Tag: 1988

Erasure – A Little Respect (US 12″ Promo)

BURNING THE GROUND EXCLUSIVE 1988

“A Little Respect” is a song written and recorded by British synthpop duo Erasure, released in September 1988 as their tenth single. It was issued as the third European (and second American) single from their album The Innocents.

Known as one of their signature songs, “A Little Respect” continued Erasure’s success on the UK Singles Chart, where it hit number four to become the band’s fifth Top 10 single. It was also Erasure’s second consecutive Top 20 hit on the Billboard Hot 100, where it climbed to number 14, and hit number two on the U.S. Hot Dance Club Songs chart. In the U.K. Mark Saunders and Phil Legg provided the remixes, for the U.S. the remixes were made by Justin Strauss.

Written by Erasure members Vince Clarke and Andy Bell, the heavily synthesized instrumentation is accentuated by acoustic guitar and Bell’s use of falsetto in the chorus. The lyrics are a plea to a lover to show compassion and respect.

This U.S. 12″ promo contains exclusive vinyl only mixes.

SIDE A:
A Little Respect (LP Version) 3:33
Engineer – Bob Kraushaar

A Little Respect (12″ Vocal) 6:26
Computer [Additional Programming] – Eric Kupper
Engineer – Hugh Dwyer*
Producer [Additional], Remix – Justin Strauss

A Little Respect (12″ Dub) 6:38
Computer [Additional Programming] – Eric Kupper
Engineer – Hugh Dwyer*
Producer [Additional], Remix – Justin Strauss

SIDE B:
A Little Respect (12″ Remix-UK) 6:35
Engineer – Bob Kraushaar
Remix – Mark Saunders

A Little Respect (12″ House Mix) 6:43
Computer [Additional Programming] – Eric Kupper
Engineer – Hugh Dwyer*
Producer [Additional], Remix – Justin Strauss

A Little Respect (12″ House Dub) 6:47
Computer [Additional Programming] – Eric Kupper
Engineer – Hugh Dwyer*
Producer [Additional], Remix – Justin Strauss

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1988 A Little Respect U.S. Billboard Hot 100 #14
1988 A Little Respect U.S. Billboard Hot Dance Music/Club Play #2

 

RELEASE INFORMATION:
Label: Sire ‎– PRO-A-3365
Format: Vinyl, 12″, 33 ⅓ RPM, Promo
Country: US
Released: 1988
Genre: Electronic
Style: Synth-pop

CREDITS:
Producer – Stephen Hague

NOTES:
Promotional copy housed in unique sleeve.
From the Erasure LP “THE INNOCENTS”

Find the 12″ on DISCOGS

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Shooting Party – Safe In The Arms Of Love (UK 12″)

BURNING THE GROUND EXCLUSIVE 1988

BTG Week Of LOVE!

“Safe In The Arms Of Love” is a 1988 single by British duo Shooting Party from their self titled debut album. Produced by Phil Harding & Ian Curnow for PWL. The single received significant club play in the U.S. but did not chart.

SIDE A:
Safe In The Arms Of Love (The Extra Beat Boys Remix) 7:19
Remix – The Extra Beat Boys, Phil Harding

SIDE B:
Safe In The Arms Of Love (Hot Power Mix) 6:05
Remix – Mixmaster Phil Harding*

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Lisson Records ‎– DOLER 9
Format: Vinyl, 12″, 45 RPM
Country: UK
Released: 1988
Genre: Electronic
Style: Hi-NRG, Synth-pop

CREDITS:
Engineer – Duffy*
Producer – Phil Harding & Ian Curnow
Programmed By, Keyboards – Ian Curnow
Written-By – Strange*, Curnow*

NOTES:
Sleeve has wrong track listing on back.
Made in England

Find the 12″ on DISCOGS

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Various – Selections From Yulesville and Winter Warnerland (US 12″)

BURNING THE GROUND HOLIDAY EXCLUSIVE

I couldn’t really figure out what to post for Christmas this year so I decided to put together a selection of tracks taken from two seperate Warner Brothers Christmas compilations. “Yulesville” (1987) and “Winter Warnerland” (1988). Most of the tracks were exclusive to these records at the time of their release. The selections that I chose are some of my favorites from these two records. I hope that they will become favorites for you too. Merry Christmas!

“We Three Kings” is a Christmas carol that was written by John Henry Hopkins, Jr. in 1857. Produced by the prodigious Flood, who has worked with artists such as Erasure and Depeche Mode, Book Of Love’s holiday offering is positively regal, and should whet the appetites of kings, queens and everything in between..

“Silent Night” performed by British synth-pop band Erasure who at the time had just released their LP “The Circus” added not only a Christmas message but their own Erasurized version of this holiday classic.

“Blue Christmas” is a Christmas song written by Billy Hayes and Jay W. Johnson and most famously performed by Elvis Presley. Former LEMMON KITTEN, Danielle Dax who at the time had just relesed her album “Dark Adapted Eye” which featured the UK smashes “Cathouse” and “Big Hollow Man”. recorded her version of “Blue Christmas” which is so good, it ought to keep Elvis from coming back for more…(oops, did I say that?)

“I Believe in Father Christmas” is a song by English musician Greg Lake with lyrics by Peter Sinfield. Canadian band Honeymoon Suite recorded the song exclusively for the “Winter Warnerland” compilation and it’s a beauty.

Both tracks taken from the original vinyl release.

YULESVILLE:
Book Of LoveWe Three Kings 3:17
Producer – Flood

ErasureSilent Night/Erasure Christmas 0:54
Producer – Erasure

WINTER WARNERLAND:
Danielle DaxBlue Christmas 1:35
Producer – Danielle Dax
Recorded by Danielle Dax and David Knight
Recorded at Fortress Dax Studio

Honeymoon SuiteI Believe In Father Christmas 3:06
Producer – Honeymoon Suite
Engineer – Michael Sarracini

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Warner Bros. Records ‎– PRO-A-2896, Warner Bros. Records ‎– PRO-A-3328
Format: Vinyl, 12″, Compilation, Promo, Red/Green Transparent
Country: US
Released: 1987/1988
Genre: Electronic
Style: Synth-pop, Alternative

CREDITS:
Engineer – Lee Herschberg, Marc Craue
Executive Producer – Greg Lee, Kevin Laffey
Mastered By – Bobby Hata

NOTES:
Taken from promotional compilation LP’s “YULESVILLE” and “WINTER WARNELAND”.

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Camouflage – The Great Commandment (John Luongo Mixes) (US 12″)

BURNING THE GROUND EXCLUSIVE 1988

REQUEST

“The Great Commandment” is the debut single from German synthpop band Camouflage, taken from their debut album Voices & Images. The single had originally been recorded three years prior and was re-recorded in 1987, giving Camouflage their only number one dance hit. “The Great Commandment” stayed at the top spot for three non-consecutive weeks. The single became popular on independent stations and crossed over to the mainstream American pop charts, peaking at number fifty-nine in 1988. In their native Germany, “The Great Commandment” went to number fourteen, and reached the top ten in over twenty countries.

This US 12″ contains remixes by American dj/remixer John Luongo. I added as a bonus track the “Extended Radio Mix” which I transfered from the German 12″.

SIDE A:
The Great Commandment (12″ Mix) 6:14
The Great Commandment (Dub Mix) 7:52

SIDE B:
The Great Commandment (Extended Dance Mix) 6:00

Pompeji
Producer – Heiko Maile
Recorded By, Mixed By – Axel Henninger*

BONUS TRACK:
The Great Commandment (Extended Radio Mix) 5:40

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1988 The Great Commandment U.S. Billboard Hot 100 #59
1988 The Great Commandment U.S. Billboard Hot Dance/Club Play #1
1988 The Great Commandment U.S. Billboard Hot Alternative Songs #3

 

RELEASE INFORMATION:
Label: Atlantic ‎– 0-86530
Format: Vinyl, 12″, 33 ⅓ RPM, Maxi-Single
Country: US
Released: 1988
Genre: Electronic
Style: Synth-pop

CREDITS:
Co-producer – Axel Henninger* (tracks: A1 to B1)
Edited By – John Luongo (tracks: A1 to B1)
Photography By [Back Cover] – Jacques Sehy
Photography By [Front Cover] – Franz Wagner (4)
Producer – Camouflage (tracks: A1 to B1)
Producer [Additional Production], Mixed By – Gary Hellman (tracks: A1 to B1)
Production Manager [Additionel Production], Mixed By, Edited By – Gary Hellman (tracks: A1 to B1)
Written-By, Performer – Heiko Maile, Marcus Meyn, Oliver Kreyssig

NOTES:
Special Versions from Atlantic LP “Voices & Images”

Find the 12″ on DISCOGS

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi