Burning The Ground Exclusive

In late 1985, Paul McCartney added another unexpected entry to his eclectic catalog with the release of “Spies Like Us,” the theme song for the John Landis-directed comedy of the same name starring Chevy Chase and Dan Aykroyd. While not remembered as one of McCartney’s most celebrated singles, the track is an interesting snapshot of mid-80s pop production, Cold War paranoia dressed in pop satire, and a Beatle experimenting with the MTV era.

Background

The film Spies Like Us was a goofy Cold War buddy comedy, and Warner Bros. wanted a big-name theme song to match. Enter Paul McCartney, who had already proven with “Live and Let Die” that he could craft cinematic pop with flair. This time, though, instead of lush orchestrations, McCartney leaned heavily into synths, drum machines, and Fairlight sampling, hallmarks of the mid-80s studio sound.

The single was produced by McCartney himself, with Hugh Padgham (known for his work with Genesis, Phil Collins, and The Police) contributing his signature gated drum textures.

The Song

“Spies Like Us” is a quirky mix of playful lyrics, staccato vocal chants, and punchy electronic rhythms. McCartney doesn’t play it straight; instead, the song mirrors the slapstick tone of the movie. The hook, “Ooh ooh, what do you do, no one else can dance like you,” is pure Macca—catchy and cheeky at the same time.

While not universally loved by critics (some dismissed it as lightweight compared to his more serious work), the track’s off-kilter energy feels in line with the zany espionage antics of Chase and Aykroyd. It’s Paul having fun, and that spirit comes through.

Chart Performance

Despite mixed reviews, “Spies Like Us” did surprisingly well commercially. It peaked at #7 on the Billboard Hot 100 in early 1986, marking McCartney’s last U.S. Top 10 hit to date. In the UK, however, it stalled at #13.

The music video, directed by John Landis, featured McCartney performing the song intercut with clips from the film—though Chase and Aykroyd also appear goofing around as “backing musicians,” adding to the lightheartedness. MTV gave it steady rotation at the time.

Legacy

“Spies Like Us” is often overlooked when discussing McCartney’s career highlights, but it remains a fascinating curio. It captures a moment when one of the world’s greatest songwriters was still experimenting, still adapting, and still landing hits two decades after the Beatles.

Final thought: “Spies Like Us” may not sit alongside Band on the Run or Maybe I’m Amazed in McCartney’s pantheon, but it’s undeniably catchy, delightfully odd, and very much of its time. A Top 10 hit from a Cold War comedy—only Paul could pull that off.

SIDE A:
Spies Like Us (Party Mix) 7:13
Mixed By – John Potoker

Spies Like Us (Alternative Mix-Known To His Friends As “Tom”) 3:59
Mixed By – Art Of Noise*

SIDE B:
Spies Like Us (DJ Version) 3:48

My Carnival (Party Mix) 6:00
Mixed By – Gary Langan
Performed By – Paul McCartney And Wings*
Producer – Paul McCartney

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year	Single	Chart	Position
1985	Spies Like Us	U.S. Billboard Hot 100	#7
1985	Spies Like Us	U.S. Billboard Mainstream Rock Tracks	#31

RELEASE INFORMATION:
Label: Capitol Records – V-15212, MPL (2) – V-15212
Format: Vinyl, 12″, 33 ⅓ RPM, Single, Misprint
Country: US
Released: Nov 18, 1985
Genre: Electronic, Rock
Style: Pop Rock

CREDITS:

• Lacquer Cut By – ES*
• Photography By [Back Cover] – David Morse (2)
• Photography By [Front Cover] – Linda McCartney
• Producer – Padgham* (tracks: A1 to B1), McCartney* (tracks: A1 to B1), Ramone* (tracks: A1 to B1)
• Written-By – Paul McCartney

NOTES:
Title Song From the Warner Bros. Motion Picture

A1 Mixed in New York
A2 Mixed in London
A1 & A2: From The Warner Bros. Motion Picture “Spies Like US”
B2 Recorded in New Orleans and Dedicated to Professor Longhair

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC: Alpha Design Labs GT40a USB DAC
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!

Password: burningtheground

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