Tag: Closet 80S!

Then Jerico – Fault (The New York City Mixes) (UK 12″) (1985)

Burning The Ground Exclusive

Before Then Jerico became synonymous with glossy late-80s sophisti-pop and chart success, there was “Fault.” Released in 1985 as a stand-alone, non-album single, it’s one of those quietly fascinating moments where you can hear a band standing right on the edge of something bigger—but not quite there yet.

“Fault” arrived two years before their 1987 debut album First (The Sound of Music) and, despite impeccable credentials, it slipped through the cracks. The single failed to chart, making it a genuine Closet 80s artifact: overlooked at the time, but far more interesting in hindsight.

What immediately jumps out is the production team. Martin Rushent, fresh from redefining British pop with The Human League, Heaven 17, and Buzzcocks, gives “Fault” a taut, modern sheen. There’s a restrained elegance here—clean synth lines, controlled drama, and a sense of tension that never fully explodes. It’s not chasing the charts; it’s testing the water.

The remix comes courtesy of John Luongo, already establishing himself as a master of extended versions and club-ready polish. His touch adds space and momentum, subtly nudging “Fault” toward the dancefloor without sacrificing its introspective core. It’s less about peak-time payoff and more about atmosphere—very much of its moment.

Vocally, Mark Shaw sounds more guarded here than on later hits like “Big Area” or “Let Her Fall.” There’s a cool detachment in his delivery that suits the song’s emotional ambiguity. Lyrically, “Fault” circles themes of responsibility and fracture—personal accountability hinted at rather than spelled out—another sign that Then Jerico hadn’t yet leaned into the widescreen romanticism that would define their later work.

In retrospect, “Fault” feels like a bridge track: one foot in early-80s synth sophistication, the other stepping toward the polished pop-rock confidence that would finally break them through. It may not have charted, but it matters. Songs like this show how bands evolve—not overnight, but through these small, nearly forgotten releases that quietly shape what comes next.

For fans digging deeper than the hits, “Fault” is a reminder that the 1980s were full of near-misses and slow burns. Sometimes the most revealing tracks are the ones history almost forgot.

SIDE A:
Fault (Club Mix) 6:47
Mixed By – John Luongo

SIDE B:
Fault (7″) 3:34
Mixed By – John Luongo

The Big Sweep (Club Mix) 4:49
Mixed By – Philth TennantT.J.

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: London Records – LONX 63London Records – 882 047-1
Format: Vinyl, 12″, 45 RPM
Country: UK
Released: 1985
Genre: Rock
Style: Pop Rock

CREDITS:

NOTES:
“The New York City Mixes”
Summer ’85

First pressing with an inner sleeve with lyrics and photo of the band.

“Fault” Mixed at Sigma Sound, N.Y.
Produced & Engineered at Genetic Sound, U.K.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


Wild Blue – Fire With Fire (US 12″ Promo) (1986)

Burning The Ground Exclusive

Closet 80s is a recurring series spotlighting overlooked and forgotten gems from the decade—songs that may not have dominated the charts but left a lasting impression. These are the records that still spark memories, reward rediscovery, and prove that some of the best ’80s music lived just outside the spotlight.

Wild Blue – Fire With Fire (1986)

Some songs feel inseparable from their moment—and Fire With Fire by Wild Blue is one of those lost 80s gems that deserves another listen.

Released in 1986, Fire With Fire was written specifically for the film of the same name, giving the track an immediate cinematic urgency. The song was written and produced by Chas Sandford, best known for co-writing John Waite’s Missing You. His knack for emotionally direct, radio-ready songwriting is all over this track—polished, dramatic, and built to connect.

Wild Blue were a Chicago-based band fronted by lead singer Renee Varo, whose powerful yet controlled vocal performance gives the song its emotional core. Firmly rooted in the AOR (Album-Oriented Rock) world, Fire With Fire balances melody and muscle, letting the verses simmer before the chorus opens up with conviction and fire.

The song enjoyed strong exposure beyond radio thanks to its music video, which received heavy rotation on MTV. In the mid-’80s, that kind of visibility mattered, and Fire With Fire fit perfectly alongside the era’s emotionally charged rock and pop visuals.

On the charts, the single debuted at #89 on the US Billboard Hot 100 on May 17, 1986, eventually peaking at #71. While it never became a major hit, its MTV presence and AOR appeal helped it leave a lasting impression. The track would later appear on Wild Blue’s debut album, No More Jinx, cementing its place as the band’s defining moment.

Fire With Fire is exactly the kind of record Closet 80s was made for—a song that may not have dominated the charts, but still captures the sound, ambition, and emotion of its time. Turn it up and rediscover a track that proves some fires never really go out.

SIDE A:
Fire With Fire (Edit) 3:30

SIDE B:
Fire With Fire (Long Version) 4:41

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

Chart Performance — Wild Blue: Fire With Fire (1986)
Chart Peak Position Date
US Billboard Hot 100 #71 1986

RELEASE INFORMATION:
Label: Chrysalis – VAS-2289
Format: Vinyl, 12″, 33 ⅓ RPM, Single, Promo
Country: US
Released: 1986
Genre: Pop, Rock
Style: Pop Rock

CREDITS:

NOTES:
For Promotional Use Only

From the forthcoming LP “No More Jinx” and the Motion Picture “Fire With Fire.”

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


Vitamin Z – Circus Ring (We Scream About) (Remix) (1985)

Burning The Ground Exclusive

Sheffield-based pop duo Vitamin Z made their debut in 1985 with the album Rites of Passage, a record that blended stylish synth-pop with touches of rock and soul. One of its standout tracks is “Circus Ring,” a shimmering, emotional single that captures the lush, cinematic sound Vitamin Z became known for.

Formed by Geoff Barradale (vocals) and Nick Lockwood (bass and keyboards), Vitamin Z were part of the mid-’80s wave of UK bands who brought intelligence and sophistication to pop music. Their sound was sleek yet heartfelt—think a cross between Tears for Fears, The Blow Monkeys, and early Simple Minds—with an emphasis on melody, mood, and atmosphere.

“Circus Ring” was released as a single in 1985, following their debut hit “Burning Flame.” Produced by Ross Cullum (known for his work with Tears for Fears and Howard Jones), the song features a sweeping arrangement built on chiming guitars, shimmering synth textures, and Barradale’s emotive vocals. The lyrics use circus imagery as a metaphor for love and vulnerability, reflecting the bittersweet tone that runs throughout Rites of Passage.

The 12″ version of “Circus Ring” expands on the album cut with a fuller, more dynamic mix. Extended instrumental passages allow Lockwood’s basslines and the song’s layered percussion to shine, creating an immersive experience that showcases Cullum’s meticulous production. It’s a perfect example of how the extended mix could transform a great pop song into something truly cinematic.

Although Vitamin Z never achieved widespread commercial success beyond “Burning Flame,” they’ve maintained a loyal following among fans of sophisticated ‘80s pop. Songs like “Circus Ring” highlight the duo’s gift for combining emotional depth with stylish production—proof that even in an era of glossy pop, there was still plenty of heart beneath the surface.

SIDE A:
Circus Ring (We Scream About) (Remix) 7:00

SIDE B:
Circus Ring (We Scream About) (7″ Version) 4:40
Don´t Stop (To Listen To His Music) 3:57

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Mercury – MERX 186
Format: Vinyl, 12″, 45 RPM
Country: UK
Released: 1985
Genre: Electronic
Style: New Wave, Synth-pop

CREDITS:

NOTES:
From the album “Rites Of Passage”

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


Theresa – Last Time (US 12″) (1987)

Burning The Ground Exclusive

Debuting on Club Nouveau leader Jay King’s RCA-distributed label, King Jay Records, Theresa was a Sacramento, California–based duo made up of singer Theresa King and keyboardist Victor Porter. Their sound blended smooth mid-80s R&B with the polished production and melodic sensibilities that defined Jay King’s musical circle.

In 1987, the duo released their debut album Broken Puzzle, which reached #62 on Billboard’s R&B Albums Chart. The LP’s production roster read like a who’s who of late-’80s R&B: Jay King, along with Thomas McElroy and Denzil Foster—the powerhouse production team that would soon make waves as part of Foster & McElroy, crafting hits for artists like Tony! Toni! Toné! and En Vogue.

The album’s standout single, “Last Time,” became Theresa’s breakthrough moment. Peaking at #18 on Billboard’s Hot Black Singles Chart, it spent an impressive 17 weeks on the chart—marking the duo’s highest and only major chart success. The song’s sleek grooves, soulful vocals, and synth-driven production perfectly captured the late-’80s R&B radio sound—refined, heartfelt, and dancefloor-ready.

Though Theresa never followed up with another album, Broken Puzzle remains a hidden gem from a fertile era of West Coast R&B, when Jay King’s creative network helped shape the sound of modern soul.

SIDE A:
Last Time (Radio Version) 4:22
Last Time (Dub Mix) 2:49

SIDE B:
Last Time (Club Mix) 5:43

VINYL GRADE:
Vinyl Near Mint
Sleeve: Near Mint

Chart Performance — Theresa: Last Time (1987)
Chart Peak Position Date
US Billboard Hot Black Singles #18 1987

RELEASE INFORMATION:
Label: RCA Victor – 6489-1-RDXKing Jay Records – 6489-1-RDX
Format: Vinyl, 12″, 33 ⅓ RPM, Single
Country: US
Released: 1987
Genre: Electronic, Funk / Soul
Style: RnB/Swing, Electro, Funk

CREDITS:

NOTES:
“Theresa” is Theresa King & Victor Porter

Produced for 2-Tuff-E-Nuff Productions
From the forthcoming album, “Broken Puzzle”
Made in U.S.A.

Nuy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.