Tag: 1985

Bruce Springsteen – Born In The U.S.A. (US 12″) (1984)

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NEW 2025 Transfer
NEW Meticulous Audio Restoration

Original post date: July 3, 2012

“I’m ten years burning down the road / Nowhere to run, ain’t got nowhere to go…”

Released at the height of Reagan-era patriotism, “Born In The U.S.A.” by Bruce Springsteen became one of the most misunderstood songs in American pop history. Often mistaken for a fist-pumping anthem of national pride due to its thunderous chorus and stadium-sized production, the song is actually a fierce critique of how America treats its working-class veterans.

Originally released as the title track to Springsteen’s 1984 album, “Born In The U.S.A.” was issued as a 12″ single in 1985, backed with “Shut Out the Light.” The single version boasted an extended intro and booming mix that pushed Max Weinberg’s snare hits front and center, paired with Roy Bittan’s iconic synth riff that practically defined ‘80s heartland rock.

Produced by Chuck Plotkin, Jon Landau, and Springsteen himself, this version of the song was a club-ready update to the album cut—without losing an ounce of its gritty, anthemic fire. It’s Springsteen at his most anthemic, yet still bleeding through with disillusionment, despair, and blue-collar rage.

While “Born In The U.S.A.” is one of Springsteen’s signature tracks, its chart performance is often overshadowed by the massive success of other singles from the same album. “Born In The U.S.A.” reached number 9 on the Billboard Hot 100 chart in January 1985. It was the third of seven top 10 singles from the album “Born In The U.S.A.”, which also tied Michael Jackson’s record for the most top 10 singles from one album.

Despite—or perhaps because of—its lyrical complexity and booming sound, “Born In The U.S.A.” was quickly adopted as a campaign theme by politicians (notably Ronald Reagan, mistakenly), sports teams, and patriotic rallies. But listen closely, and the pain of forgotten veterans and working-class struggle comes roaring through. It’s a song with dual identities: triumphant and tragic.

This 12″ remix captures that paradox perfectly—its towering production commands attention, but under the layers of synth and reverb, Springsteen’s voice still carries the weight of a soldier’s haunted memories.

SIDE A:
Born In The U.S.A. (The Freedom Mix) 7:20

SIDE B:
Born In The U.S.A. (Dub) 7:40
Born In The U.S.A. (Radio) 6:11

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1984-85 Born In The U.S.A. U.S. Billboard Hot 100 #9
1984-85 Born In The U.S.A. U.S. Billboard Mainstream Rock Tracks #8

RELEASE INFORMATION:
Label: Columbia – 44-05147
Format: Vinyl, 12″, 33 ⅓ RPM, Stereo
Country: US
Released: Jan 10, 1985
Genre: Electronic, Rock
Style: Pop Rock, Synth-pop

CREDITS:

NOTES:
From the LP “BORN IN THE U.S.A.”

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


Tears For Fears – Pale Shelter (You Don’t Give Me Love) (UK 12″) (1985 Re-Issue)

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One of the most hauntingly beautiful early singles from Tears for Fears, “Pale Shelter” perfectly captures the icy, emotional edge that defined much of the duo’s early sound. Originally released in 1982 and then re-recorded and re-released in 1983, the track marked a major turning point for Roland Orzabal and Curt Smith—climbing to #5 on the UK Singles Chart and solidifying their place in the new wave scene.

The title “Pale Shelter” comes from a line in a Henry Moore drawing (Pale Shelter Scene), and like many early Tears for Fears songs, it draws on the theories of Arthur Janov’s primal therapy—focusing on themes of emotional neglect and childhood wounds. Lines like “You don’t give me love / You give me cold hands” speak to a deep sense of disconnection that resonated with a generation of listeners.

In 1985, riding high on the global success of Songs from the Big Chair, Mercury Records reissued “Pale Shelter” with a brand-new cream-colored picture sleeve. This version features the original 1982 extended mix produced by Mike Howlett, not the more widely known 1983 Chris Hughes re-recording.

What makes this reissue special for collectors: both B-side tracks run longer than their original 1982 12″ counterparts. “Pale Shelter” is about 30 seconds longer, while “The Prisoner” adds another 8 seconds of atmospheric synth work.

SIDE A:
Pale Shelter (Extended Version) 6:31
Producer – Mike Howlett

SIDE B:
Pale Shelter 4:31
Producer – Mike Howlett

The Prisoner 2:51
Producer – Tears For Fears

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Mercury – idea 212
Format: Vinyl, 12″, 45 RPM, Reissue
Country: UK
Released: Sep 2, 1985
Genre: Electronic
Style: New Wave, Synth-pop

CREDITS:

NOTES:
M&M Music

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


Miami Sound Machine – Bad Boy (US 12″) (1985)

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NEW 2025 Transfer!
NEW Meticulous Audio Restoration!

Original post date May 12, 2015

🌴 Back to the beat with the queen of Latin pop and her unstoppable crew! Miami Sound Machine’s infectious 1985 single “Bad Boy” was the follow-up to their breakout smash “Conga,” and it proved that Gloria Estefan & Co. were no one-hit wonder. With its tight production, punchy horns, and dancefloor attitude, “Bad Boy” cemented the group’s crossover success and became one of the defining tracks of the Latin freestyle and dance-pop explosion of the mid-’80s.

Released as the second single from their breakthrough album Primitive Love, “Bad Boy” was produced by Emilio Estefan Jr., Gloria’s husband and the group’s guiding force. The single hit #8 on the Billboard Hot 100 and climbed to #3 on the Hot Dance Club Play chart. Across the Atlantic, it also made waves, reaching #16 in the UK, giving the band their first major British chart success.

🎬 A bit of trivia: The music video for “Bad Boy” featured Gloria Estefan surrounded by—you guessed it—guys in full-on Grease-style 1950s gang outfits… and dancing streetwise cats straight out of Broadway’s Cats. Only in the ’80s!

📀 Today’s 12″ takes the track to the club, giving DJs a chance to let that groove ride. The Shep Pettibone mix showcases the signature Latin percussion and synth work that made Miami Sound Machine stand out from their pop contemporaries. It’s slick, bold, and filled with energy that screams mid-’80s dancefloor magic.

SIDE A:
Bad Boy (Remix) 6:10

SIDE B:
Bad Boy (Dub Version) 6:45

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mibt

U.S. CHART HISTORY:

Year Single Chart Position
1985/86 Bad Boy U.S. Billboard Hot 100 #8
1985/86 Bad Boy U.S. Billboard Adult Contemporary #8
1985/86 Bad Boy U.S. Billboard Hot Black Singles #74
1985/86 Bad Boy U.S. Billboard Hot Dance Music/Club Play #10
1985/86 Bad Boy U.S. Billboard Hot Dance Music Maxi-Singles Sales #3

RELEASE INFORMATION:
Label: Epic – 49-05338
Format: Vinyl, 12″, 33 ⅓ RPM, Single, Stereo
Country: US
Released: 1985
Genre: Electronic, Latin, Pop
Style: Synth-pop

CREDITS:

NOTES:
Special Version from the Epic LP “Primitive Love” 40131.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.



The Flirts – You & Me (US 12″) (1985)

Burning The Ground Exclusive

A Dance Floor Gem That Deserved More

The Flirts were a vocal trio with a rotating lineup, masterminded by producer Bobby Orlando. Known for their infectious dance tracks and stylish aesthetic, the group became a staple of the Hi-NRG and dance music scenes in the 1980s. One of their standout singles, You & Me, was released in 1985 as part of their album Blondes, Brunettes, and Redheads. Despite being a club sensation, the song never quite broke through to mainstream pop success—but its legacy as a dance floor favorite remains strong.

The Track and Its Sound

Produced by Bobby Orlando, You & Me embodied the high-energy, synth-driven sound that defined his work. Co-written with Clifton “Jiggs” Chase, the song was a prime example of the pulsating electronic beats and catchy hooks that Orlando was known for. The vocals for this track were delivered by Tricia Wygal, Debra “Debbie” Gaynor, and Christina Criscione, bringing a lively and engaging performance to the song’s upbeat rhythm.

Dance Chart Domination

In the U.S., You & Me climbed to the number-one spot on the dance chart for a week, thanks in large part to a remix by legendary DJ and producer Shep Pettibone. Pettibone’s remixing skills helped elevate many tracks into club anthems, and this one was no exception. The song’s infectious beat and club-friendly production made it a must-play for DJs in the mid-’80s dance scene.

The “Rags to Riches” Music Video

To further promote the single, The Flirts released a music video featuring a “Rags to Riches” storyline, reinforcing the glamour and fun-loving spirit of the group. At one point in the video, a mock Billboard headline proclaimed “The Flirts Are Hits,” capturing the excitement surrounding the trio. Unfortunately, despite this promotional push, You & Me—like most of The Flirts’ singles—failed to cross over to the pop charts.

A Legacy of Dancefloor Magic

Although You & Me never became a pop hit, it remains a classic among dance music enthusiasts. The Flirts, with their ever-changing lineup and Bobby Orlando’s signature production, left an indelible mark on the Hi-NRG and Italo-disco scenes. Songs like this continue to be rediscovered by retro dance music fans, proving that even the most overlooked tracks can have lasting influence.

For those who appreciate ’80s dance music at its best, You & Me is a must-listen. Whether you first heard it in the club, saw it on TV, or are just now discovering it, this single is a shining example of the era’s infectious energy and production brilliance.

SIDE A:
You & Me 6:20

SIDE B:
You & Me (Instrumental) 6:51
You & Me (Dub) 6:07

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1985 You & Me U.S. Billboard Hot Dance Music / Club Play #1

RELEASE INFORMATION:
Label: CBS Associated Records – 4Z9-05284
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1985
Genre: Electronic
Style: Hi NRG, Synth-pop

CREDITS:

NOTES:
from the LP “Blondes, Brunettes, and Redheads”

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.