Burning The Ground Exclusive
NEW 2026 Transfer
NEW Meticulous Audio Restoration
Original post date: November 18, 2015
In 1985, American synth-pop quartet Book of Love released what would become their signature song — the luminous and emotionally charged “I Touch Roses.” Issued as the band’s second single, the track solidified their place in the mid-’80s alternative dance scene and helped secure their future with Sire Records.
“I Touch Roses” would later appear on the group’s eponymous debut album, Book of Love, released in 1986. But its initial impact came a year earlier, when the single quietly bloomed in clubs across the country.
From Underground Buzz to Dancefloor Staple
Written by Theodore “Ted” Ottaviano, the song perfectly captured the band’s ethereal aesthetic — romantic, slightly mysterious, and driven by shimmering sequencers. Following the modest success of their debut single “Boy,” “I Touch Roses” followed a similar upward trajectory, but this time the response was stronger.
Although the track did not break into the Billboard Hot 100, it made a significant impact where it mattered most for a synth-driven act in 1985 — the dancefloor. “I Touch Roses” climbed into the Top 10 on the Billboard Hot Dance Club Play chart, peaking at No. 8. In an era dominated by high-energy Hi-NRG and post-disco productions, its dreamy minimalism stood apart.
The single’s B-side, “Lost Souls,” offered fans another glimpse into the band’s atmospheric world. A remixed version of “Lost Souls” would also appear on the debut album, reinforcing the cohesive sonic identity the group was developing. The 7″ version included on the US 12″ is the original version of the song before being remixed by Mark Kamins.
No Grand Plan — Just Momentum
Looking back in 2009, Ted Ottaviano reflected on how organically the song’s success unfolded:
“We didn’t know it at the time, but thankfully, with ‘I Touch Roses’, it was not preordained that Sire was developing us at the time. There was no grand scheme. It was more à la carte. But then people started picking up on ‘Roses,’ and then the album happened.”
That “à la carte” momentum proved pivotal. The growing club response to “I Touch Roses” convinced Sire that Book of Love warranted a full-length album. What began as a promising single became the foundation for a career-defining debut.
The Sound of Vulnerable Synth-Pop
Musically, “I Touch Roses” thrives on restraint. The production is airy and uncluttered — gentle drum programming, cascading keyboard lines, and Susan Ottaviano’s breathy, intimate vocal delivery. There’s a fragility to it that contrasts beautifully with the mechanical precision of the electronics.
It’s that emotional vulnerability that continues to resonate. While many mid-’80s dance tracks chased bombast, “I Touch Roses” created atmosphere. It felt personal, almost secretive — the kind of record discovered late at night on college radio or under mirror balls in alternative clubs.
Four decades later, the song remains a cornerstone of American synth-pop history. It didn’t need a Hot 100 placement to endure. The dancefloor embraced it, and listeners never let it go.
For many of us, when those opening notes begin, “I Touch Roses” still feels like stepping back into a beautifully preserved moment — when underground club culture, romantic minimalism, and pure synth emotion intersected perfectly.
A 2026 Revival
I originally shared this 12″ back in November 2015, but over the years my gear has improved, and my experience in the art of vinyl transferring has grown. Now, in 2026, I’m proud to present this record with a Brand NEW Meticulous Audio Restoration — giving I Touch Roses the attention to detail it truly deserves. Every shimmer, every echo, and every whispered note has been preserved and enhanced, so the track shines like never before.
Whether you’re rediscovering it after all these years or hearing it for the first time, this version captures the ethereal magic of Book of Love in its full glory — just as it should be heard on the dancefloor or through your favorite headphones.
SIDE A:
I Touch Roses (Long Stemmed Version) 5:43
SIDE B:
I Touch Roses 3:24
Lost Souls (7″ Version) 4:13
VINYL GRADE:
Vinyl: Near Mint
SleeveL Near Mint
| Chart | Peak Position | Date |
|---|---|---|
| US Billboard Dance Club Songs | #8 | 1985 |
RELEASE INFORMATION:
Label: Sire – 0-20381, I Square Records – 0-20381, Sire – 9 20381-0 A, I Square Records – 9 20381-0 A
Format: Vinyl, 12″, Maxi-Single, 45 RPM
Country: US
Released: 1985
Genre: Electronic
Style: Synth-pop
CREDITS:
- Art Direction – Zoë Brotman
- Costume Designer [Clothes] – Jeffrey Costello (2)
- Cover [Cover Art] – Herbert Lee
- Engineer – Steve Peck
- Hair, Make-Up – Jill Sunshine
- Keyboards – Lauren Roselli, Ted Ottaviano
- Lead Vocals – Susan Ottaviano
- Management – Steven Mulroney
- Mastered By – Herb Powers*
- Percussion – Jade Lee
- Photography By – David La Chapelle*
- Producer – Ivan Ivan
- Programmed By, Arranged By, Instruments – Book Of Love
- Written-By – Theodore Ottaviano*
NOTES:
Recorded and mixed at Unique Recording, NYC
Mastered at Frankford Wayne, NYC.
Buy the 12″ at DISCOGS
VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND
THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus: Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC: Alpha Design Labs GT40a USB DAC
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner
SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator
RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi
**24bit FLAC Only Available For Seven Days!
Password: burningtheground
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