Tag: John Potoker

Thompson Twins – Revolution (UK 12″)

BURNING THE GROUND EXCLUSIVE 1985

“Revolution” is a 1968 song originally recorded by the Beatles, written by John Lennon and credited to Lennon–McCartney.

English pop band Thompson Twins covered “Revolution” on their 1985 album Here’s to Future Days, from which it was released as the fourth and final single and includes the non-album track, “The Fourth Sunday” as its B-side. The song peaked at No. 56 on the UK Singles Chart, spending five weeks on the chart. The band made a promotional video for the single version of the song. This is one of three tracks on the album that feature guitarist Steve Stevens, best known for his work with Billy Idol.

Thompson Twins also performed the song with Stevens, Madonna and Nile Rodgers at Live Aid in July 1985.

SIDE A:
Revolution (Extended Mix) 6:01
Producer – Nile Rodgers, Tom Bailey
Remix – Brian Tench, Tom Bailey
Written-By – John Lennon/Paul McCartney*

SIDE B:
The Fourth Sunday 4:19
Engineer – John Potoker
Engineer [Remix] – Brian Tench
Producer –Tom Bailey
Written-By – Alannah Currie, Joe Leeway, Tom Bailey

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Arista ‎– TWINS 1210
Format: Vinyl, 12″, 45 RPM, Single
Country: UK
Released: 29 Nov 1985
Genre: Electronic
Style: Synth-pop

CREDITS:
Art Direction – Alannah*
Artwork, Design – Andie Airfix, Satori (14)

NOTES:
Track A:
Re-mixed from album/cassette/compact disc
“Here’s To Future Days”.

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Mullard 12AX7 Preamp Vacuum Tube Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Username: btg
Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

New Order – Blue Monday 1988 (US 12″)

BURNING THE GROUND EXCLUSIVE 1988

“Blue Monday 1988” is British rock band New Order’s 16th single, released in March 1988. Produced by Quincy Jones with the actual remix done by John Potoker. After New Order signed to Qwest in the US, Quincy Jones saw an opportunity for their groundbreaking track to have a legitimate single release and a shot at radio airplay.

“Blue Monday 1988” reached number 3 in the British charts, number 4 in the Australian charts, and topped the dance charts in the United States.

In North America, “Touched By The Hand Of God” was featured as B-side.

SIDE A:
Blue Monday 1988 (12″ Mix) 7:08
Engineer [Mix] – Tokes*
Producer [Additional Production], Remix – John Potoker
Supervised By [Production Supervisor On Remix] – Quincy Jones

Blue Monday 1988 (Dub) 7:18
Engineer [Mix] – Tokes*
Producer [Additional Production], Remix – John Potoker
Supervised By [Production Supervisor On Remix] – Quincy Jones

SIDE B:
Touched By The Hand Of God (Remix) 7:02
Mixed By – Arthur Baker

Touched By The Hand Of God (Dub) 5:31
Mixed By – Arthur Baker

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1988 Blue Monday 1988 U.S. Billboard Hot 100 #68
1988 Blue Monday 1988 U.S. Billboard Hot Dance Music/Club Play #1
1988 Blue Monday 1988 U.S. Billboard Hot Dance Music/Club Play Maxi-Singles Sales #9

 

RELEASE INFORMATION:
Label: Qwest Records ‎– 0-20869, Qwest Records ‎– 9 20869-0
Format: Vinyl, 12″, 33 ⅓ RPM, Maxi-Single, SRC Pressing
Country: US
Released: Mar 1988
Genre: Electronic
Style: Synth-pop

CREDITS:
Design – Peter Saville Associates
Lacquer Cut By [Runout Etching ❀] – Brian Gardner
Photography By – Trevor Key
Producer, Written-By – New Order

NOTES:
Original version of “Blue Monday” from the album Substance on Qwest Records. Available on LP, Cassette and Compact Disc.

A1 & A2: Additional Production and Remix for Direct Eject Inc.

Made in U.S.A.

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Mullard 12AX7 Preamp Vacuum Tube Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Username: btg
Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

U2 – Sunday Bloody Sunday (Netherlands 12″)

BURNING THE GROUND EXCLUSIVE 1983

“Sunday Bloody Sunday” is a song by Irish rock band U2. It is the opening track from their 1983 album War and was released as the album’s third single on 11 March 1983 in Germany and the Netherlands. “Sunday Bloody Sunday” is noted for its militaristic drumbeat, harsh guitar, and melodic harmonies. One of U2’s most overtly political songs, its lyrics describe the horror felt by an observer of the Troubles in Northern Ireland, mainly focusing on the Bloody Sunday incident in Derry where British troops shot and killed unarmed civil rights protesters and bystanders. At the same time, the lyrics reject hate and revenge as a response, as noted in the line “There’s many lost, but tell me who has won.” Along with “New Year’s Day,” the song helped U2 reach a wider listening audience. It was generally well received by critics on the album’s release.

The song has remained a staple of U2’s live concerts. During its earliest performances, the song created controversy. Lead singer Bono reasserted the song’s anti-sectarian-violence message to his audience for many years. Today, it is considered one of U2’s signature songs, and is one of the band’s most performed tracks. Critics rate it among the best political protest songs, and it has been covered by over a dozen artists. It was named the 272nd-greatest song by Rolling Stone on their list of “The 500 Greatest Songs of All Time.

SIDE A:
Sunday Bloody Sunday 4:34

SIDE B:
Two Hearts Beat As One (U.S. Remix) 5:41
Engineer [Assisted By At Remix] – Glenn Rosenstein
Engineer [Remix] – John Potoker
Remix – Francois Kevorkian*

New Year’s Day (U.S. Remix) 4:29
Engineer [Remix] – John Potoker
Remix – Francois Kevorkian*

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Island Records – 600.820
Format: Vinyl, 12″, Maxi-Single, 45 RPM
Country: Netherlands
Released: 1983
Genre: Rock
Style: Pop Rock

CREDITS:
Photography By [Band] – Anton Corbijn
Photography By [Boy] – Ian Finlay (2)
Producer – Steve Lillywhite
Written-By – U2

NOTES:
Tracks B1 & B2 remixed at Sigma Sound N.Y.C.

Find the 12″ on DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi