Tag: US

Eurythmics & Aretha Franklin – Sisters Are Doin’ It For Themselves (US 12″)

BURNING THE GROUND EXCLUSIVE 1985

a-front

Love did not save the day  and I am heartbroken. We must keep fighting to break that glass ceiling.

“Sisters Are Doin’ It for Themselves” is a 1985 song recorded as a duet by the British pop duo Eurythmics and American soul/R&B singer Aretha Franklin. It was released as a single by RCA Records in October 1985, and was featured on both Eurythmics’ Be Yourself Tonight and Franklin’s Who’s Zoomin’ Who? albums.

“Sisters Are Doin’ It for Themselves” is considered to be a modern feminist anthem and was written by Eurythmics’ Annie Lennox and Dave Stewart. They had originally intended to duet with Tina Turner, who was unavailable at the time and so the duo approached Aretha Franklin instead.

The song was highly successful, reaching #9 on the UK Singles Chart and #18 on the U.S. Billboard Hot 100. It also peaked at #10 on the Billboard Hot Dance Club Play chart.

The track also features three of Tom Petty’s Heartbreakers; Stan Lynch on drums, Benmont Tench on organ, and Mike Campbell on lead guitar, plus session bassist Nathan East.

SIDE A:
Sisters Are Doin’ It For Themselves 5:54

SIDE B:
Sisters Are Doin’ It For Themselves (ET Mix) 7:56
I Love You Like A Ball And Chain 4:03

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1985 Sisters Are Doin’ It For Themselves U.S. Billboard Hot 100 #18
1985 Sisters Are Doin’ It For Themselves U.S. Billboard Hot Dance Music/Club Play #10

 

RELEASE INFORMATION:
Label: RCA Victor ‎– PW-14243
Format: Vinyl, 12″, Stereo, 33 ⅓ RPM
Country: US
Released: 1985
Genre: Electronic
Style: Synth-pop

CREDITS:
Artwork By [Design] – Laurence Stevens
Engineer – Adam Williams
Engineer [Additional] – Don Smith (tracks: A, B1)
Engineer [Assistant] – Jay Willis
Mixed By – Adam Williams (tracks: B2), Don Smith (tracks: B2), Eric Thorngren (tracks: B1)
Producer, Mixed By – David A. Stewart
Written-By – Lennox*, Stewart*

NOTES:
Both tracks from the album “Be Yourself Tonight”

Aretha Franklin Appears courtesy of Arista Records Inc.
Sisters Are Doin’ It For Themselves is also included on Aretha Franklins’ album ‘Who’s Zoomin’ Who?’

Find the 12″ on DISCOGS

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EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Whitney Houston – Love Will Save The Day (US 12″)

BURNING THE GROUND EXCLUSIVE 1988

a-front

“Love Will Save the Day” was the fifth single by American singer-songwriter Whitney Houston from her second multi-platinum studio album Whitney. The single was released in July 1988 by Arista Records.

“Love Will Save the Day was produced by John “Jellybean” Benitez and features Roy Ayers on Vibraphone (Vibes).

At this time, Whitney Houston had achieved a record-breaking string of seven number-one hits, with four of those #1’s from her current album “Whitney”. “Love Will Save the Day” did not become Houston’s eighth consecutive number one, but continued her trend of hit singles by peaking in the US Top 10. The #9 peak on the Hot 100 was Houston’s lowest solo peak up to this time. The song also made the Top 10 without an accompanying music video.

Houston had stronger performances on the charts prior to this song but it did remain in the top 40 for 11 weeks, and reached #5 on the R&B Chart, and #1 on the Hot Club/Dance Play Tracks.

Internationally, the song mostly saw less success except in the United Kingdom, where it went Top 10 and Switzerland, where it went Top 20. It was a moderate hit in Germany, making 37; and was a minor hit in Australia, peaking at 77.

SIDE A:
Love Will Save The Day (Extended Remix) 7:57
Keyboards – Rich Tancredi
Remix – Ric Wake

Love Will Save The Day (A Cappella) 5:17
Remix – Ric Wake

SIDE B:
Love Will Save The Day (Single Version) 4:22

Dub Will Save The Day 4:57
Keyboards – Rich Tancredi
Remix – Ric Wake

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1988 Love Will save The Day U.S. Billboard Hot 100 #9
1988 Love Will save The Day U.S. Billboard US Hot Adult Contemporary Chart #10
1988 Love Will save The Day U.S. Billboard Hot Black Singles #5
1988 Love Will save The Day U.S. Billboard Hot Dance/Club Play #1

 

RELEASE INFORMATION:
Label: Arista ‎– ADI-9721
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1988
Genre: Electronic, Funk / Soul
Style: Soul, Garage House, Synth-pop

CREDITS:
Producer – John “Jellybean” Benitez

NOTES:
From the LP “WHITNEY”

Find the 12″ on DISCOGS

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EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Matthew Wilder – The Kid’s American (US 12″ Promo)

BURNING THE GROUND EXCLUSIVE 1983

side-1

“The Kid’s American” was the second single released by American musician, composer and record producer Matthew Wilder from his debut album I Don’t Speak The Language. The single failed to match the success of the previous single “Break My Stride” only reaching #33 on the US Billboard Hot 100. In the UK the single only reached #93.

SIDE A:
The Kid’s American (Remix / Club Version) 6:02

SIDE B:
The Kid’s American (Dub Version) 4:35

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1983 The Kid’s American U.S. Billboard Hot 100 #33

 

RELEASE INFORMATION:
Label: Private I Records ‎– 4Z9 04986
Format: Vinyl, 12″, 33 ⅓ RPM, Promo
Country: US
Released: 1983
Genre: Electronic
Style: Synth-pop

CREDITS:
Producer – Bill Elliot*, Peter Bunetta, Rick Chudacoff
Remix – Paul Sabu, Rusty Garner
Written-By – M. Wilder*

NOTES:
Original version on the Private I LP: “I Don’t Speak The Language”

Produced for Ripe Productions.
“An Endless Music Mix”

Find the 12″ on DISCOGS

side-2

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Olivia Newton-John – Landslide (US 7″)

BURNING THE GROUND EXCLUSIVE 1982

a-front

Very excited I am going to see Olivia tonight right here in Tulsa, she will be performing at The Joint at the Hard Rock. Olivia is currently promoting her new album “LIV ON” which is available now.

“Landslide” is a song by Australian singer Olivia Newton-John from her twelfth studio album Physical. It was released in several countries as the third and last single from the album in April 1982. In United Kingdom, however, it was released in January 1982 as the second single (“Make a Move on Me” was the third and last single). The single didn’t achieve the success of its predecessors from the album, but peaked at the top 20 on the UK Singles Charts. The song also wasn’t performed during the Physical Tour, but had some performances in television programs during the international promotion.

In the United States “Landslide” peaked at #52 on the Billboard Hot 100debuted on the Billboard Hot 100 on June 12, 1982 peaking at #52.

Of note the 7″ version is slightly different from the 4:23 LP version.

SIDE A:
Landslide (7″ Version) 3:58
Written-By – John Farrar

SIDE B:
Recovery 4:18
Written-By – John Farrar, Tom Snow

VINYL GRADE:
Sleeve: Near Mint
Vinyl: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1982 Landslide U.S. Billboard Hot 100 #52

 

RELEASE INFORMATION:
Label:MCA Records ‎– MCA-52069
Format: Vinyl, 7″, Single, 45 RPM
Country: US
Released: 1982
Genre: Electronic
Style: Pop/Rock, Synth-pop

CREDITS:
Photography [Photos] – Herb Ritts
Producer – John Farrar

NOTES:
℗1981 Original sound recording made by Olivia Newton-John
Taken from the album “PHYSICAL”

Find the 7″ on DISCOGS

b-back

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi