Tag: Nigel Green

Whodini – The Haunted House Of Rock (US 12″)

Burning The Ground Exclusive 1983

Halloween is finally here! and it’s time for one last Spooky Season Spin one such standout song is Whodini’s 1983 hit, “The Haunted House of Rock.” Released as a Halloween single, this song not only showcases Whodini’s lyrical style and creativity but also helps bridge the gap between hip-hop and seasonal novelty music.

Formed in Brooklyn in the early 80s, Whodini was one of the pioneering groups in hip-hop, blending R&B, funk, and early hip-hop styles. The trio, originally consisting of Jalil Hutchins, Ecstasy (John Fletcher), and DJ Drew Carter (aka Grandmaster Dee), made a name for themselves with their catchy hooks and fresh beats, standing out in a rapidly growing hip-hop scene. With hits like “Friends,” “Freaks Come Out at Night,” and “Five Minutes of Funk,” Whodini quickly established themselves as a key player in 80s hip-hop. “The Haunted House of Rock” was one of their earliest hits and brought something unexpected—a hip-hop track made specifically for Halloween.

Released in 1983, “The Haunted House of Rock”* was produced by Larry Smith, who also worked with Run-D.M.C. and helped shape the sound of early hip-hop. The song opens with a haunting synth line that immediately sets the tone. Its eerie yet funky beat lays the groundwork for the perfect Halloween track, blending 80s electronic vibes with Whodini’s unique style of storytelling rap.

The lyrics take listeners on a tour of a fictional haunted house party, where classic monsters like Dracula, the Mummy, and the Invisible Man join forces with Whodini for a night of eerie revelry. Hutchins and Fletcher use the song to describe a spooky yet entertaining scene full of thrills and chills, making it as fun as it is fantastical.

The production on “The Haunted House of Rock” is quintessentially 80s, leaning heavily into synthesizers, drum machines, and that unmistakable hip-hop groove. The song uses creative sound effects and samples that add to its supernatural theme. From creaky door sounds to ghostly moans, the production choices enhance the atmosphere, transforming the song into a haunted audio experience that fits right in with Halloween playlists. Larry Smith’s work on this track is a testament to his ability to blend genres, and his influence can be felt in many of Whodini’s subsequent works.

Upon its release, “The Haunted House of Rock” garnered attention for its creativity and originality. At a time when hip-hop was still finding its identity, Whodini dared to bring a fun, seasonal twist to the genre. The song remains a unique piece of hip-hop history—a Halloween-themed rap that set the stage for future holiday hits. While it may not have reached the chart-topping heights of Whodini’s later songs, it remains a beloved part of their catalog and a go-to Halloween track for hip-hop enthusiasts.

The song was later included on Whodini’s debut album, “Whodini,” which featured other hits that would go on to define the group’s career. Despite being a novelty track, “The Haunted House of Rock” has endured over the decades as a Halloween staple, making it a perfect addition to any spooky-themed playlist.

In an era where Halloween music often leans heavily on horror movie soundtracks and pop hits, Whodini’s “The Haunted House of Rock” stands out as one of the rare early hip-hop songs specifically for the holiday. Its playful lyrics, spooky vibes, and retro sound capture Halloween’s essence while offering a classic hip-hop taste that still resonates with fans today.

Whether you’re a hip-hop head or just looking to add some 80s flavor to your Halloween festivities, “The Haunted House of Rock” is a must-listen.

  • All tracks are vinyl-only

SIDE A:
The Haunted House Of Rock (Extended Version) 6:35
The Haunted House Of Rock (Haunted Mix) 4:33

SIDE B:
The Haunted House Of Rock (Vocoder Version) 5:29
The Haunted House Of Rock (Acapella) 1:55

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Jive – JD1-9026Arista – JD-1-9026
Format: Vinyl, 12″, 45 RPM
Country: US
Released: 1983
Genre: Hip Hop, Pop
Style: Electro, Boom Bap, Pop Rap

CREDITS:

NOTES:
From the LP “Whodini”

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

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Billy Ocean – Loverboy (US 12″)

BURNING THE GROUND EXCLUSIVE 1984

“Loverboy” was the second single from Billy Ocean’s 1984 album, Suddenly. It was produced by Keith Diamond and reached number 2 on the U.S. Billboard Hot 100 (behind “Careless Whisper” by George Michael) as well as hitting number 20 on the soul chart, and number 15 on the UK Singles Chart in February 1985. It also reached the top spot of the Hot Dance Music/Club Play chart in the U.S.

SIDE A:
Loverboy (Extended Club Remix) 8:05

SIDE B:
Loverboy (Single Version) 4:15
Loverboy (Dub Mix) 4:57

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1984 Loverboy U.S. Billboard Hot 100 #2
1984 Loverboy U.S. Billboard Hot Black singles #20
1984 Loverboy U.S. Billboard Hot Dance Music/Club Play #1
1984 Loverboy U.S. Billboard Hot Adult Contemporary #20

 

RELEASE INFORMATION:
Label: Jive ‎– JD1-9280
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1984
Genre: Electronic
Style: Pop Rock, Funk/Soul

CREDITS:
Engineer – Brian “Chuck” New*
Executive Producer – Robert John “Mutt” Lange
Mixed By – Nigel Green
Photography – Steve Prezant
Producer – Keith Diamond
Written-By – B. Ocean*, K. Diamond*, R. J. Lange*

NOTES:
From the LP “Suddenly”

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7 TubeGold Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Billy Ocean – Caribbean Queen (No More Love On The Run) (US 12″)

BURNING THE GROUND EXCLUSIVE 1984

“Caribbean Queen (No More Love on the Run)” is a song by English singer Billy Ocean. Co-written and produced by Keith Diamond, it climbed to number-one on both the US Billboard Hot 100 chart and the Billboard Black Singles chart, and number six in the UK Singles Chart. The song won Ocean the 1985 Grammy Award for Best Male R&B Vocal Performance, making him the first British artist to win in that category.

The saxophone solo is played by Vernon Jeffrey Smith.

SIDE A:
Caribbean Queen (No More Love On The Run) (Special Mix) 7:50

SIDE B:
Caribbean Queen (No More Love On The Run) (Instrumental) 8:04
Caribbean Queen (No More Love On The Run) (A Diamond Mix) 4:56

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1984 Caribbean Queen (No More Love On The Run) U.S. Billboard Hot 100 #1
1984 Caribbean Queen (No More Love On The Run) U.S. Billboard Adult Contemporary #7
1984 Caribbean Queen (No More Love On The Run) U.S. Billboard Hot Black Singles #1
1984 Caribbean Queen (No More Love On The Run) U.S. Billboard Hot Dance Music/Club Play #1

 

RELEASE INFORMATION:
Label: Jive ‎– JD 1-9215
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1984
Genre: Electronic, Funk / Soul, Pop
Style: Synth-pop

CREDITS:
Engineer – Brian “Chuck” New*
Mastered By – Herb Powers Jr.
Mixed By – Nigel Green (tracks: B1, B2)
Producer – Keith Diamond
Written-By – B. Ocean*, K. Diamond*

NOTES:
Original version appears on the Jive LP “SUDDENLY”

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7 TubeGold Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Billy Ocean – Get Outta My Dreams, Get into My Car (US 12″)

BURNING THE GROUND EXCLUSIVE 1988

“Get Outta My Dreams, Get into My Car” is a 1988 single by Trinidadian-born British singer Billy Ocean, based on a line in the Sherman Brothers’ song (famously covered by Johnny Burnette as well as Ringo Starr) “You’re Sixteen”. Part of its popularity lay in its cutting-edge (for the time) video, which featured cartoon mixed with live-action sequences. The song went to number one on both the U.S. Billboard Hot 100 and Hot Black Singles charts. It also peaked at number three on the UK Singles Chart.

The song was also featured on the soundtrack of the 1988 film License to Drive. The short but notable saxophone solo is by Vernon Jeffrey Smith.

SIDE A:
Get Outta My Dreams, Get Into My Car (Extended Version) 9:00
Mixed By – Nigel Green
Producer – Robert John “Mutt” Lange*
Written-By – Billy Ocean, R.J. Lange*

Get Outta My Dreams, Get Into My Car (Instrumental Version) 5:29
Mixed By – Nigel Green
Producer – Robert John “Mutt” Lange*
Written-By – Billy Ocean, R.J. Lange*

SIDE B:
Get Outta My Dreams, Get Into My Car (7″ Version) 4:45
Mixed By – Nigel Green
Producer – Robert John “Mutt” Lange*
Written-By – Billy Ocean, R.J. Lange*

Showdown 4:58
Mixed By – Bryan “Chuck” New
Producer – Barry J. Eastmond*, Wayne Brathwaite

Special Mix 9:40
Mixed By – Jerry Peal

a. Bittersweet
b. When The Going Gets Tough, The Tough Get Going
c. Caribbean Queen (No More Love On The Run)

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1988
Get Outta My Dreams, Get Into My Car
U.S. Billboard Hot 100 #1
1988
Get Outta My Dreams, Get Into My Car
U.S. Billboard Adult ContemporaryTracks #5
1988
Get Outta My Dreams, Get Into My Car
U.S. Billboard Black Singles #1
1988
Get Outta My Dreams, Get Into My Car
U.S. Billboard Hot Dance Music/Club Play #25

 

RELEASE INFORMATION:
Label: Jive ‎– JD1-9679
Format: Vinyl, 12″, 33 ⅓ RPM, Single
Country: US
Released: 1988
Genre: Electronic
Style: Synth-pop

Find the 12″ on DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7 TubeGold Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi