Tag: 1986

The Art Of Noise With Max Headroom – Paranoimia (US 12″) (1986)

Burning The Ground Exclusive

In the mid-1980s, when electronic music was evolving as both an art form and a playground for avant-garde experimentation, The Art of Noise stood at the forefront. Their 1986 single “Paranoimia”, featuring the glitchy charm of TV’s first virtual VJ Max Headroom, remains one of their most iconic and unconventional releases.

Originally an instrumental track on the group’s second studio album In Visible Silence, “Paranoimia” was reimagined and released as a standalone single featuring Max Headroom—played by Canadian actor Matt Frewer. The result was a bizarre, brilliant fusion of synthesized paranoia and late-night hallucination, narrated by a snarky, stuttering digital character who had already become a symbol of media overload and artificial intelligence satire.

The single version of “Paranoimia” kicks off with Max lamenting his inability to sleep. “I lie awake, tossing and turning,” he says in his signature electronic stammer, diving into a surreal monologue about dreams, nightmares, and subconscious fears. The Art of Noise’s soundbed—filled with clanging samples, synthetic textures, and abstract rhythms—complements Max’s ramblings perfectly, creating an atmosphere that’s both hypnotic and unsettling.

What makes this track especially memorable is its ability to straddle the line between novelty and innovation. While Max Headroom may have added a comedic, pop-culture edge, the song’s production is pure Art of Noise—meticulous, layered, and sonically adventurous. The 12″ extended remix stretches the experience even further, giving Max more room to monologue and the music more space to evolve.

“Paranoimia” was a commercial success, reaching #12 on the UK Singles Chart and becoming a favorite in clubs and on college radio. It remains a snapshot of a time when music, television, and technology were converging in weird and wonderful ways.

For fans of synth-pop, audio collage, and ‘80s media satire, “Paranoimia” isn’t just a song—it’s a mood. A brilliantly warped time capsule that still feels oddly relevant in our age of digital overload and sleepless scrolling.

SIDE A:
Paranoimia (Extended Version) 6:42
Featuring [With] – Max Headroom

Paranoimia 3:18
Vocals [Uncredited], Featuring [With] – Max Headroom

SIDE B:
Why Me? 2:56
A Nation Rejects 2:58

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1986 Paranoimia U.S. Billboard Hot 100 #34
1986 Paranoimia U.S. Billboard 12-Inch Singles Sales #21
1986 Paranoimia U.S. Billboard Hot Dance Music /  Club Play #14

RELEASE INFORMATION:
Label: China Records – 4V9 43017Chrysalis – 4V9 43017
Format: Vinyl, 12″, 33 ⅓ RPM, Stereo
Country: US
Released: 1986
Genre: Electronic
Style: Synth-pop

CREDITS:

NOTES:
Taken from the album, cassette and CD “In Visible Silence”.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Ject Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


Gwen Guthrie – Ain’t Nothin’ Goin’ On But The Rent (US 12″ Promo) (1986)

Burning The Ground Exclusive

Ain’t Nothin’ Goin’ On but the Rent is a song by American singer-songwriter Gwen Guthrie, released in 1986 as the lead single from her fourth studio album, Good to Go Lover. Written and produced by Guthrie herself, the song became the biggest hit of her career, delivering a bold message of financial independence and self-worth wrapped in an irresistibly funky groove.

Blending smooth R&B, dancefloor-ready beats, and assertive lyrics, Ain’t Nothin’ Goin’ On but the Rent set clear expectations for financial responsibility in relationships. With its unforgettable hook—“You got to have a J-O-B if you wanna be with me”—the track quickly became an anthem of empowerment, particularly resonating with women in the workforce during the mid-’80s.

Chart Performance

Chart-wise, the song had a moderate impact on the U.S. pop chart, peaking at #42 on the Billboard Hot 100, but it dominated the R&B and dance scenes, spending one week at #1 on the Billboard R&B chart and two weeks at #1 on the Billboard Hot Dance Club Play chart. Internationally, the track reached #1 in New Zealand and Zimbabwe and performed well across Europe, peaking at #5 on the UK Singles Chart. A 1993 remix of the song also saw success, reaching #8 on the UK Dance Singles Chart.

Gwen Guthrie’s Legacy

Known for her powerhouse vocals and songwriting talents (she penned hits for Sister Sledge, Ben E. King, and Roberta Flack), left us too soon in 1999, but her music lives on. Ain’t Nothin’ Goin’ On But The Rent remains a staple of ‘80s dance and R&B culture—a track that demands respect and keeps dancefloors moving to this day.

SIDE A:
Ain’t Nothin’ Goin’ On But The Rent (12″ Club Mix) 7:16
Edited By – Tony Prendatt
Producer [Additional Production], Remix [Remix By], Edited By [Edits By] – Mark S. Berry*Tony Prendatt

Ain’t Nothin’ Goin’ On But The Rent (Dub Mix) 7:43
Edited By – Tony Prendatt
Producer [Additional Production], Remix [Remix By], Edited By [Edits By] – Mark S. Berry*Tony Prendatt

SIDE B:
Ain’t Nothin’ Goin’ On But The Rent (Larry Levan 12″ Club Mix) 5:59
Engineer – Matthew “Krash” Kasha*
Mixed By, Edited By – Larry Levan

Ain’t Nothin’ Goin’ On But The Rent (Larry Levan Dub Mix) 7:04
Engineer – Matthew “Krash” Kasha*
Mixed By, Edited By – Larry Levan

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1986 Ain’t Nothin’ Goin’ On But The Rent U.S. Billboard Hot 100 #42
1986 Ain’t Nothin’ Goin’ On But The Rent U.S. Billboard Dance Club Songs #1
1986 Ain’t Nothin’ Goin’ On But The Rent U.S. Billboard Hot Dance Singles Sales #3
1986 Ain’t Nothin’ Goin’ On But The Rent U.S. Billboard Hot R&B / Hip-Hop Songs #1

RELEASE INFORMATION:
Label: Polydor – 885 106-1
Format: Vinyl, 12″, 33 ⅓ RPM, Single, Promo, Stereo
Country: US
Released: 1986
Genre: Electronic, Funk, Soul
Style: Soul, Funk, Garage House

CREDITS:

NOTES:

From the Polydor LP “Good To Go”

“Promotional Copy Not for Sale” is printed on the labels above catalog number.

Additional information:
The title “Passion Eyes” which is given on the back cover, is actually not present.

Some promo copies were pressed on translucent vinyl which appears gray or brown when held in front of a strong light.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.



Desireless – Voyage Voyage (Europe 12″) (1986)

Burning The Ground Exclusive

“Voyage, Voyage” is a 1986 synth-pop anthem by French singer Desireless (real name Claudie Fritsch-Mentrop). Released as the lead single from her debut album François (1989), the song became an international hit, topping the charts across Europe and beyond.

A Global Synth-Pop Hit
Despite being sung entirely in French, Voyage, Voyage broke language barriers and achieved commercial success in non-French-speaking countries. It reached #1 in Germany, Spain, Norway, and Sweden, while peaking at #2 in the UK—a rare feat for a French-language song at the time. It also charted well in Italy and the Netherlands, eventually becoming one of the most recognizable European pop songs of the late ‘80s.

Dreamy, Ethereal Sound
The song’s lush synth production, steady electronic beat, and atmospheric feel give it a dreamlike, almost hypnotic quality. Its theme of travel and escapism, combined with Desireless’ deep and haunting vocals, made it a perfect fit for the late ‘80s electronic pop scene.

Production & Legacy
Produced by Jean-Michel Rivat, Voyage, Voyage draws influences from new wave and Eurodisco, aligning it with the styles of artists like Jean-Michel Jarre and Mylène Farmer. Over the years, the song has been covered and remixed multiple times, most notably by Kate Ryan in 2007.

Even today, Voyage, Voyage remains an enduring classic, often associated with the golden age of European synth-pop and a staple in retro ‘80s playlists.

SIDE A:
Voyage Voyage (Extended Remix) 6:50

SIDE B:
Voyage Voyage 4:22

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: CBS – CBS 650175 6
Format: Vinyl, 12″, 45 RPM, Maxi-Single, Stereo
Country: Europe
Released: 1986
Genre: Electronic, Pop
Style: Synth-pop, Euro-Disco

CREDITS:

NOTES:
[Labels]
Ed. Rivat Music

[Sleeve]
Synthetiseurs, Programmation: Producteur
Prise de Son (Sound Recording): Studio d’Aguesseau
Mixage (Mixing): Studio Marcadet
Dédié à Gopala (Dedicated to Gopala)

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net


THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.



Glass Tiger – Don’t Forget Me (When I’m Gone) (Germany 12″)

Burning The Ground Exclusive -1986

NEW 2025 Transfer!
NEW Meticulous Audio Restoration!

I originally shared this record on July 17, 2017, but I’ve revisited it with a fresh, meticulously updated transfer for those who may have missed it. This time, I used upgraded audio gear that wasn’t available during the original transfer back in 2017.

Canadian rock band Glass Tiger made waves in January 1986 with the release of their hit single “Don’t Forget Me (When I’m Gone),” the lead track from their debut album, The Thin Red Line. Featuring backing vocals by iconic rock singer Bryan Adams, the song became a chart-topping success, reaching number one in Canada and peaking at number two in the United States.

In 1985, Glass Tiger enlisted Jim Vallance to produce their debut album. At the time, Vallance was primarily known as a prolific songwriter, often collaborating with Bryan Adams, though he had also produced albums for Doug and the Slugs, CANO, and Adams himself. According to Glass Tiger’s lead vocalist Alan Frew, Vallance’s approach to production allowed the band to explore their creative sound while providing guidance when necessary. “It worked out great because we were all at the same stage of development,” Frew recalled. “He didn’t change the sound of the band at all. He let us experiment but wasn’t afraid to get heavy-handed when he had to.” Vallance collaborated with the band to compose “Don’t Forget Me (When I’m Gone),” while Adams lent his distinct voice to the backing vocals.

The song’s creation was inspired by an ice-breaking moment during the band’s first meeting with Vallance. Frew shared: “On the very first day that we met Jim Vallance, he picked us up at the airport and, to break the ice, asked us what we were listening to. One of the answers was Tears for Fears. We went to his house and drank tea while listening to some tunes. ‘Everybody Wants to Rule the World’ came on, and we really liked the shuffle beat. So we went into the studio and, based on that shuffle beat, we wrote ‘Don’t Forget Me (When I’m Gone).’ First day, first song.”

“Don’t Forget Me (When I’m Gone)” enjoyed tremendous commercial success. The track topped the Canadian Singles Chart in March 1986, spending two weeks at number one, and earned platinum certification from the Canadian Recording Industry Association by July. In the United States, the single entered the Billboard Hot 100 in July and peaked at number two in October, held back from the top spot by Janet Jackson’s “When I Think of You.” It spent an impressive 24 weeks on the chart, reaching number one on the Singles Sales chart, number six on the Hot 100 Airplay chart, number 17 on the Mainstream Rock chart, and number 30 on the Adult Contemporary chart. The song also placed at number 34 on the Billboard Year-End singles chart of 1986. Internationally, it achieved top 15 status in Australia and charted in New Zealand, the United Kingdom, and the Netherlands.

Frew attributed the song’s global appeal to the band’s ability to create strong, memorable melodies. “We aren’t rewriting musical history by any means,” he explained, “but our melody lines are strong and mature enough to appeal to the English-speaking world.” The song’s success was bolstered by “solid record company involvement” and culminated in winning the 1986 Juno Award for Single of the Year. It was also named the top Canadian single in the Rock Express magazine readers’ poll awards in 1987. A decade later, the Society of Composers, Authors, and Music Publishers of Canada (SOCAN) recognized the track for being played more than 100,000 times on Canadian radio.

For fans of rare cuts, the “Death Mix” of “Don’t Forget Me (When I’m Gone)” remains a vinyl-only treasure, absent from the deluxe CD reissue of The Thin Red Line. This exclusive version adds an intriguing layer to the legacy of a song that defined Glass Tiger’s debut and continues to resonate with audiences decades later.

SIDE A:
Don’t Forget Me (When I’m Gone) (Extended Version) 6:31

SIDE B:
Don’t Forget Me (When I’m Gone) (Death Mix) 5:51

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1986 Don’t Forget Me (When I’m Gone) U.S. Billboard Hot 100 #2
1986 Don’t Forget Me (When I’m Gone) U.S. Billboard Mainstream Rock Tracks #17
1986 Don’t Forget Me (When I’m Gone) U.S. Billboard Hot Adult Contemporary #30

RELEASE INFORMATION:
Label: Manhattan Records – 1C K 060 20 1330 6
Format: Vinyl, 12″, 45 RPM, Maxi-Single
Country: Germany
Released: 1986
Genre: Rock
Style: Pop Rock

CREDITS:

NOTES:
Original version appears on the LP “THE THIN RED LINE”

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.