Tag: US

George Michael – Killer/Papa Was A Rollin’ Stone (P.M. Dawn Remix) (US 12″)

BURNING THE GROUND EXCLUSIVE 1993

I originally posted this 12″ on June 25, 2013 which was George’s birthday. I would have never guessed that three years later we would be mourning his death and celebrating his music. I was never happy with my original transfer so I am happy to be able to give this single a brand new 2017 remaster.

“Killer/Papa Was A Rollin’ Stone” is a 1993 single by British pop singer George Michael. The “P.M. Dawn Remix” was the version released as a single to promote the EP “Five Live” recorded at the Freddie Mercury Tribute Concert, held on 20 April 1992, at Wembley Stadium. “Killer” was originally a song by British acid house producer Adamski. Written by Adamski and Seal. “Papa Was A Rollin’ Stone” is a psychedelic soul song, written by Motown songwriters Norman Whitfield and Barrett Strong as a single for Motown act The Undisputed Truth in 1971 and later that year The Temptations. Both songs were blended into a mash-up by George Michael becoming “Killer/Papa Was A Rollin’ Stone”.

George Michael’s version peaked at #69 on the Billboard Hot 100 on July 24, 1993 after spending seven weeks on the survey.

This Side
Killer / Papa Was A Rollin’ Stone (P.M. Dawn Remix) 4:30

That Side
Killer / Papa Was A Rollin’ Stone (P.M. Dawn Remix) (Extended Version) 9:15

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1993 Killer / Papa Was A Rollin’ Stone U.S. Billboard Hot 100 #69
1993 Killer / Papa Was A Rollin’ Stone U.S. Billboard Hot Dance Music/Club Play #5

 

RELEASE INFORMATION:
Label: Hollywood Records ‎– HR-66289-0
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1993
Genre: Electronic
Style: House

CREDITS:
Guitar, Keyboards – Herbie Tribino
Remix – P.M. Dawn
Written-By [Killer] – Tinley*, Seal
Written-By [Papa Was A Rollin’ Stone] – Norman Whitfield

NOTES:
Printed on info label:
“All artists royalties and record company net profits from this single will be donated to the Mercury Phoenix Trust for the distribution to AIDS charities worldwide in memory of the incomparable Freddy Mercury”.

Find the 12″ on DISCOGS

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

George Michael – Killer/Papa Was A Rollin’ Stone (Bonzai Mixes) (US 121″ Promo)

BURNING THE GROUND EXCLUSIVE 1993

In 1991, George Michael performed “Killer” live at the Wembley Arena in a version that was released on the 1993 EP Five Live. “Papa Was a Rollin’ Stone” was also recorded and released on the same album. The two songs were blended together in the live performance, then remixed several times. In the U.S. the single peaked at #69 on the Billboard Hot 100 and #5 dance. In Canada the single reached #19 on the RPM Singles Chart.

George Michael shot a video for the release, in which he did not appear personally. It was during the time when Michael refused to exploit his outward look, which he thought would distract the audience from the music, his main concern. The video was directed by Marcus Nispel.

This U.S. 12″ promo contains exclusive remixes.

SIDE A:
Killer / Papa Was A Rollin’ Stone (N.Y.C. Club Mix) 6:59
Killer / Papa Was A Rollin’ Stone (Very Vocal Club Mix) 6:27
Killer / Papa Was A Rollin’ Stone (Killer Papa Dub) 6:10

SIDE B:
Killer / Papa Was A Rollin’ Stone (Killer Techno!) 5:15
Killer / Papa Was A Rollin’ Stone (X-Tended Mix) 6:32

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1993 Killer / Papa Was A Rollin’ Stone U.S. Billboard Hot 100 #69
1993 Killer / Papa Was A Rollin’ Stone U.S. Billboard Hot Dance Music/Club Play #5

 

RELEASE INFORMATION:
Label: Hollywood Records ‎– ED-10329
Format: Vinyl, Promo, 12″
Country: US
Released: 1993
Genre: Electronic, Pop
Style: House, Techno

CREDITS:
Keyboards [Additional] – Andy Marvel
Producer, Vocals – George Michael
Remix – “Bonzai” Jim Caruso*
Written-By – Tinley*, Seal, Norman Whitfield, Barrett Strong*

NOTES:
Original version can be heard on “FIVE LIVE”.

Find the 12″ on DISCOGS

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Various – Selections From Yulesville and Winter Warnerland (US 12″)

BURNING THE GROUND HOLIDAY EXCLUSIVE

I couldn’t really figure out what to post for Christmas this year so I decided to put together a selection of tracks taken from two seperate Warner Brothers Christmas compilations. “Yulesville” (1987) and “Winter Warnerland” (1988). Most of the tracks were exclusive to these records at the time of their release. The selections that I chose are some of my favorites from these two records. I hope that they will become favorites for you too. Merry Christmas!

“We Three Kings” is a Christmas carol that was written by John Henry Hopkins, Jr. in 1857. Produced by the prodigious Flood, who has worked with artists such as Erasure and Depeche Mode, Book Of Love’s holiday offering is positively regal, and should whet the appetites of kings, queens and everything in between..

“Silent Night” performed by British synth-pop band Erasure who at the time had just released their LP “The Circus” added not only a Christmas message but their own Erasurized version of this holiday classic.

“Blue Christmas” is a Christmas song written by Billy Hayes and Jay W. Johnson and most famously performed by Elvis Presley. Former LEMMON KITTEN, Danielle Dax who at the time had just relesed her album “Dark Adapted Eye” which featured the UK smashes “Cathouse” and “Big Hollow Man”. recorded her version of “Blue Christmas” which is so good, it ought to keep Elvis from coming back for more…(oops, did I say that?)

“I Believe in Father Christmas” is a song by English musician Greg Lake with lyrics by Peter Sinfield. Canadian band Honeymoon Suite recorded the song exclusively for the “Winter Warnerland” compilation and it’s a beauty.

Both tracks taken from the original vinyl release.

YULESVILLE:
Book Of LoveWe Three Kings 3:17
Producer – Flood

ErasureSilent Night/Erasure Christmas 0:54
Producer – Erasure

WINTER WARNERLAND:
Danielle DaxBlue Christmas 1:35
Producer – Danielle Dax
Recorded by Danielle Dax and David Knight
Recorded at Fortress Dax Studio

Honeymoon SuiteI Believe In Father Christmas 3:06
Producer – Honeymoon Suite
Engineer – Michael Sarracini

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Warner Bros. Records ‎– PRO-A-2896, Warner Bros. Records ‎– PRO-A-3328
Format: Vinyl, 12″, Compilation, Promo, Red/Green Transparent
Country: US
Released: 1987/1988
Genre: Electronic
Style: Synth-pop, Alternative

CREDITS:
Engineer – Lee Herschberg, Marc Craue
Executive Producer – Greg Lee, Kevin Laffey
Mastered By – Bobby Hata

NOTES:
Taken from promotional compilation LP’s “YULESVILLE” and “WINTER WARNELAND”.

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Camouflage – The Great Commandment (John Luongo Mixes) (US 12″)

BURNING THE GROUND EXCLUSIVE 1988

REQUEST

“The Great Commandment” is the debut single from German synthpop band Camouflage, taken from their debut album Voices & Images. The single had originally been recorded three years prior and was re-recorded in 1987, giving Camouflage their only number one dance hit. “The Great Commandment” stayed at the top spot for three non-consecutive weeks. The single became popular on independent stations and crossed over to the mainstream American pop charts, peaking at number fifty-nine in 1988. In their native Germany, “The Great Commandment” went to number fourteen, and reached the top ten in over twenty countries.

This US 12″ contains remixes by American dj/remixer John Luongo. I added as a bonus track the “Extended Radio Mix” which I transfered from the German 12″.

SIDE A:
The Great Commandment (12″ Mix) 6:14
The Great Commandment (Dub Mix) 7:52

SIDE B:
The Great Commandment (Extended Dance Mix) 6:00

Pompeji
Producer – Heiko Maile
Recorded By, Mixed By – Axel Henninger*

BONUS TRACK:
The Great Commandment (Extended Radio Mix) 5:40

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1988 The Great Commandment U.S. Billboard Hot 100 #59
1988 The Great Commandment U.S. Billboard Hot Dance/Club Play #1
1988 The Great Commandment U.S. Billboard Hot Alternative Songs #3

 

RELEASE INFORMATION:
Label: Atlantic ‎– 0-86530
Format: Vinyl, 12″, 33 ⅓ RPM, Maxi-Single
Country: US
Released: 1988
Genre: Electronic
Style: Synth-pop

CREDITS:
Co-producer – Axel Henninger* (tracks: A1 to B1)
Edited By – John Luongo (tracks: A1 to B1)
Photography By [Back Cover] – Jacques Sehy
Photography By [Front Cover] – Franz Wagner (4)
Producer – Camouflage (tracks: A1 to B1)
Producer [Additional Production], Mixed By – Gary Hellman (tracks: A1 to B1)
Production Manager [Additionel Production], Mixed By, Edited By – Gary Hellman (tracks: A1 to B1)
Written-By, Performer – Heiko Maile, Marcus Meyn, Oliver Kreyssig

NOTES:
Special Versions from Atlantic LP “Voices & Images”

Find the 12″ on DISCOGS

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi