Tag: UK

May 14, 2018

Bow Wow Wow – Go Wild In The Country (UK 12″)

BURNING THE GROUND EXCLUSIVE 1982

“Go Wild in the Country” is a song by English new wave band Bow Wow Wow. It was released as a single from their album See Jungle! See Jungle! Go Join Your Gang, Yeah. City All Over! Go Ape Crazy.

“Go Wild in the Country” was written by Dave Barbarossa, Leigh Gorman, Malcolm McLaren and Matthew Ashman.

It was first released in 1982 and entered the UK Singles Chart in January, reaching No. 7 and staying for 13 weeks on the chart. It was the first single by the band to not be produced by Malcolm McLaren.

The single sleeve, from the same photoshoot as the See Jungle! See Jungle! album cover reenacts Édouard Manet’s Le déjeuner sur l’herbe.

SIDE A:
Go Wild In The Country (Extended Version) 5:20
Written-By – Barbarossa*, Gorman*, McLaren*, Ashman*

SIDE B:
El Boss Dicho! 2:12
Written-By – Barbarossa*, Gorman*, Ashman*

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: RCA ‎– RCAT 175, RCA ‎– (PB 5450)
Format: Vinyl, 12″, 45 RPM, Single
Country: UK
Released: 1982
Genre: Rock
Style: New Wave

CREDITS:
Producer – Brian Tench

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Bellari VP130 Tube Phono Preamp
Tube: Tung-Sol 12AX7 TubeGold Pins
Soundcard: Novation Audiohub 2×4 Audio Interface
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

April 24, 2018

Renegade Soundwave – C.S. (Sex Mixes) (UK 12″)

BURNING THE GROUND EXCLUSIVE 1987

“Cocaine Sex” was the second single released by the electronic music group. Formed in London in 1986, Renegade Soundwave. The single was released on Mute Records subsidiary Rhythm King in 1987.

Renegade Soundwave applied the punk and industrial ethic to both dub and dancefloor electronica, in good company with fellow sound terrorists throughout the decade, from Cabaret Voltaire to Skinny Puppy and Meat Beat Manifesto.

The group consisted of Gary Asquith, Danny Briottet, and Carl Bonnie.

As a further note: The versions of “Cocaine Sex (Sub-Aqua Overdrive Dub)” and “Bonus Porno Beats” on the subsequent 1992 CD single re-release, are noticeably sped-up and, consequently, shorter than they appear here.

SIDE A:
Cocaine Sex 5:32
Cocaine Sex (Sub-Aqua Overdrive Dub) 4:43

SIDE B:
Cocaine Sex (Turbo Lust Mix) 6:54
Bonus Porno Beats 2:44

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Rhythm King Records ?– LEFT 20T
Format: Vinyl, 12″, 33 ? RPM, Single
Country: UK
Released: 1987
Genre: Electronic, Hip Hop
Style: Leftfield, Dub, Electro

CREDITS:
Artwork – David Little (3)
Engineer – Dub Fire*, Paul Kendall, Rico Conning
Layout – Slim Smith (2)
Written-By – Renegade Soundwave

NOTES:
A Renegade Soundwave Production.
Made in England

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

April 20, 2018

Japan – Life In Tokyo (UK 12″ Ltd. Edition)

BURNING THE GROUND EXCLUSIVE 1979

“Life in Tokyo” is a song by the British band Japan. A collaboration with disco producer Giorgio Moroder, who also co-wrote the song with David Sylvian, it marked a change of direction from the bands previous sound. Originally released as a single in 1979, it was reissued twice before it finally became a hit on The UK Singles Chart in 1982.

The song was written by Giorgio Moroder and band vocalist David Sylvian. The musical style is in line with Moroder’s electronic disco style as already employed on albums by Donna Summer, Munich Machine and on his own From Here to Eternity in 1977. Moroder’s trademark arpeggiated synthesiser can be heard throughout the track.

SIDE A:
Life In Tokyo Part I (Disco Version) 7:09

SIDE B:
Life In Tokyo Part II (Single Version) 3:32

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Ariola Hansa ‎– AHAD 540
Format: Vinyl, 12″, 45 RPM, Single, Limited Edition, Red
Country: UK
Released: 12 Apr 1979
Genre: Electronic
Style: Synth-pop, Disco

CREDITS:
Producer [Produced By] – Giorgio Moroder
Written-By – D. Sylvian*, G. Moroder*

NOTES:
Made in England

12″ Vinyl Single pressed on Red Vinyl and supplied in ‘Camera’ sleeve with the notes: ‘Limited Edition 12″ Single, Extended Version’.

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

April 18, 2018

Tears For Fears – Mothers Talk (Beat Of The Drum Mix) (UK 12″)

BURNING THE GROUND EXCLUSIVE 1984

“Mothers Talk” is a 1984 song by the British band Tears for Fears. Written by Roland Orzabal and Ian Stanley and sung by Orzabal, it was the band’s seventh single release (the first to be taken from their second album Songs from the Big Chair (1985) and fifth UK Top 40 chart hit. The song was released six months in advance of the album and showcased the band’s edgier sound, as compared to their debut LP The Hurting (1983). It was also a moderate success internationally.

“Mothers Talk” was written in 1983 and was first publicly performed during the band’s late 1983 tour. In early 1984, the band went into the studio to record the song as their next single, though the recording sessions with their new producer Jeremy Green did not work out as planned and the recording was scrapped. The band’s previous producer, Chris Hughes, was then brought back into the fold and the song was re-recorded and finally released as a single in August 1984. Hughes stayed on with the band to record their second album, Songs from the Big Chair.

Along with its B-side, “Empire Building”, “Mothers Talk” was one of the first Tears for Fears songs to demonstrate a creative use of sampling. The strings at the beginning of the song were culled from a Barry Manilow record, while the drum sample around which “Empire Building” is built was lifted from the Simple Minds song “Today I Died Again”. This was the second Tears for Fears single for which Phonogram Records would use the picture disc and colored vinyl gimmicks as a promotional tool, as well as the first one to feature multiple 12″ releases offering different remixes of the track. Limited quantities of the 7″ single also came with a free Tears For Fears window sticker of the band’s new logo.

SIDE A:
Mothers Talk (Beat Of The Drum Mix) 8:55
Producer – Chris Hughes
Written-By – Stanley*, Orzabal*

SIDE B:
Empire Building 2:51
Written-By – Smith*, Stanley*, Orzabal*

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Mercury ‎– IDEAR 712, Mercury ‎– 818 838-1
Format: Vinyl, 12″, 45 RPM
Country: UK
Released: 1984
Genre: Electronic
Style:New Wave, Synth-pop

CREDITS:
Backing Vocals – Stevie Lange
Design – J.B.*, Peter Jones (15)
Photography By – Mike Prior (2)

NOTES:
‘At last he’s asleep
now to give him what he deserves’

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi