Tag: US 12″ Promo

Yvonne Elliman – Love Pains (US 12″ Promo)

BURNING THE GROUND EXCLUSIVE 1982

Label

DISCO FRIDAY!

“Love Pains” is a dance song written by Michael Price, Dan Walsh and Steve Barri and originally recorded by Yvonne Elliman in 1979.

“Love Pains” was a hit for Elliman in 1979, reaching #34 on Billboard’s Hot 100 chart as well as #75 on Hot Dance Club Play, and #33 on the Adult Contemporary chart. “Love Pains” would be Elliman’s final chart single, Elliman’s extended hiatus from the music business commencing soon after the release of the track’s parent album Yvonne which was the last release of newly recorded music by Elliman until her 2004 EP Simple Needs.

In 1982, Moby Dick Records were in the process of re-releasing remixes of previous hits for their Gold Standard label when Rob Kimbel presented them with a remix of “Love Pains.” The remix was released as a single and sales for the Moby Dick 12″ single surpassed sales of the original record.

*This 12″ promo contains the same remix on both sides.

SIDE A:
Love Pains (Special DJ Edited Version) 7:43
Edited By – Rob “Scissors” Kimbel*

SIDE B:
Love Pains (Special DJ Edited Version) 7:43
Edited By – Rob “Scissors” Kimbel*

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint (generic)

CHART HISTORY:

Year Single Chart Position
1979 Love Pains U.S. Billboard Hot 100 #34
1979 Love Pains U.S. Billboard Hot Adult Contemporary Tracks #33
1979 Love Pains U.S. Billboard Hot Dance Club Play #75

 

RELEASE INFORMATION:
Label: Moby Dick Records ‎– MDR-1201 A
Format: Vinyl, 12″, 45 RPM, Promo
Country: US
Released: 1982
Genre: Funk / Soul
Style: Disco
Credits: Producer – Steve Barri
Written-By – D. Walsh*, M. Price*, S. Barri*

NOTES:
Original version on the LP “YVONNE”
Same track appears on both sides.
Promotion Copy

Find The 12″ On DISCOGS

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Pro-Ject Acryl-It platter
Pro-Ject Speed Box S
Bellari VP130 Tube Phono Preamp
Soundcard: ESI Juli@
VPI HW 16.5 Record Cleaning Machine
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Adobe Audition 3.0 (Recording)
Adobe Photoshop CS5
ClickRepair
dBpoweramp
Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
Downsampled to 24bit/96kHz and16bit /44kHz using iZotope RX Advanced 2
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Richard Marx – Should’ve Known Better (US 12″ Promo)

BURNING THE GROUND EXCLUSIVE 1987

A. Front

Re-Rip Newly Remastered!

Originally I posted this one on September 9, 2010. But for those who may have missed it or if you are a new reader just discovering BTG. I decided to give this one a new rip with my newer Ortofon Super 30 stylus. This 12″ is also being posted in 24 bit flac for the very first time!

“Should’ve Known Better” is a song written and performed by American pop-rock singer Richard Marx, and released in August 8, 1987 as the second single from his eponymous debut album. The song peaked at number three on the US Billboard Hot 100 as well as #7 on the Billboard Mainstream Rock Tracks chart in 1987.

Marx became the first solo artist in recording history to reach the top three of the Billboard Hot 100 with four singles from a debut album.

Released in August 8, 1987 as the second single from his debut solo album, “Should’ve Known Better” entered the U.S. Billboard Hot 100 on September 26, 1987 at number 64, the highest debut of the week. The single also peaked at number 20 on the U.S. Adult Contemporary chart. Elsewhere, the single reached number 50 in the United Kingdom.

SIDE A:
Should’ve Known Better (Rock Radio Version) 4:32
Producer – Humberto Gatica
Remix – David Cole (4)
Written-By – Richard Marx

SIDE B:
Should’ve Known Better (LP Version) 4:10
Producer – Humberto Gatica
Written-By – Richard Marx

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

CHART HISTORY:

Year Single Chart Position
1987 Should’ve Known Better U.S. Billboard Hot 100 #3
1987 Should’ve Known Better U.S. Billboard Mainstream Rock Tracks #7
1987 Should’ve Known Better U.S. Billboard Hot Adult Contemporary Tracks #20

 

RELEASE INFORMATION:
Label: EMI-Manhattan Records – SPRO-79115
Format: Vinyl, 12″, Promo
Country: US
Released: 1987
Genre: Rock
Style: Pop Rock
Credits: Design [Designer] – Koppel & Scher
Photography – Nels

NOTES
Promotional 12″ Exclusively For Radio
from the Album, Cassette & Compact Disc “RICHARD MARX”

Find The 12″ On DISCOGS

B. Back

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Pro-Ject Acryl-It platter
Pro-Ject Speed Box S
Bellari VP130 Tube Phono Preamp
Soundcard: ESI Juli@
VPI HW 16.5 Record Cleaning Machine
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Adobe Audition 3.0 (Recording)
Adobe Photoshop CS5
ClickRepair
dBpoweramp
Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
Downsampled to 24bit/96kHz and16bit /44kHz using iZotope RX Advanced 2
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Rockwell – Obscene Phone Caller (US 12″ Promo)

BURNING THE GROUND EXCLUSIVE 1984

Side One

“Obscene Phone Caller” was the Follow-up single to Rockwell’s hit “Somebody’s Watching Me” howver the single underperformed and became Rockwell’s only other Top 40 single peaking at #35 on the Billboard Hot 100. In the UK the single reached the #79 position.

SIDE A:
Obscene Phone Caller (12″ Voc.) 4:28

SIDE B:
Obscene Phone Caller (Instrumental) 5:17

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

CHART HISTORY:

Year Single Chart Position
1984 Obscene Phone Caller U.S. Billboard Hot 100 #35

 

RELEASE INFORMATION:
Label: Motown ‎– PR-143
Format: Vinyl, 12″, Promo, 33 ⅓ RPM
Country: US
Released: 1984
Genre: Electronic
Style: Synth-pop
Credits: Executive Producer – Ray Singleton
Producer, Arranged By – Curtis Anthony NolenRockwell
Written-By – Rockwell

NOTES:
Original version appears on the Motown LP:
“SOMEBODY’S WATCHING ME”

Find The 12″ On DISCOGS

Side Two

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Pro-Ject Acryl-It platter
Pro-Ject Speed Box S
Bellari VP130 Tube Phono Preamp
Soundcard: ESI Juli@
VPI HW 16.5 Record Cleaning Machine
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Adobe Audition 3.0 (Recording)
Adobe Photoshop CS5
ClickRepair
dBpoweramp
Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
Downsampled to 24bit/96kHz and16bit /44kHz using iZotope RX Advanced 2
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Midnight Oil – Beds Are Burning (US 12″ Promo)

BURNING THE GROUND EXCLUSIVE 1987

Side One

Re-Rip Newly Remastered!

Originally I posted this one on June 7, 2010. But for those who may have missed it or if you are a new reader just discovering BTG. I decided to give this one a new rip with my newer Ortofon Super 30 stylus. This 12″ is also being posted in 24 bit flac for the very first time!

Sticker“Beds Are Burning” is a 1987 hit single by Australian rock band Midnight Oil, the first track from their album Diesel and Dust. This song was the second from the album to be released as a single, and is among the band’s best-known songs outside Australia.

It reached #1 in the South African charts, #3 in the Netherlands Top 40, #5 in the France Top 50, #6 in the United Kingdom charts, #11 in Ireland, #17 in the U.S. Billboard Hot 100 and in Denmark.

It is one of The Rock and Roll Hall of Fame’s 500 Songs that Shaped Rock and Roll.

It is named #95 on VH1′s 100 Greatest One Hit Wonders of the 80s and #97 by the Triple J Hottest 100 Of All Time in 2009.

In May 2001, Australasian Performing Right Association (APRA) celebrated its 75th anniversary by naming the Best Australian Songs of all time, as decided by a 100 strong industry panel. “Beds Are Burning” was declared third behind the Easybeats’ “Friday on My Mind” and Daddy Cool’s “Eagle Rock”

“Beds Are Burning” is a political song about giving native Australian lands back to the Pintupi, who were among the very last people to come in from the desert. These ‘last contact’ people began moving from the Gibson Desert to settlements and missions in the 1930s. More were forcibly moved during the 1950s and 1960s to the Papunya settlement. In 1981 they left to return to their own country and established the Kintore community which is nestled in the picturesque Kintore Ranges, surrounded by Mulga and Spinifex country. It is now a thriving little community with a population of about 400. (Kintore and the town of Yuendumu are mentioned by name in the lyrics.)

Midnight Oil performed the song in front of a world audience of billions (including then Prime Minister John Howard) at the closing ceremony of the 2000 Sydney Olympics. The whole band were dressed in black, with the word “sorry” printed conspicuously on their clothes. This was a reference to the Prime Minister’s refusal to apologize, on behalf of the government of Australia, to the Aboriginal Australians for the way they had been treated over the previous 200 years, particularly in relation to native title and the government-sanctioned removal of Aboriginal children of the Stolen Generations from their families.

The remixes contained on this 12″ are only available on this US promo.

SIDE A:
Beds Are Burning (Tamarama Mix) 8:04

SIDE B:
Beds Are Burning (Luongo 7″ Mix) 5:25
Beds Are Burning (Instrumental Ayers Rock Mix) 4:47
Beds Are Burning (Percapella Kangaroo Mix) 4:27

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

CHART HISTORY:

Year Single Chart Position
1988 Beds Are Burning U.S. Billboard Hot 100 #17
1988 Beds Are Burning U.S. Billboard Hot Mainstream Rock Tracks #6
1988 Beds Are Burning U.S. Billboard Hot Dance/Club Play #20
1988 Beds Are Burning U.S. Billboard Hot Dance Music/Maxi-Single’s Sales #45

 

RELEASE INFORMATION:
Label: Columbia – CAS 1113
Format: Vinyl, 12″, 33 ⅓ RPM, Promo
Country: US
Released: 1987
Genre: Electronic
Style: Alternative Rock, Pop Rock
Credits: Engineer – Gary HellmanGuy Gray
Engineer [Assistant] – John Magnusson
Producer – Midnight OilWarne Livesey
Remix, Edited By – John Luongo

NOTES:
Demonstration Not For Sale

Taken From The Columbia LP:
“DIESEL AND DUST”

Find The 12″ On DISCOGS

Side Two

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Pro-Ject Acryl-It platter
Pro-Ject Speed Box S
Bellari VP130 Tube Phono Preamp
Soundcard: ESI Juli@
VPI HW 16.5 Record Cleaning Machine
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Adobe Audition 3.0 (Recording)
Adobe Photoshop CS5
ClickRepair
dBpoweramp
Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
Downsampled to 24bit/96kHz and16bit /44kHz using iZotope RX Advanced 2
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi