Tag: Promo

Glenn Frey – You Belong To The City (US 12″ Promo)

BURNING THE GROUND EXCLUSIVE 1985

Side 1

“You Belong to the City” is a song written by Glenn Frey and Jack Tempchin, and recorded by Frey during his solo career. It was written specifically for the television show Miami Vice in 1985. The song nearly reached the top of the charts, peaking at number two (behind Starship’s “We Built This City”) on the US Billboard Hot 100 chart, although it did reach the top of the Billboard Top Rock Tracks chart. This song, along with Jan Hammer’s “Miami Vice Theme”, helped the Miami Vice soundtrack album reach the top spot of the Billboard 200 chart for 11 weeks in 1985, making it the best-selling album of the year and the most successful TV soundtrack of all time.

All instruments were performed by Frey except the saxophone part played by studio musician Bill Bergman, as well as the drum track by Frey’s long-time drummer, Michael Huey. The song was recorded at Fool On The Hill studios, New York City, at the end of 1984. The synthesizer used in this song was a Yamaha DX7.

SIDE A:
You Belong To The City(Long Version) 5:52

SIDE B:
You Belong To The City(Short Version) 4:24

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1985 You Belong To The City U.S. Billboard Hot 100 #2
1985 You Belong To The City U.S. Billboard Mainstream Rock Tracks #1
1985 You Belong To The City U.S. Billboard Hot Adult Contemporary #2

 

RELEASE INFORMATION:
Label: MCA Records ‎– L33 17035
Format: Vinyl, 12″, 33 ⅓ RPM, Single, Promo
Country: US
Released: 1985
Genre: Electronic, Rock
Style: Pop Rock, Synth-pop

CREDITS:
Producer, Written-By – Glenn Frey
Written-By – Jack Tempchin

NOTES:
From the Television Series Album “MIAMI VICE”

Finf the 12″ on DISCOGS

Side 2

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Glenn Frey – Smuggler’s Blues (US 12″ Promo)

BURNING THE GROUND EXCLUSIVE 1984

Side 1

“Smuggler’s Blues” is a song written by Glenn Frey and Jack Tempchin, and performed by Frey. It was the third and final single from Frey’s second studio album, The Allnighter (1984). Its music video won Frey an MTV Video Music Award in 1985. The single peaked at #12 in the US and $22 in the UK.

The fifteenth episode of Miami Vice is named for the song, and incorporated it into the action. Frey played a pilot in the episode.

SIDE A:
Smuggler’s Blues (Long Version) 4:17

SIDE B:
Smuggler’s Blues (Short Version) 3:45

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1984 Smuggler’s Blues U.S. Billboard Hot 100 #12
1984 Smuggler’s Blues U.S. Billboard Mainstream Rock Tracks #13

 

RELEASE INFORMATION:
Label: MCA Records ‎– L33-1281
Format: Vinyl, 12″, Promo, Single, 33 ⅓ RPM
Country: US
Released: 1984
Genre: Rock
Style: Pop Rock

CREDITS:
Producer – Allan Blazek, Glenn Frey
Written-By – G. Frey*, J. Tempchin*

NOTES:
From the album “THE ALLNIGHTER”

Find the 12″ on DISCOGS

Side 2

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

David Bowie – Day-In Day-Out (US 12″ Promo)

BURNING THE GROUND EXCLUSIVE 1987

A. Front

“Day-In Day-Out” is the first track on David Bowie’s album Never Let Me Down. It was issued as a single in March 1987, ahead of the album’s release.

The song criticised the urban decay and deprivation in American cities at the time, concerned largely with the depths a young mother has to sink to feed her child, including attempting to shoplift and becoming a prostitute. The video was banned and censored as a result.

The single was modest hit, entering the top 10 charts in several countries worldwide.

This US 12″ promo contains special edits by Shep Pettibone exclusive to this release. The sleeve and labels also list track A2 incorrectly it is actually the “Extended Dub Mix”.

SIDE A:
Day-In Day-Out (7″ Dance Edit) 3:35
Day-In Day-Out (Extended Dub Mix) 7:17

SIDE B:
Day-In Day-Out (Edited Dance Mix) 4:30

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1987 Day-In Day-Out U.S. Billboard Hot 100 #21
1987 Day-In Day-Out U.S. Billboard Mainstream Rock Tracks #3
1987 Day-In Day-Out U.S. Billboard Hot Dance Music/Club Play #10

 

RELEASE INFORMATION:
Label: EMI America ‎– SPRO 9996/9997
Format: Vinyl, 12″, Promo, 33 ⅓ RPM
Country: US
Released: 1987
Genre: Pop
Style: Synth-pop

CREDITS:
Design [Art, Set & Design] – Mick Haggerty
Engineer [Mix] – Steve Peck
Keyboards [Additional] – David Cole
Other [Set Construction] – Ron Oates
Photography – Greg Gorman
Producer – David Bowie, David Richards
Producer [Additional], Mixed By, Edited By – Shep Pettibone
Written-By – David Bowie

NOTES:
From the LP “Never Let Me Down”
Label and sleeve list track A2 incorrectly.

Find the 12″ on DISCOGS

B. Back

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

David Bowie – Fashion (US 12″ Promo)

BURNING THE GROUND EXCLUSIVE 1980

A Side

“Fashion” is a track from David Bowie’s 1980 album Scary Monsters (And Super Creeps). It was released as the second single from the album and was accompanied, like its predecessor “Ashes to Ashes”, by a highly regarded music video.

“Fashion” was the second single from Scary Monsters and the first issued after the album’s September 1980 release. The edited 7″ cut reached No. 5 in the UK, and by hitting No. 70 in America gave Bowie his first chart single there for four years. Bowie performed the song on several tours, and it is included in the 1983 concert film Serious Moonlight. It was featured in the movie Clueless. During the Closing Ceremony of the 2012 London Olympics, “Fashion” was used during a tribute to the British fashion industry in a parade that featured a number of top models from the UK.

According to co-producer Tony Visconti, “Fashion” was the last song completed in the Scary Monsters sessions, its bassline and some of the melody taking inspiration from Bowie’s 1975 hit “Golden Years”. Guest guitarist Robert Fripp contributed a series of harsh, mechanical riffs to complement the band’s funk/reggae arrangement.

The track was noted for its emotionally vacant choir effect, and the recurring onomatopoeia “beep beep” that Bowie had first used in an unreleased 1970 song called “Rupert the Riley”. Another phrase in the lyrics that Bowie borrowed from his past was “People from Bad Homes”, the title track of a 1973 album he recorded with his protégés The Astronettes, which went unreleased until 1995.

References to a “goon squad” coming to town provoked theories that the song actually concerns fascism (“the National Front invade the discos”, inferred NME critics Roy Carr and Charles Shaar Murray). However Bowie played down this interpretation in an interview shortly before the release of Scary Monsters, saying that what he was trying to do was “move on a little from that Ray Davies concept of fashion, to suggest more of a gritted teeth determination and an unsuredness about why one’s doing it”. Biographer David Buckley believed the song “poked fun at the banality of the dance-floor and the style fascists” of the New Romantic movement.

SIDE A:
Fashion (Full Length Version) 4:49

SIDE B:
Fashion (Edited Version) 3:25

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint (company)

U.S. CHART HISTORY:

Year Single Chart Position
1980 Fashion U.S. Billboard Hot 100 #70

 

RELEASE INFORMATION:
Label: RCA Victor ‎– JD-12140
Format: Vinyl, 12″, 33 ⅓ RPM, Promo
Country: US
Released: 1980
Genre: Electronic, Rock
Style: New Wave

CREDITS:
Producer – David Bowie, Tony Visconti

NOTES:
Not For Sale
From the album “SCARY MONSTERS”

Find the 12″ on DISCOGS

B Side

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi