Tag: Kim Wilde

Kim Wilde – Love Blonde (UK 12″)

BURNING THE GROUND EXCLUSIVE 1983

“Love Blonde” is the first single from the Kim Wilde album Catch as Catch Can released in 1983.

The song sold moderately, restoring some of the ground lost from her previous release “Child Come Away” and is reputedly about Wilde herself. It features Gary Barnacle on saxophone.

It marked the first occasion where Wilde released a 12″ extended version of one of her singles, and the first time she released a 12″ single in her home country (she had previously released 12″ singles in Europe, but merely featuring the normal version of the single). The UK edition of the 12″ single included a free poster. The version on the 7″ single was slightly shorter than that on the original LP.

“Love Blonde” peaked at #23 on the UK singles chart.

SIDE A:
Love Blonde (12″ Version) 4:59
Featuring – Gary Barnacle

SIDE B:
Love Blonde (7″ Version) 3:36
Can You Hear It 4:15

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint
Poster: Mint

RELEASE INFORMATION:
Label: RAK ‎– 12 RAKS 360, RAK ‎– 12RAKS 360
Format: Vinyl, 12″, 45 RPM, Single, Poster
Country: UK
Released: Jul 1983
Genre: Pop
Style: Synth-pop

CREDITS:
Photography By – Peter Ashworth
Producer – Ricki Wilde*
Sleeve [Design] – Russell Tate (3)
Trombone [Uncredited] – Kenny Perk (tracks: A)
Trumpet [Uncredited] – Bill Barnacle (tracks: A)
Written-By – M. Wilde*, R. Wilde*

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Schiit Mani
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Username: btg
Password: burningtheground

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Johnny Hates Jazz – I Don’t Want To Be A Hero (UK 12″)

BURNING THE GROUND EXCLUSIVE 1987

“I Don’t Want to be a Hero” is a 1987 song by the British band Johnny Hates Jazz. It reached #11 in the UK top 40 in August 1987 spending 10 weeks on the chart. It is taken from their #1 album Turn Back the Clock.

The song was written by the band’s lead singer and main songwriter, Clark Datchler. It has a strong anti-war sentiment and is written from the perspective of a soldier who is questioning their participation in what they consider an unjust war. The band’s American record company were reluctant to release the single in the U.S. because of its anti-war stance. The song makes references to conscription and propaganda.

The single was the band’s second top 40 hit in the U.S. peaking at #31 in August 1988.

“I Don’t Want To Be A Hero” also features backing vocals by English singer Kim Wilde.

The b-side “The Cage” is an instrumental non-album track.

SIDE A:
I Don’t Want To Be A Hero (12″ Mix) 6:33

SIDE B:
The Cage 3:52
I Don’t Want To Be A Hero (7″ Version) 3:25

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1988 I Don’t Want To Be A Hero U.S. Billboard Hot 100 #31
1988 I Don’t Want To Be A Hero U.S. Billboard Adult Contemporay #15
1988 I Don’t Want To Be A Hero U.S. Billboard Hot Dance Music/Club Play #19

 

RELEASE INFORMATION:
Label: Virgin – VST 1000
Format: Vinyl, 12″, 45 RPM
Country: UK
Released: 1987
Genre: Electronic
Style: Synth-pop

CREDITS:
Design [Sleeve] – Stylorouge
Photography By – Simon Fowler (2)
Producer – Calvin Hayes, Mike Nocito

NOTES:
Also available the debut LP “TURN BACK THE CLOCK”

Find the 12″ on DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Ferry Aid – Let It Be (US 12″)

BURNING THE GROUND EXCLUSIVE 1987

Although this single was recorded to help victims of a 1987 tragedy. Today we pray for those affected in Manchester, England.

Ferry Aid were a British-American ensemble group, brought together to record the song “Let It Be” in 1987. The single was released following the Zeebrugge Disaster, which had occurred on 6 March 1987 involving the capsizing of the MS Herald of Free Enterprise ferry, which killed 193 passengers and crew. All proceeds from sales of the single were donated to the charity set up in the aftermath of the disaster. The recording was organised by The Sun newspaper, after it had sold cheap tickets for the ferry on that day. “Let It Be” was written by Lennon–McCartney and originally recorded by The Beatles in 1969.

Garry Bushell, then with The Sun newspaper, organised the recording of the song by recruiting record producers Stock, Aitken and Waterman. They then put an invitation out to the music industry for artists to contribute their vocals to the song. Although many stars were initially reluctant to join forces with the newspaper, eventually artists such as Boy George, Kate Bush, Gary Moore and Mark Knopfler agreed to take part. Original writer, Paul McCartney also contributed to the song, although his performance (and section in the accompanying video) were recorded independently in his own studios. In fact, it was later revealed that McCartney used his voice of the original recording of the 1970 Beatles track and added it to the Ferry Aid recording. The song was recorded over three days between 14 and 16 March 1987 and the single was released on Monday 23 March 1987. The first artist to record his part was Mark King (who also played bass guitar on the song) on the Saturday morning, while the last was Paul King on Monday evening.

In the original Beatles recording George Harrison did the guitar solo but for the purposes of this song – as shown in the video – the solo was divided with Gary Moore first, then Mark Knopfler, then back to Gary Moore with Moore’s parts being more ‘rock’ and Knopfler’s being more laid-back.

“Let It Be” reached #1 in the UK Singles Chart in its first week on 4 April 1987, and remained at that position for three weeks. It was the 13th best selling single of the year in the UK; it was certified gold for shipping over 500,000 copies. The single was also a number one hit in Norway and Switzerland, and reached the top 10 in several European countries.

Artists to have contributed and performed solo spots on the song are as follows:

Paul McCartney
Boy George
Keren Woodward and Nick Kamen
Paul King
Mark King
Jaki Graham
Taffy
Mark Knopfler (guitar solo)
Andy Bell
Pepsi & Shirlie
Mel and Kim
Gary Moore (guitar solo)
Kim Wilde and Nik Kershaw
Edwin Starr
Ben Volpeliere-Pierrot
Ruby Turner
Kate Bush

The closing choruses of the song feature an ensemble choir featuring many of the above performers as well other recording artists. The back-up chorus consisted of:

The Alarm, John Altman, Debee Ashby, Al Ashton, Rick Astley, Bananarama, Simon Bates, Alison Bettles, Jenny Blythe, Errol Brown, Miquel Brown, Bucks Fizz, Jay Carly, The Christians, Nick Conway, Linda Davidson, Hazell Dean, Anne Diamond, Difford and Tilbrook, Doctor and the Medics, The Drifters, Drum Theatre, Frankie Goes to Hollywood, Roy Gayle, Go West, Carol Hitchcock, Felix Howard, Gloria Hunniford, Imagination, Jenny Jay, Ellie Laine, Annabel Lamb, Stephanie Lawrence, Loose Ends, Linda Lusardi, Ruth Madoc, Bobby McVey, Suzanne Mizzi, The New Seekers, Sadie Nine, The Nolans, Hazel O’Connor, Mike Osman, Su Pollard, Tim Polley, Pamela Power, Maxi Priest, Princess, Jimmy Pursey, Suzi Quatro, Mike Read, Sally Sagoe, Nejdet Salih, Ray Shell, Mandy Smith, Neville Stapleton, Alvin Stardust, Steve Strange, Sylvia Tella, Terraplane, Bonnie Tyler, Maria Whittaker, Working Week.

SIDE A:
Let It Be 6:30
Engineer – Mark McGuire
Mixed By – Burni Adams, Jamie Bromfield

SIDE B:
Let It Be (Mega Message Mix) 6:11
Mixed By – Jamie Bromfield

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Profile Records ‎– PRO-7147
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1987
Genre: Pop
Style: Pop/Rock

CREDITS:
Bass – Mark King
Drums – A. Lynn
Guitar – Gary Moore, Mark Knopfler
Keyboards – Matt Aitken, Mike Stock
Producer – Stock/Aitken/Waterman*
Written-By – Lennon/McCartney*

NOTES:
Recorded at PWL Studios.
Special thanks to: Michael Jackson and Paul McCartney

Find the 12″ on DISCOGS

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Spirit Of The Forest – Spirit Of The Forest (US 12″)

BTG EARTH DAY EXCLUSIVE 1989

New 2015 Re-Rip!
Meticulously Remastered!
First time in 24bit Flac!

Originally posted April 22, 2011

In celebration of Earth Day I thought it would be great to re-rip this gem from 1989 I really hope that you like it and that you get it’s message.

The first-ever collaboration of top musical artist to help rescue the Earth’s fast disappearing tropical rainforests. “Spirit of the Forest”, conceived, written, and produced by the English environmentalist band, Gentlemen Without Weapons, is a heart-wrenching anthem designed to draw international attention to this unparalleled global environmental crisis.

Over the course of several recording sessions in Los Angeles, New York, London, Rio, and the Brazilian rainforest itself (with native Caraja Indians), the final version of the song was completed. Among the artists heard on the record are David Gilmour of Pink Floyd, Olivia Newton-John, Belinda Carlisle, Ringo Starr, Thomas Dolby, Mick Fleetwood, Brian Wilson, Kate Pierson of the B-52’s, Donna Summer, Taylor Dayne, Deborah Harry and Joni Mitchell. In addition, Brazilian artists Ivan Lins, Gilberto Gil, and Djavan have also joined in.

Although covering just 7% of the world’s land surface, the equatorial rainforest belt contains half of all known species of plants and animals, and acts as a global atmospheric regulator. As third world nations, like Brazil, continue to burn, harvest, and plough under the forests for short-term human corporate gain, the Earth faces increasing danger from global greenhouse warming and desertification. Additionally, deforestation drives indigenous peoples from their ancestral homes. Scientists around the world agree that destruction of the rainforest is a planetary catastrophe of the first magnitude. The aim of “Spirit of the Forest” is to alert people everywhere that this is an issue of utmost importance to all life on earth.

Every minute, an expanse of rainforest the size of twenty football fields is destroyed. That equals an area the size of the state of New Hampshire every day! The release of “Spirit of the Forest” is designed to raise both the voices and funds in this unprecendented challenge to all life on Earth.

The power of music is very strong – the message of this record is very direct:
LET IT BE HEARD.

SIDE A:
Spirit Of The Forest (12″ A) 5:16
Solo Vocals:

  • Chris Rea
  • Mr. Mister
  • XTC
  • Dave Gilmour (Pink Floyd)
  • Brian Wilson
  • Joni Mitchell
  • Ringo Starr
  • Fish
  • Belinda Carlisle
  • Deborah Harry
  • Bonnie Raitt
  • Kate Bush
  • Little Steven
  • Jon Anderson
  • Sam Brown
  • The Escape Club
  • Olivia Newton-John
  • Louise Goffin

SIDE B:
Spirit Of The Forest (12″ AA) 5;09
Solo Vocals:

  • Iggy Pop
  • Ramones
  • Donna Summer
  • Chris Rea
  • Thomas Dolby
  • Was (Not Was)
  • Kim Wilde
  • Taylor Dayne
  • Brother Beyond
  • Richie Havens
  • Louise Goffin
  • Jon Anderson
  • Rita Coolidge
  • Lacy J. Dalton

Theme To Spirit Of The Forest (12″ Mix) 5:48

VINYL GRADE:
Vinyl: Near Mint
Cover: Near Mint

RELEASE INFORMATION:
Label: Virgin – 796551-0
Format: Vinyl, 12″, Maxi-Single, 33 ⅓ RPM
Country: US
Released: 1989
Genre: Electronic
Style: Vocal

CREDITS:
Producer – Gentlemen Without Weapons
Backing Vocals: Africa Bambaata, Amy Sky, Andy Fairweather-Lowe, B-52’s, The, Big Country, Bruce Foxton, David Clayton-Thomas, Dolette McDonald, Fleetwood Mac, Gentlemen Without Weapons, It Bites, Johnnie Warman, Jungle Brothers, LL Cool J, Lenny Kravitz, Lisa Bonet, Marc Jordan, Michael De Barre, Plasmatics, Raging Hormones, Shikisha

Find the 12″ on DISCOGS

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removeal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi