Tag: 7″

Adam & The Ants – Antmusic (UK 7″)

BURNING THE GROUND EXCLUSIVE 1980

“Antmusic” is a song by Adam and the Ants, released as the third single in the UK in 1980 from the album Kings of the Wild Frontier (released 3 November 1980).

“Antmusic” peaked at No. 2 in the UK in January 1981, being held off the top by the re-release of John Lennon’s “Imagine” after his murder in New York City on 8 December 1980.

The music video to “Antmusic” featured the group playing in a discothèque with a giant juke box, and persuading the young audience to turn away from disco music and dance to the new-styled ‘Ant-Music’. The music video was directed by Steve Barron.

The single spent five weeks at No. 1 in Australia, and earned the band platinum certification for sales of over 100,000. Adam and the Ants toured Australia in 1981 and appeared on influential TV pop show Countdown.

Although some overseas singles include the 3:36 album version, the original UK vinyl 7″ single is 3:15. This short version has never appeared on CD to date.

SIDE A:
Antmusic 3:17
Written-By – Adam Ant And Marco Pirroni*

SIDE B:
Fall-In 2:08
Written-By – Adam Ant, Lester Square

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: CBS ‎– S CBS 9352, CBS ‎– 9352
Format: Vinyl, 7″, 45 RPM
Country: UK
Released: 28 Nov 1980
Genre: Rock, Pop
Style: New Wave

CREDITS:
Other [Clothes By] – Eve
Other [Make Up] – Jayne Vincent
Other [Styled By] – Jordan
Performer [Made By] – Adam Ant, Kevin Mooney, Marco*, Merrick, Terry Lee Miall
Producer – Chris Hughes
Words By, Music By – Ant/Marco*

NOTES:
B-side is listed as “Fall In” on the cover.
“Unplug the jukebox
and do us all a favour
that music’s lost its taste
so try another flavour
-ANTMUSIC!”

“Antmusic” from LP
“Kings Of The Wild Frontier”

Find the 7″ on DISCOGS

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

A Flock Of Seagulls – Space Age Love Song (US 7″)

BURNING THE GROUND EXCLUSIVE 1982

a-front

REQUEST

“Space Age Love Song” is a 1982 single released by the British band, A Flock of Seagulls. It was their fourth single. Lead guitarist Paul Reynolds remarked on their 1984 video album “Through the Looking Glass” that he thought of the song’s title. He said that the band wrote and recorded it, but couldn’t come up with the title. He suggested “Space Age Love Song” because he thought it sounded like a space age love song. His idea stuck as the song’s permanent title.

“Space Age Love Song” peaked at No. 30 in the US Billboard Chart, No. 31 in New Zealand, No. 34 in the UK Singles Chart and No. 68 in Australia.

The 7″ Edit is about twenty seconds or so shorter than the album version. This version has a shorter intro and to my knowledge has not appeared on CD most compilations use the 3:47 album version.

SIDE A:
Space Age Love Song (7″ Edit) 3:22

SIDE B:
Windows 3:29

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1982 Space Age Love Song U.S. Billboard Hot 100 #30
1982 Space Age Love Song U.S. Billboard Mainstream Rock Tracks #59

 

RELEASE INFORMATION:
Label: Jive ‎– VS 2003
Format: Vinyl, 7″, Single, 45 RPM
Country: US
Released: 1982
Genre: Electronic
Style: New Wave, Synth-pop

CREDITS:
Design – Maude Gilman
Engineer – Mike Shipley
Mastered By – TC*
Photography By [Photo] – Elizabeth Baptiste
Producer – Mike Howlett
Written-By – A. Score*, F. Maudsley*, M. Score*, P. Reynolds*

NOTES:
Available for the first time in the U.S.

Printed in U.S.A.
Recorded at Battery Studios (London).

Find the 7″ on DISCOGS

b-back

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Olivia Newton-John – Landslide (US 7″)

BURNING THE GROUND EXCLUSIVE 1982

a-front

Very excited I am going to see Olivia tonight right here in Tulsa, she will be performing at The Joint at the Hard Rock. Olivia is currently promoting her new album “LIV ON” which is available now.

“Landslide” is a song by Australian singer Olivia Newton-John from her twelfth studio album Physical. It was released in several countries as the third and last single from the album in April 1982. In United Kingdom, however, it was released in January 1982 as the second single (“Make a Move on Me” was the third and last single). The single didn’t achieve the success of its predecessors from the album, but peaked at the top 20 on the UK Singles Charts. The song also wasn’t performed during the Physical Tour, but had some performances in television programs during the international promotion.

In the United States “Landslide” peaked at #52 on the Billboard Hot 100debuted on the Billboard Hot 100 on June 12, 1982 peaking at #52.

Of note the 7″ version is slightly different from the 4:23 LP version.

SIDE A:
Landslide (7″ Version) 3:58
Written-By – John Farrar

SIDE B:
Recovery 4:18
Written-By – John Farrar, Tom Snow

VINYL GRADE:
Sleeve: Near Mint
Vinyl: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1982 Landslide U.S. Billboard Hot 100 #52

 

RELEASE INFORMATION:
Label:MCA Records ‎– MCA-52069
Format: Vinyl, 7″, Single, 45 RPM
Country: US
Released: 1982
Genre: Electronic
Style: Pop/Rock, Synth-pop

CREDITS:
Photography [Photos] – Herb Ritts
Producer – John Farrar

NOTES:
℗1981 Original sound recording made by Olivia Newton-John
Taken from the album “PHYSICAL”

Find the 7″ on DISCOGS

b-back

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

ABBA – Gimme! Gimme! Gimme! (A Man After Midnight) (US 7″ Promo)

BURNING THE GROUND EXCLUSIVE 1979

Side A

REQUEST

“Gimme! Gimme! Gimme! (A Man After Midnight)”, (working title “Been and Gone and Done It”), is a song by Swedish band ABBA. It was recorded and released in 1979. It appears on ABBA’s Greatest Hits Vol. 2.

“Gimme! Gimme! Gimme! (A Man After Midnight)” was written and composed by Benny Andersson and Björn Ulvaeus, with the lead vocal sung by Agnetha Fältskog. Agnetha, as the narrator, weaves the image of a lonely young woman who longs for a romantic relationship and views her loneliness as a forbidding darkness of night, even drawing parallels to how the happy endings of movie stars are so different from her own existence.

The song was recorded at Polar Music Studios in Stockholm, Sweden, in August 1979, and was ready for release in October of that year, in conjunction with the group’s tour of North America and Europe.

The single version of this song, which was released in its full length of 4:48 everywhere else in the world, was released in the United States and Canada in an edited format, being just 3:39 in length. This was done by removing the first half of the opening instrumental, the first four of the eight bars of the instrumental bridge between the second and final chorus, and fading the song out early. It is believed the edit was done by Atlantic, ABBA’s North American record label, and not Polar, hence the reason why it was available only in the USA and Canada. This single version has never appeared on any commercial CD issued by Polar/Universal to date, and along with the US radio edit of Chiquitita, it marked the only time Atlantic ever commercially released an edited version of an ABBA single while they had the North American rights to release ABBA recordings.

The single was never released by Polar Music in the group’s native Sweden, instead being featured on the “Greatest Hits Vol. 2” album, which did get a Swedish release. While Polar released the single in neighbouring Norway, Denmark, and Finland, copies of these versions were not made available in the Swedish record stores, who thus arranged to import copies of the United Kingdom version on Epic Records. Sales of these imports were sufficient for the single to reach no. 16 on the sales chart in Sweden.

“Gimme! Gimme! Gimme! (A Man After Midnight)” was another highly successful song for ABBA. It hit no. 1 in Belgium, Finland, France, Ireland, and Switzerland, while reaching the Top 3 in Austria, Germany, Great Britain, The Netherlands, and Norway. It also proved to be ABBA’s most successful song in Japan, hitting no. 17.

SIDE A:
Gimme! Gimme! Gimme! (A Man After Midnight) (Long Version) 4:48

SIDE B:
Gimme! Gimme! Gimme! (A Man After Midnight) (Short Version) 3:39

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint (company)

RELEASE INFORMATION:
Label: Atlantic ‎– 3652
Format: Vinyl, 7″, 45 RPM, Single, Promo
Country: US
Released: 1979
Genre: Pop
Style: Disco

CREDITS:
Engineer – Michael B. Tretow
Mastered By – GP*
Producer, Arranged By, Written-By – Benny Andersson & Björn Ulvaeus*

NOTES:
“PROMOTIONAL COPY NOT FOR SALE”
From the Atlantic LP “Greatest Hits Vol. 2”

Find the 7″ on DISCOGS

Side B

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi