Tag: 1986

Icehouse – Cross The Border (Steel Love) (US 12″) (1986)

Burning The Ground Exclusive

NEW 2025 Transfer
NEW Meticulous Audio restoration

Original post date: August 28, 2011

In 1986, Australian synth-rockers Icehouse—led by the enigmatic Iva Davies—were continuing their push into international territory with the album Measure for Measure. Known for their sleek, moody blend of synth-pop and new wave, Icehouse struck a particularly sharp chord with the track “Cross The Border”, a politically tinged song reworked and remixed specifically for U.S. audiences as “Cross The Border (Steel Love).”

Released on a rare U.S. 12″, this version features three exclusive remixes that never appeared on commercial singles or retail releases—making it a must-have for collectors and remix enthusiasts alike.

🔥 A Steel-Edged Makeover
The standout here is the Dance Mix—a 6:33 reimagining that brings the track into club territory with an extended intro, added percussion, and more space between the instrumentation. While the original album version is sleek and dramatic, this mix ups the tempo and emphasizes the track’s rhythmic foundation—perfect for mid-’80s dance floors and underground new wave clubs.

Also included is a Dub Version, clocking in at 5:41. This remix strips away most of the vocals and rides the instrumental elements, highlighting the track’s haunting synth lines and atmospheric guitar work. It’s a darker, moodier version that plays like a lost remix from an early Bill Laswell session.

The Single Version rounds out the set—a slightly edited form tailored for radio, with all the hooks intact and just enough polish to slide into a late-night rotation next to the likes of Simple Minds, The Fixx, or Peter Gabriel.

While “Cross The Border” never became a major chart hit, this U.S. 12″ reveals how labels were willing to repackage and remix deeper album cuts for a chance at radio or club crossover. The subtitle “Steel Love” gives the song a harder, more industrial flavor, and the remixes here only reinforce that steel-edged aesthetic.

As with many Icehouse tracks from this era, there’s a cinematic quality to the production—thanks in part to David Lord, who co-produced Measure for Measure and brought his atmospheric touch (having worked with Peter Gabriel and XTC). “Cross The Border” might not be one of Icehouse’s better-known singles, but in remix form, it becomes a totally new experience—one that fits right in with the darker, dancefloor-oriented direction many bands explored in the mid-’80s.

SIDE A:
Cross The Border (Steel Love) (Dance Mix) 6:33

SIDE B:
Cross The Border (Steel Love) (Dub Version) 6:09
Cross The Border (Steel Love) (Single Version) 4:19

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1986 Cross The Border (Steel Love) U.S. Billboard Mainstream Rock Tracks #19

RELEASE INFORMATION:
Label: Chrysalis – 4V9 43062
Format: Vinyl, 12″, 45 RPM, Stereo, Pitman Pressing
Country: US
Released: 1986
Genre: Electronic, Rock
Style: Leftfield, Pop Rock, Synth-pop

CREDITS:

NOTES:
Original version on the LP “Measure for Measure” #BFV 41527.
Remixed for MHB Productions.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


Eurythmics – Thorn In My Side (UK 12″) (1986)

Burning The Ground Exclusive

Today’s feature takes us back to 1986 with one of Eurythmics’ most defiant and infectious singles—”Thorn In My Side.” Pulled from their sixth studio album Revenge, this track showcases the duo’s pivot from icy synths toward a more guitar-driven, rock-infused sound, without losing an ounce of their signature edge.

Released in August 1986, “Thorn In My Side” was a UK smash, reaching #5 on the Singles Chart. While it didn’t make as big of a splash stateside (peaking at #68 on the Billboard Hot 100), it became a staple of Eurythmics’ live setlists and remains a fan favorite for its blistering lyrics and triumphant tone. This isn’t a heartbreak song—it’s a take-your-power-back anthem.

Annie Lennox delivers a vocal performance that walks the line between controlled disdain and cool detachment, spitting lines like:
“You gave me such a bad time / Tried to hurt me, but now I know…”
Backed by Dave Stewart’s guitar and slick production, it’s pure Eurythmics: sharp, stylish, and unafraid.

The Extended Mix on this UK 12″ vinyl release opens things up with an expanded intro and instrumental passages, giving the track more groove and weight—perfect for the dancefloor or just a dramatic solo strut across your apartment.

On the B-side, we get the live recording of “In This Town”. It’s a muscular, politically tinged performance that captures the raw, charged energy of the band at their mid-’80s peak.

Thorn In My Side” endures not just as a great single, but as a statement of resilience. A glittering middle finger to heartbreak, dressed up in hooks and eyeliner.

Now—a quick collector’s note for the completists out there:
Yes, I am aware of the sought-after “Houston Mix” of “Thorn In My Side.” It’s an ultra-rare pressing that’s reportedly identical to this standard UK 12″ mix, with one crucial difference: the run-out groove etching reads DAT 8 A1 rather than the common DAT 8 A3 —and that’s the only known distinguishing mark. I’ve never personally come across a copy, and believe me, I’ve looked. If I ever do get my hands on one, you better believe I’ll post it here.

SIDE A:
Thorn In My Side (Extended Mix) 6:57
Engineer – Gary Moon
Keyboards – Patrick Seymour
Keyboards, Drum Programming, Backing Vocals – David A. Stewart
Lead Vocals – Annie Lennox

SIDE B:
Thorn In My Side (Album Version) 4:15
Backing Vocals – Bernita Turner
Bass Guitar – John McKenzie
Drums – Clem Burke
Guitar – David A. Stewart
Keyboards – Patrick Seymour
Lead Vocals – Annie Lennox
Saxophone, Harmonica – Jimmy Z

In This Town 3:45
Backing Vocals – Bernita TurnerJoniece Jamison
Drums – Clem Burke
Keyboards – Patrick Seymour
Lead Vocals – Annie Lennox
Saxophone – Jimmy Z

Vocals, Guitar – David A. Stewart

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1986 Thorn In My Side U.S. Billboard Hot 100 #68

RELEASE INFORMATION:
Label: RCA – DAT 8
Format: Vinyl, 12″, 45 RPM, Single
Country: UK
Released: Sep 6, 1986
Genre: Electronic, Pop
Style: Synth-pop

CREDITS:

NOTES:
Recorded at Conny’s Studio Cologne & Studio Grand Armée Paris.
Track A remixed at Studio Grand Armee Paris.
Track B2 recorded at Manu’s Party.

Manufactured in the U.K.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


Vicious Pink – Take Me Now (UK 12″)

Burning The Ground Exclusive

Released in January 1986, “Take Me Now” marked the final single from the provocative Leeds-based synth-pop duo Vicious Pink. Comprised of Josephine Warden and Brian Moss, the pair had built a cult following throughout the early ’80s with their bold, sensual lyrics and pulsing electronic beats. “Take Me Now” carried forward their signature style but with a more polished, mainstream-friendly sound, reflecting the shifting landscape of mid-’80s synth-pop.

The track was written by John David, a songwriter best known for his work with artists like Status Quo and Cliff Richard. It was produced by Gary Moberley, an Australian keyboardist and producer whose sleek, radio-ready touch gave the song a glossy sheen, contrasting with the rawer edge of the duo’s earlier tracks like “Cccan’t You See” or “Fetish.”

“Take Me Now” layers icy synth textures with Warden’s sultry vocals, conveying urgency and desire with the kind of restraint that made Vicious Pink so intriguing. The song didn’t chart significantly, but it remains a hidden gem of the era—an elegant swan song that closed the Vicious Pink chapter on a sophisticated note.

The 12″ single, released on Parlophone, featured an extended version along with two additional tracks: the hidden gem “I Confess” and “Always Hoping”, both of which showcase the production’s crystalline quality and dancefloor potential. Despite its under-the-radar status, “Take Me Now” has aged remarkably well, offering a glimpse into a band that was always a little ahead of its time—darkly stylish, fiercely independent, and unapologetically provocative.

SIDE A:
Take Me Now (Extended Version) 6:21
Producer – Gary Moberley
Written-By –John David

SIDE B:
I Confess 3:57
Engineer –  Martin Webster
Producer – Tony Mansfield
Remix – Gary Moberley
Written-By – Moss
Warden*

Always Hoping 3:55
Producer – Tony Mansfield
Written-By – MossWarden

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Parlophone – 12PINK 3Parlophone – 12 PINK 3
Format: Vinyl, 12″, 45 RPM, Single
Country: UK
Released: Jan 1986
Genre: Electronic
Style: Synth-pop

CREDITS:

NOTES:
Manufactured in the UK

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Ject Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


The Art Of Noise With Max Headroom – Paranoimia (US 12″) (1986)

Burning The Ground Exclusive

In the mid-1980s, when electronic music was evolving as both an art form and a playground for avant-garde experimentation, The Art of Noise stood at the forefront. Their 1986 single “Paranoimia”, featuring the glitchy charm of TV’s first virtual VJ Max Headroom, remains one of their most iconic and unconventional releases.

Originally an instrumental track on the group’s second studio album In Visible Silence, “Paranoimia” was reimagined and released as a standalone single featuring Max Headroom—played by Canadian actor Matt Frewer. The result was a bizarre, brilliant fusion of synthesized paranoia and late-night hallucination, narrated by a snarky, stuttering digital character who had already become a symbol of media overload and artificial intelligence satire.

The single version of “Paranoimia” kicks off with Max lamenting his inability to sleep. “I lie awake, tossing and turning,” he says in his signature electronic stammer, diving into a surreal monologue about dreams, nightmares, and subconscious fears. The Art of Noise’s soundbed—filled with clanging samples, synthetic textures, and abstract rhythms—complements Max’s ramblings perfectly, creating an atmosphere that’s both hypnotic and unsettling.

What makes this track especially memorable is its ability to straddle the line between novelty and innovation. While Max Headroom may have added a comedic, pop-culture edge, the song’s production is pure Art of Noise—meticulous, layered, and sonically adventurous. The 12″ extended remix stretches the experience even further, giving Max more room to monologue and the music more space to evolve.

“Paranoimia” was a commercial success, reaching #12 on the UK Singles Chart and becoming a favorite in clubs and on college radio. It remains a snapshot of a time when music, television, and technology were converging in weird and wonderful ways.

For fans of synth-pop, audio collage, and ‘80s media satire, “Paranoimia” isn’t just a song—it’s a mood. A brilliantly warped time capsule that still feels oddly relevant in our age of digital overload and sleepless scrolling.

SIDE A:
Paranoimia (Extended Version) 6:42
Featuring [With] – Max Headroom

Paranoimia 3:18
Vocals [Uncredited], Featuring [With] – Max Headroom

SIDE B:
Why Me? 2:56
A Nation Rejects 2:58

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1986 Paranoimia U.S. Billboard Hot 100 #34
1986 Paranoimia U.S. Billboard 12-Inch Singles Sales #21
1986 Paranoimia U.S. Billboard Hot Dance Music /  Club Play #14

RELEASE INFORMATION:
Label: China Records – 4V9 43017Chrysalis – 4V9 43017
Format: Vinyl, 12″, 33 ⅓ RPM, Stereo
Country: US
Released: 1986
Genre: Electronic
Style: Synth-pop

CREDITS:

NOTES:
Taken from the album, cassette and CD “In Visible Silence”.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Ject Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.