Tag: Michael Hutchinson

Jody Watley – Most Of All (Remix) (US 12″)

Burning The Ground Exclusive 1988

NEW 2021 Transfer!
NEW Meticulous Restoration!

Originally posted April 2, 2013

“Most of All” is a song by American singer Jody Watley from her 1987 eponymous debut studio album. It was released on April 18, 1988, as the fifth and final single from the Jody Watley album.

“Most of All” was the least successful of the five singles released from the Jody Watley album. It peaked at number 60 on the US Billboard Hot 100 but did find success on the Dance Club Songs and Hot R&B/Hip-Hop Songs charts, where it reached numbers eight and eleven, respectively. The song was produced by Patrick Leonard and was co-written by Gardner Cole, both of whom had been involved with Madonna’s 1986 album, True Blue.

The accompanying black and white music video for “Most of All” was directed by David Fincher.

SIDE A:
Most Of All (Remix) 8:19

SIDE B:
Most Of All (7″ Version) 4:13
Most Of All (Dub) 7:20

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1988 Most Of All U.S. Billboard Hot 100 #60
1988 Most Of All U.S. Billboard Hot Black Singles #11
1988 Most Of All U.S. Billboard Hot Dance/Club Play #8

RELEASE INFORMATION:
Label: MCA Records – MCA-23825
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1988
Genre: Electronic, Funk / Soul, Pop
Style: Synth-pop

CREDITS:
Design – Lynn Robb
Engineer [Remix] – Michael Hutchinson
Photography – Victoria Pearson (2)
Producer – Patrick Leonard
Remix, Producer [Additional Production] – Francois Kevorkian*
Written-By – Gardner ColePat Leonard*

NOTES:
From the LP “JODY WATLEY”

Find the 12″ at DISCOGS

VINYL RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge/Stylus: Ortofon 2M Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi


Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

ZZ Top – ZZ Top Club (Japan Mini-LP)

Burning The Ground Exclusive 1987

In memory of bassist Dusty Hill 1949-2021. Dusty Hill joined ZZ Top in 1970 and played on all of the band’s albums, the last of which was La Futura in 2012. Along with bass, Dusty Hill also contributed to keyboards and backing, and lead vocals.

“ZZ Top Club” is a twelve-Inch mini-LP released only in Japan, Australia, and New Zealand on vinyl and cassette. The limited-edition project includes rare remixes from the band’s 1980s output. Three of the tracks were US Billboard Dance Hits Legs #13 (1984), Velcro Fly #43 (1986), and #41 (1986).

This project was released to coincide with the Japan tour of that period as shown on the obi-strip in Japanese (来日記念盤).

Unlike many Rock bands, ZZ Top embraced the Twelve-Inch single format releasing many during their long career. ZZ Top has sold over 25 million albums in the US with additional sales internationally.

SIDE A:
Velcro Fly (Extended Mix) 6:33
Legs (Special Dance Mix) 7:50

SIDE B:
Sleeping Bag (Extended Mix) 6:12
Stages (Extended Version) 5:04
Velcro Fly (Dub Version) 5:46

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint
OBI: Mint
Insert: Mint

RELEASE INFORMATION:
Label: Warner Bros. Records – P-6249
Format: Vinyl, 12″, 45 RPM, Mini-Album
Country: Australia
Released: Feb 16, 1987
Genre: Rock, Blues
Style: Pop, Rock

CREDITS:
Design –Yasuo Mochida
Engineer [Assistant] – Mark Roule
Photography By – Hiro Ito
Producer – Bill Ham
Remix – John “Jellybean” Benitez (tracks: A1, B3)
Remix, Engineer – Michael Hutchinson

NOTES:
A Lone Wolf Production

Includes OBI, and Insert

Find the Mini-LP at DISCOGS

VINYL RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge/Stylus: Ortofon 2M Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi


Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

Madonna – Like A Prayer (US 12″ Promo)

BURNING THE GROUND EXCLUSIVE 1989

Originally posted August 16, 2013

“Like a Prayer” is a song recorded by American singer Madonna for her fourth studio album of the same name. Sire Records released it as the album’s lead single on March 3, 1989. Written and produced by Madonna and Patrick Leonard, the track heralded an artistic and personal approach to songwriting for Madonna, who believed that she needed to cater more to her adult audience. Thematically the song speaks about a passionate young girl in love with God, who becomes the only male figure in her life.

“Like a Prayer” was acclaimed by critics and was a worldwide success. It was Madonna’s seventh number-one single on the United States’ Billboard Hot 100 and topped the singles charts in many other countries, including Australia, Canada, Spain, New Zealand, and the United Kingdom. Rolling Stone listed “Like a Prayer” among The 500 Greatest Songs of All Time.

The music video, directed by Mary Lambert, portrays Madonna witnessing a young white woman being killed by a group of white men. While a black man is arrested for the murder, Madonna hides in a church for safety, seeking strength to go forth as a witness. The clip depicts a church and Catholic symbols such as stigmata. It also features the Ku Klux Klan’s burning crosses and a dream about kissing a black saint. The Vatican condemned the video, while family and religious groups protested against its broadcast. They boycotted products by soft drink manufacturer Pepsi, who had used the song in their commercial. The company canceled their sponsorship contract with Madonna but allowed her to retain the fee.

It was long thought that the album version contained no Prince input, and only some of the remixes contain Prince’s guitar playing, however in a 2014 interview Patrick Leonard, the song’s producer revealed it’s actually Prince on guitar at the very beginning of the song before the door slams.

The 12-inch containing the versions with a bit more of Prince’s uncredited guitar input was released three weeks prior to the album’s release on Like A Prayer, the album’s first single. The ‘Dub Beats’ version, remixed by Bill Bottrell, also contains a sample of the studio version of Bob George, five years before its official release.

In the United States a promotional 12″ single was released to club and radio disc jockeys to help promote the song. This promotional 12″ contained three exclusive Dub Mixes.

EAST SIDE:
Like A Prayer (12″ Dance Mix) 7:50
Edited By – Junior VasquezShep Pettibone
Engineer [Assistant Engineer] –  Dave Way
Engineer [Remix Engineer] – Michael Hutchinson
Producer [Additional Production], Remix –Shep Pettibone
Programmed By [Programming] – Fred McFarlane

Like A Prayer (Instra Dub) 6:10
Edited By – Junior VasquezShep Pettibone
Engineer [Assistant Engineer] –  Dave Way
Engineer [Remix Engineer] – Michael Hutchinson
Producer [Additional Production], Remix –Shep Pettibone
Programmed By [Programming] – Fred McFarlane

Like A Prayer (Bass Dub) 5:47
Edited By – Junior VasquezShep Pettibone
Engineer [Assistant Engineer] –  Dave Way
Engineer [Remix Engineer] – Michael Hutchinson
Producer [Additional Production], Remix –Shep Pettibone
Programmed By [Programming] – Fred McFarlane

WEST SIDE:
Like A Prayer (12″ Club Version) 6:35
Engineer [Additional Engineering] – Robert Salcedo*
Producer [Additional Production], Remix – Bill Bottrell

Like A Prayer (Dub Beats) 4:40
Engineer [Additional Engineering] – Robert Salcedo*
Producer [Additional Production], Remix – Bill Bottrell

Like A Prayer (7″ Remix/Edit) 5:41
Engineer [Additional Engineering] – Robert Salcedo*
Producer [Additional Production], Remix – Bill Bottrell

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1989 Like A Prayer U.S. Billboard Hot 100 #1
1989 Like A Prayer U.S. Billboard Hot Adult Contemporary #3
1989 Like A Prayer U.S. Billboard Hot Dance Music/Club Play #1
1989 Like A Prayer U.S. Billboard Hot R&B/Hip-Hop Singles #20
1989 Like A Prayer U.S. Billboard Hot 100 Year-End #25
1989 Like A Prayer U.S. Billboard Hot Dance Music/Club Play Year-End #10

 

RELEASE INFORMATION:
Label: Sire ‎– PRO-A-3472
Format: Vinyl, 12″, 33 ⅓ RPM, Single, Promo
Country: US
Released: 1989
Genre: Electronic, Pop
Style: Synth-pop

CREDITS:
Mastered At – Sheffield Lab Matrix – △24341
Producer [Produced By], Written-By – MadonnaPatrick Leonard
Produced For – Mastermix Productions

NOTES:
Additional Production and Remix for Mastermix Productions.
From the Sire album LIKE A PRAYER.

Promotional Copy. Not For Sale.
Made in U.S.A.

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge/Stylus: Ortofon 2M Bronze
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi


Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

Toni Basil – Street Beat (US 12″)

BURNING THE GROUND EXCLUSIVE 1983

NEW 2021 Transfer!
Meticulously Remastered!

Originally posted January 2, 2012

“Street Beat” was a single released between Toni Basil’s two solo albums in 1983. Without a music video, the single failed to chart on the Billboard Hot 100, but it did peak at #63 on the Hot Dance Club Play. Nearly a year later the track would be released as part of Toni’s self-titled second album Toni Basil.

SIDE A:
Street Beat (Special Club Remix) 6:10

SIDE B:
Street Beat (Dub Version) 4:27

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1983 Street Beat U.S. Billboard Hot Dance Music/Club Play #63

 

RELEASE INFORMATION:
Label: Chrysalis ‎– 4V9 42708, Radialchoice ‎– 4V9 42708, Virgin ‎– 4V9 42708
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1983
Genre: Electronic, Pop
Style: Synth-pop

CREDITS:
Design [Sleeve] – Rob O’Connor
Engineer – Michael Hutchinson
Engineer [Additional Engineering] – Jay Mark
Photography By – Allan Ballard
Recorded By [Additional Recording] – Greg Mathieson, Trevor Veitch
Recorded By [Producer] – Greg Mathieson, Trevor Veitch
Remix, Mixed By, Edited By – John Luongo
Written-By – A. Willis*, B. Roberts*, T. Basil*

NOTES:
Mastered At – Sterling Sound
Pressed By – Columbia Records Pressing Plant, Pitman

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge/Stylus: Ortofon 2M Bronze
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi


Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.