Tag: 1987

Natalie Cole – Jump Start (US 12″)

BURNING THE GROUND EXCLUSIVE 1987

A. Front

R.I.P.  Natalie Maria Cole (February 6, 1950 – December 31, 2015) was an American singer-songwriter, and actress. The daughter of Nat King Cole, she rose to musical success in the mid-1970s as an R&B artist with the hits “This Will Be”, “Inseparable”, and “Our Love”. After a period of failing sales and performances due to a heavy drug addiction, Cole re-emerged as a pop artist with the 1987 album Everlasting and her cover of Bruce Springsteen’s “Pink Cadillac”. In the 1990s, she re-recorded standards by her father, resulting in her biggest success, Unforgettable… with Love, which sold over seven million copies and also won Cole numerous Grammy Awards. She sold over 30 million records worldwide.

On December 31, 2015, Cole died at the age of 65 at Cedars-Sinai Medical Center in Los Angeles, California, due to congestive heart failure.  Natalie we will miss you.

“Jump Start” was the fourth single taken from Natalie Cole’s 1987 studio album “Everlasting”. The single was a top twenty hit on the US Billboard Hot 100 peaking at #13 on October 13, 1987. “Jump Start” was also a dance hit reaching #28 on September 19, 1987. In the UK the singles peaked at #36.

SIDE A:
Jump Start (Dance Mix) 7:14
Remix – Ellis Jay*

Jump Start (Dub) 7:23
Remix – Ellis Jay*

SIDE B:
Jump Start (Radio Edit) 4:21

More Than The Stars 4:39
Mixed By – Taavi Mote

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1987 Jump Start U.S. Billboard Hot 100 #13
1987 Jump Start U.S. Billboard Hot Dance Music/Club Play #28

 

RELEASE INFORMATION:
Label: Manhattan Records ‎– V-56053
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1987
Genre: Electronic, Funk / Soul, Pop
Style: RnB/Swing, Electro, Soul

CREDITS:
Co-producer – Vincent Calloway
Executive-Producer – Gerry Griffith
Photography By – Moshe Brakha
Producer – Reggie Calloway
Sleeve – Debra Bishop
Written-By – Reggie Calloway, Vincent Calloway

NOTES:
Original version appears on the LP “EVERLASTING”

Find the 12″ on DISCOGS

B. Back

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Erasure – Sometimes (US 12″)

BURNING THE GROUND EXCLUSIVE 1987

A. Front

“Sometimes” is a song by British synthpop duo Erasure, released in October 1986 as their fourth single overall.

After three commercial flops from their debut album Wonderland, “Sometimes” became Erasure’s first bona fide hit, peaking at number one in South Africa, number two in their native United Kingdom and in Germany, and becoming a huge international hit. The song became Erasure’s second Top 5 hit on the U.S. Billboard Hot Dance Music/Club Play chart, where it charted alongside “It Doesn’t Have to Be” and peaked at number four.

Written by band members Vince Clarke and Andy Bell, “Sometimes” typifies the Erasure “sound” — an uptempo, dance-oriented pop tune accentuated by Clarke’s analogue synthesizers and Bell’s lyrics about being in love. The music video showcases Erasure on a building rooftop — Clarke playing an acoustic guitar and Bell singing — as they weave through white sheets hanging from a laundry line; near the end of the video rain starts to fall on the duo.

“Sometimes” spent seventeen weeks in the UK singles chart — the duo’s longest chart run for a single in that country — and was included on Erasure’s second album The Circus, released six months later in March 1987.

SIDE A:
Sometimes (Shiver Mix) 5:50
Remix [Uncredited] – Rico Conning

Sometimes (Extended Mix) 7:30
Edited By – Joseph Watt
Remix – Rico Conning

SIDE B:
It Doesn’t Have To Be (The Boop Oopa Doo Mix) 7:13
Remix [Uncredited] – Phil Harding

Sexuality (Private Mix) 5:56
Remix – Rico Conning

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1987 Sometimes U.S. Billboard Hot Dance Music/Club Play #4
1987 Sometimes U.S. Billboard Hot Dance Music/Maxi-Singles Sales #37

 

RELEASE INFORMATION:
Label: Sire ‎– 0-20614, Sire ‎– 9 20614-0
Format: Vinyl, 12″, 33 ⅓ RPM, Maxi-Single
Country: US
Released: 1987
Genre: Electronic
Style: Synth-pop

CREDITS:
Producer – Flood
Written-By – Clarke/Bell

NOTES:
Tracklist of Side A is incorrectly identified on back cover and center labels as:
A1 Sometimes (Extended Mix)
A2 Sometimes (Shiver Mix)

“Sometimes (Extended Mix)” is a longer version of the “Shiver Mix”.

Find the 12″ on DISCOGS

B. Back

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

David Bowie – Day-In Day-Out (Groucho Mix) (US 12″)

BURNING THE GROUND EXCLUSIVE 1987

A. Front

“Day-In Day-Out” is the first track on David Bowie’s album Never Let Me Down. It was issued as a single in March 1987, ahead of the album’s release.

Bowie wrote the song out of concern for the treatment of the homeless in the US. The song’s R&B roots were reminiscent of some of Bowie’s R&B work in the 1970s with one author saying that the song is “an example of Bowie’s strength in the R&B genre.”

The single’s B-side, “Julie,” was described by one reviewer as the “catchiest” song of all the songs from Never Let Me Down, and lamented that the song was relegated to b-side status

This Limited Edition US 12″ contains the “Groucho Mix” remixed by Paul “Groucho” Smykle and is only commercially available on this 12″. It did also appear on a UK 12″ promo.

SIDE A:
Day-In Day-Out (Groucho Mix) 6:28
Remix – Paul “Groucho” Smykle

Day-In Day-Out (Extended Dance Mix) 7:15
Producer [Additional], Mixed By [Additional] – Shep Pettibone
Engineer [Mixing] – Steve Peck
Keyboards – David Cole

SIDE B:
Day-In Day-Out (Single Version) 4:11
Julie 3:40

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: EMI America ‎– V-19239
Format: Vinyl, 12″, Limited Edition, 33 ⅓ RPM
Country: US
Released: 1987
Genre: Pop
Style: Synth-pop

CREDITS:
Producer – David Richards
Producer, Written-By – David Bowie

NOTES:
From the LP “Never Let Me Down”

Find the 12″ on DISCOGS

B. Back

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

David Bowie – Day-In Day-Out (US 12″ Promo)

BURNING THE GROUND EXCLUSIVE 1987

A. Front

“Day-In Day-Out” is the first track on David Bowie’s album Never Let Me Down. It was issued as a single in March 1987, ahead of the album’s release.

The song criticised the urban decay and deprivation in American cities at the time, concerned largely with the depths a young mother has to sink to feed her child, including attempting to shoplift and becoming a prostitute. The video was banned and censored as a result.

The single was modest hit, entering the top 10 charts in several countries worldwide.

This US 12″ promo contains special edits by Shep Pettibone exclusive to this release. The sleeve and labels also list track A2 incorrectly it is actually the “Extended Dub Mix”.

SIDE A:
Day-In Day-Out (7″ Dance Edit) 3:35
Day-In Day-Out (Extended Dub Mix) 7:17

SIDE B:
Day-In Day-Out (Edited Dance Mix) 4:30

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1987 Day-In Day-Out U.S. Billboard Hot 100 #21
1987 Day-In Day-Out U.S. Billboard Mainstream Rock Tracks #3
1987 Day-In Day-Out U.S. Billboard Hot Dance Music/Club Play #10

 

RELEASE INFORMATION:
Label: EMI America ‎– SPRO 9996/9997
Format: Vinyl, 12″, Promo, 33 ⅓ RPM
Country: US
Released: 1987
Genre: Pop
Style: Synth-pop

CREDITS:
Design [Art, Set & Design] – Mick Haggerty
Engineer [Mix] – Steve Peck
Keyboards [Additional] – David Cole
Other [Set Construction] – Ron Oates
Photography – Greg Gorman
Producer – David Bowie, David Richards
Producer [Additional], Mixed By, Edited By – Shep Pettibone
Written-By – David Bowie

NOTES:
From the LP “Never Let Me Down”
Label and sleeve list track A2 incorrectly.

Find the 12″ on DISCOGS

B. Back

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi