burning The Ground Exclusive 1983

NEW 2021 transfer!
NEW Meticulous restoration!

Originally posted May 10, 2011

“Rush,  Rush” is a song by American singer Debbie Harry. Released as a single in 1983, it is taken from the soundtrack album of the film Scarface (1983).

“Rush Rush” was the first single Harry released after Blondie broke up in 1982, and was one of the several projects she worked on in between her first and second solo albums. It was Harry’s second collaboration with Italian producer Giorgio Moroder, the first being Blondie’s 1980 number-one hit “Call Me” (from the 1980 movie American Gigolo). The song was a reference to drug use, “llello” being a Spanish colloquialism for cocaine.

“Rush Rush” peaked at #105 on the US Billboard chart but became a moderate US dance hit. The single also peaked at #87 in the UK.

The song was also featured in the 2001 video game Grand Theft Auto III on the fictional in-game radio station “Flashback 95.6” (Flashback FM) alongside four other songs from the Scarface soundtrack. The song also appears in the 1986 Tom Hanks film The Money Pit.

SIDE A:
Rush, Rush (Special Extended Remix) 4:47

SIDE B:
Rush, Rush (Dub Mix) 4:41

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1983 Rush, Rush U.S. Billboard Bubbling Under Hot 100 #105
1983 Blue Jean U.S. Billboard Hot Dance/Club Songs #28

RELEASE INFORMATION:
Label: Chrysalis – 4V9 42741
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1983
Genre: Electronic
Style: Synth-pop

CREDITS:
Design –  Janet Perr
Lyrics By – Debbie Harry*
Music By – G. Moroder*
Photography By [Front] – Chris Stein
Producer – Giorgio Moroder

NOTES:
From The Universal Motion Picture ‘Scarface’.

Front announces: “Special Extended Remix”
Runout: “MASTERED AT ALLEN ZENTZ L.A., CALIF.”

Find the 12″ at DISCOGS

VINYL RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge/Stylus: Ortofon 2M Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi


Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.