Tag: Ben Grosse

The B-52’s – Love Shack (UK 12″)

BURNING THE GROUND EXCLUSIVE 1990

“Love Shack” is a single by American new wave band The B-52’s from their 1989 album Cosmic Thing. It was released on June 20, 1989, and produced by Don Was. The song was a comeback of sorts for the band following their decline in popularity in the mid-1980s and the death of guitarist Ricky Wilson in 1985.

“Love Shack” is considered the band’s signature song and has been a concert staple since its release. Commercially, the single topped the charts in Australia, Ireland and New Zealand and reached number two on the UK Singles Chart, number three on the US Billboard Hot 100, and number five on the Canadian RPM Top Singles chart. It also became a top-twenty hit in Belgium and the Netherlands.

SIDE A:
Love Shack (12″ Remix) 6:13
Remix – Danny Rampling

SIDE B:
Love Shack (12″ Mix) 7:57
Remix – Ben Grosse

Love Shack (7″ Version) 4:17

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1989/90 Love Shack U.S. Billboard Hot 100 #3
1989/90 Love Shack U.S. Billboard Alternative Songs #1
1989/90 Love Shack U.S. Billboard Hot Dance Music/Club Play #7

 

RELEASE INFORMATION:
Label: Reprise Records ‎– W9917T, Reprise Records ‎– W9917 (T)
Format: Vinyl, 12″, 45 RPM, Single
Country: UK
Released: Feb 1990
Genre: Rock
Style: New wave

CREDITS:
Design – Bill Smith Studio
Photography By – Janette Beckman
Producer – Don Was
Written-By – B52’s*

NOTES:
Made in UK

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
DAC/Phono Pre-amp:
Alpha Design Labs GT40a USB DAC
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Username: btg
Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

New Order – Round & Round (US 12″)

BURNING THE GROUND EXCLUSIVE 1989

“Round & Round” is a song by the English band New Order from their fifth studio album Technique (1989). The song was written by band members Gillian Gilbert, Peter Hook, Stephen Morris and Bernard Sumner, and the album version was produced entirely by New Order. “Round & Round” was re-recorded for a single release, with Stephen Hague as co-producer.

Musically, it is one of the band’s most dance-centred songs, with few guitar or bass lines. Like the majority of New Order songs, the song’s title is not mentioned in its lyrics. “Round & Round” was selected as the second single from the album by Factory Records’ Tony Wilson over the wishes of the band, who wanted to issue “Vanishing Point” instead.

The song is about New Order’s then-souring relationship with Tony Wilson, the owner of Factory Records, which was the band’s label at the time. On the documentary “New Order Story”, Bernard Sumner discusses that he did not originally intend the song to be about Tony Wilson and the tension between Wilson and the group, but Sumner admits that growing tension between the two men ultimately was channelled into the song when it was being written.

The single’s main B-side was an instrumental, “Best & Marsh”, which was written as the theme for a Granada TV series of the same name, featuring footballers George Best and Rodney Marsh.

The single reached #21 on the UK singles chart. In the United States “Round & Round” became a #1 hit on the Billboard Dance Chart while peaking at #64 on the Billboard Hot 100 singles chart.

SIDE A:
Round & Round (12” Version) 6:46
Producer – Stephen Hague

Round & Round (Club Mix) 7:06
Mixed By – Kevin Saunderson
Mixed By [Assistant] – Mark Childress, Matt King (2)

SIDE B:
Round & Round (12” Remix) 6:48
Mixed By – Ben Grosse
Mixed By [Assistant] – Mark Childress, Matt King (2)

Best & Marsh 4:30
Mixed By – Stuart James

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1989 Round & Round U.S. Billboard Hot 100 #64
1989 Round & Round U.S. Billboard Alternative Songs #6
1989 Round & Round U.S. Billboard Hot Dance Music/Club Play #1
1989 Round & Round U.S. Billboard Hot Dance Music/Maxi-Singles Sales #5

 

RELEASE INFORMATION:
Label: Qwest Records ‎– 0-21062, Qwest Records ‎– 9 21062-0
Format: Vinyl, 12″, 33 ⅓ RPM, Maxi-Single, SRC Pressing
Country: US
Released: 1989
Genre: Electronic
Style: House, Synth-pop

CREDITS:
Cover – Peter Saville Associates, Trevor Key
Mixed By – Alan Meyerson
Producer, Written-By – New Order
Recorded By – Michael Johnson

NOTES:
Tracks A2 & B1 mixed at Pearl Sound Studios, Canton, MI.
Original version of “Round & round” from the Qwest album TECHNIQUE

Made in U.S.A.

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Schiit Mani
Soundcard:
ESI Juli@ XTe Audio Interface
Monitiring:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Username: btg
Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

The B-52’s – Roam (US 12″)

BURNING THE GROUND EXCLUSIVE 1989

“Roam” is the fourth single from The B-52’s’ 1989 hit album Cosmic Thing, following “(Shake That) Cosmic Thing,” “Channel Z,” and “Love Shack.” “Roam” was a number-three hit on the Billboard Hot 100 singles chart in March 1990, spending a total of 19 weeks on the chart, and was certified Gold by the RIAA. The vocals are sung by Kate Pierson and Cindy Wilson. In February 1991 The B-52s were nominated for a Grammy Award for Best Pop Vocal Performance by a Duo or Group for “Roam”.

SIDE A:
Roam (Extended Remix) 5:26
Remix – Andres Levin, Nile Rodgers, Tom Durack

Roam (Instrumental) 5:23
Remix – Andres Levin, Nile Rodgers, Tom Durack

SIDE B:
Roam (12″ Remix) 8:17
Remix – Ben Grosse
Technician [Assisted By] – Matt King (2)

Bushfire (LP Version) 4:55

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1989-90 Roam U.S. Billboard Hot 100 #3
1989-90 Roam U.S. Billboard Mainstream Rock Tracks #6
1989-90 Roam U.S. Billboard Hot Dance Music/Club Play #10

 

RELEASE INFORMATION:
Label: Reprise Records ‎– 0-21441, Reprise Records ‎– 9 21441-0
Format: Vinyl, 12″, 33 ⅓ RPM, Maxi-Single
Country: US
Released: 1989
Genre: Electronic, Rock, Pop
Style: Alternative Rock, Pop Rock

CREDITS:
Lyrics By – Robert Waldrop (tracks: A1 to B1)
Producer – Don Was (tracks: B2), Nile Rodgers (tracks: A1 to B1)

NOTES:
From the LP “COSMIC THING”

Find the 12″ on DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7 TubeGold Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi