Tag: 1987

Los Lobos – La Bamba (UK 12″) (1987)

Burning The Ground Exclusive

When La Bamba hit theaters in the summer of 1987, it didn’t just reintroduce audiences to the tragic story of Ritchie Valens — it reignited a rock ‘n’ roll classic and sent it roaring back to the top of the charts. At the center of that revival was East L.A.’s own Los Lobos and their electrifying remake of “La Bamba.”

From Veracruz to Rock ‘n’ Roll

“La Bamba” began life as a traditional Mexican folk song from the state of Veracruz, dating back centuries. In 1958, Ritchie Valens transformed the regional son jarocho standard into a groundbreaking rock ‘n’ roll single, fusing Spanish lyrics with a driving backbeat. His version became a landmark recording — one of the first Spanish-language songs to crack the U.S. pop charts.

Nearly three decades later, Los Lobos were tapped to record the entire soundtrack for the biopic about Valens’ life. Rather than simply imitate the original, the band infused “La Bamba” with their own muscular blend of rock, Tex-Mex, and roots influences, honoring the spirit of Valens while adding contemporary firepower.

Chart Domination in 1987

Released in June 1987, Los Lobos’ “La Bamba” quickly became a global phenomenon. The single became Los Lobos’ biggest hit and remains their only #1 on the Billboard Hot 100. Its crossover appeal was remarkable — a Spanish-language rock song dominating mainstream pop radio in the MTV era.

A Cultural Milestone

Beyond its chart success, “La Bamba” was culturally significant. It reaffirmed the deep roots of Latin music within American rock history and introduced a new generation to Ritchie Valens’ legacy. For many listeners in 1987, this was their first exposure to a Spanish-language song at the very top of the pop charts.

The accompanying film, starring Lou Diamond Phillips as Valens, amplified the song’s emotional impact. Audiences didn’t just hear “La Bamba” — they experienced it as part of a story about family, ambition, identity, and loss.

The Sound: Then and Now

Los Lobos’ version is punchy and celebratory, driven by tight percussion, crisp guitar riffs, and an infectious call-and-response vocal. While faithful to the melody and structure of Valens’ hit, it carries a late-’80s production sheen that made it radio-ready for a new era.

Nearly 40 years later, the track remains a party staple, wedding favorite, and instant dance-floor igniter. Few remakes have so completely honored the original while simultaneously becoming definitive in their own right.

“La Bamba” is more than a cover — it’s a bridge between cultures, generations, and musical traditions. And in 1987, it proved that a song rooted in centuries-old folk tradition could still conquer the modern pop world.

MTV and Music Video

The song’s impact extended beyond radio and the box office — it also made a major splash on MTV.

The vibrant music video for “La Bamba,” directed by Sherman Halsey, perfectly blended performance footage from Los Lobos with scenes from the 1987 biopic La Bamba. Adding authenticity and emotional resonance, the clip featured Lou Diamond Phillips, who portrayed Ritchie Valens in the film.

The video became a staple of late-’80s MTV rotation and went on to win the 1988 MTV Video Music Award for Best Video from a Film, further cementing the single’s cultural dominance. By combining cinematic storytelling with an explosive live-band energy, the clip helped introduce Valens’ legacy — and Los Lobos’ dynamic reinterpretation — to an even wider global audience.

A Bit Of Fun

I had a little fun with this one — something I rarely do.

I put together a friendly BTG radio edit of sorts, doing a bit of tasteful cut-and-paste work to tighten things up and give it a slightly different flow while keeping the spirit of the original intact—nothing too drastic — just a playful reimagining from the Burning The Ground lab.

I hope you enjoy this little twist as much as I enjoyed putting it together!

SIDE A:
La Bamba 2:53
Arranged By, Adapted By – Ritchie Valens
Producer – Mitchell Froom

SIDE B:
Charlena 2:47
Producer – Steve Berlin
Written-By – Herman B. ChaneyManuel G. Chanez

Rip It Up 1:39
Producer – Steve Berlin
Written-By – John MarascalcoRobert A. Blackwell*

BONUS TRACK:
La Bamba (BTG Radio Edit) 2:12
Arranged By, Adapted By – Ritchie Valens
Producer – Mitchell Froom
Special Edit – DjPaulT

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

Chart Performance – Los Lobos: La Bamba (1987)
Chart Peak Position Date
US Billboard Hot 100 #1 1987
US Billboard Hot Latin Songs #1 1987
US BillboardAdult Contemporary #4 1987
US Billboard Hot Country Songs #57 1987
US Billboard Mainstream Rock #11 1987
Australia (Australian Music Report) #1 1987
Canada Top Singles (RPM) #1 1987
Finland #11 1987
France #1 1987
Greece #1 1987
Ireland #1 1987
New Zealand #1 1987
Portugal #1 1987
Spain #1 1987
Switzerland #1 1987
UK Singles #1 1987
Zimbabwe #1 1987

RELEASE INFORMATION:
Label: London American Recordings – LASHX 13
Format: Vinyl, 12″, 45 RPM, Single
Country: UK
Released: 1987
Genre: Rock, Latin, Stage & Screen
Style: Pop Rock

CREDITS:

NOTES:
From the forthcoming album “La Bamba, Original Motion Picture Soundtrack”.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


Prince – Sign ☮ The Times (US 12″) (1987)

Burning The Ground Exclusive

Today, we honor Minneapolis—the music, the community, and the lives impacted by violence. Prince’s “Sign ☮ The Times” remains a document of witness, not spectacle. This is a tribute.

Released in 1987 and recorded in Minneapolis, “Sign ☮ The Times” is one of Prince’s most direct and uncompromising works. Stripped down to a stark drum machine pattern and spoken delivery, the song removes any barrier between artist and reality. There is no metaphor to decode, no dramatic crescendo—only observation.

Prince opens with a litany of crises: violence, addiction, disease, environmental collapse. These are not abstract concepts but lived conditions, delivered calmly, almost matter-of-factly. That restraint is what gives the song its weight. Sign ☮ The Times doesn’t sensationalize suffering—it documents it.

The record is inseparable from its place of origin. Minneapolis wasn’t just where Prince lived or recorded; it was the center of an independent creative universe he built on his own terms. Studios, musicians, clubs, and communities flourished there outside the usual industry pipelines. That spirit of autonomy and clarity runs through this track. It speaks plainly, without performance or posturing.

Within the context of 12″ culture and club music, Sign ☮ The Times stands apart. At a time when extended mixes often leaned toward escapism, Prince chose confrontation through simplicity. Even in its various edits and remixes, the song never loses its tension or intent. This is dance-era music that demands attention before movement.

Nearly four decades later, the song remains painfully relevant. Violence still shapes headlines. Communities still grieve. Minneapolis continues to be a city defined not only by tragedy, but by deep cultural impact and creative legacy. Prince held those truths together, refusing to let one erase the other.

Sign ☮ The Times is not an argument. It is not a slogan. It is a record of its moment—and, uncomfortably, of ours. Posting it today is an act of remembrance, respect, and acknowledgment.

This is Minneapolis speaking—then and now..

SIDE A:
Sign ☮ The Times (LP Version) 4:57

SIDE B:
La, La, La, He, He, Hee (Highly Explosive) 10:46
Lyrics By [Co-Written] – Sheena Easton

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

Chart Performance — Prince: Sign ☮ The Times (1987)
Chart Peak Position Date
US Billboard Hot 100 #3 1987
US Billboard Hot Black Singles #1 1987
UK Singles #10 1987
Canada Top Singles (RPM) #10 1987
Australia (Kent Music Report) #29 1987

RELEASE INFORMATION:
Label: Paisley Park – 9 20648-0 APaisley Park – 0-20648
Format: Vinyl, 12″, 45 RPM, Maxi-Single, SRC Pressing
Country: US
Released: 1987
Genre: Rock, Funk / Soul, Pop
Style: Minneapolis Sound, Funk, Pop Rock

CREDITS:

  • Producer, Arranged By, Composed By, Performer – Prince

NOTES:
Original version of ‘Sign “☮” The Times’ on the 4th-coming double album Sign “O” The Times available on the Paisley Park LP, cassette and compact disc (1/4/2-25577)

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


Theresa – Last Time (US 12″) (1987)

Burning The Ground Exclusive

Debuting on Club Nouveau leader Jay King’s RCA-distributed label, King Jay Records, Theresa was a Sacramento, California–based duo made up of singer Theresa King and keyboardist Victor Porter. Their sound blended smooth mid-80s R&B with the polished production and melodic sensibilities that defined Jay King’s musical circle.

In 1987, the duo released their debut album Broken Puzzle, which reached #62 on Billboard’s R&B Albums Chart. The LP’s production roster read like a who’s who of late-’80s R&B: Jay King, along with Thomas McElroy and Denzil Foster—the powerhouse production team that would soon make waves as part of Foster & McElroy, crafting hits for artists like Tony! Toni! Toné! and En Vogue.

The album’s standout single, “Last Time,” became Theresa’s breakthrough moment. Peaking at #18 on Billboard’s Hot Black Singles Chart, it spent an impressive 17 weeks on the chart—marking the duo’s highest and only major chart success. The song’s sleek grooves, soulful vocals, and synth-driven production perfectly captured the late-’80s R&B radio sound—refined, heartfelt, and dancefloor-ready.

Though Theresa never followed up with another album, Broken Puzzle remains a hidden gem from a fertile era of West Coast R&B, when Jay King’s creative network helped shape the sound of modern soul.

SIDE A:
Last Time (Radio Version) 4:22
Last Time (Dub Mix) 2:49

SIDE B:
Last Time (Club Mix) 5:43

VINYL GRADE:
Vinyl Near Mint
Sleeve: Near Mint

Chart Performance — Theresa: Last Time (1987)
Chart Peak Position Date
US Billboard Hot Black Singles #18 1987

RELEASE INFORMATION:
Label: RCA Victor – 6489-1-RDXKing Jay Records – 6489-1-RDX
Format: Vinyl, 12″, 33 ⅓ RPM, Single
Country: US
Released: 1987
Genre: Electronic, Funk / Soul
Style: RnB/Swing, Electro, Funk

CREDITS:

NOTES:
“Theresa” is Theresa King & Victor Porter

Produced for 2-Tuff-E-Nuff Productions
From the forthcoming album, “Broken Puzzle”
Made in U.S.A.

Nuy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


Brenda K. Starr – Breakfast In Bed (US 12″) (1987)

Burning The Ground Exclusive

In 1987, Brenda K. Starr served up a delicious slice of late-’80s dance-pop with her single “Breakfast In Bed,” the lead release from her self-titled sophomore album on MCA Records. Hot on the heels of her debut I Want Your Love, this track firmly established Starr as one of the key voices of the freestyle and dance scene of the era.

Produced with a slick, club-ready sheen that captured the sound of New York’s Latin freestyle explosion, “Breakfast In Bed” blended smooth synth textures, irresistible rhythm programming, and Brenda’s soulful, passionate vocals. It’s a perfect example of the crossover potential of freestyle at the time—equal parts pop charm and club energy.

The single made a strong showing on the U.S. charts, peaking at #18 on Billboard’s Hot Dance Music/Club Play chart, where it spent 8 weeks spinning on dance floors across the country. It also climbed to #29 on the Hot Dance Music/Maxi-Singles Sales chart, further proving Starr’s growing fan base among DJs and club-goers.

Notably, Brenda also recorded a Spanish-language version of the song, “Desayuno De Amor,” which became a hit in its own right—reaching #6 on Billboard’s Latin Songs chart. This version showcased her Puerto Rican roots and helped expand her appeal to Latin audiences long before her later transition into salsa music in the 1990s.

“Breakfast In Bed” remains a shining moment in Brenda K. Starr’s early career—a warm, inviting dance track that’s both romantic and rhythmically infectious. Whether you remember it from your favorite nightclub or MTV rotation, it’s a perfect reminder of the era when freestyle ruled the airwaves.

SIDE A:
Breakfast In Bed (12″ Extended) 7:42

SIDE B:
Breakfast In Bed 7:49
Breakfast In Bed (Bonus Beats) 4:29

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

Chart Performance – Brenda K. Starr: Breakfast In Bed (1987)
Chart Peak Position Date
US Billboard Hot Dance Club Songs #18 1987
US Billboard Hot Dance Maxi-Singles Sales #29 1987

RELEASE INFORMATION:
Label: MCA Records – MCA-23796
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1987
Genre: Electronic
Style: Freestyle, Electro, Synth-pop

CREDITS:

NOTES:
From the MCA LP “Brenda K. Starr”

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.