Tag: 1984

Billy Ocean – Caribbean Queen (No More Love On The Run) (US 12″)

BURNING THE GROUND EXCLUSIVE 1984

“Caribbean Queen (No More Love on the Run)” is a song by English singer Billy Ocean. Co-written and produced by Keith Diamond, it climbed to number-one on both the US Billboard Hot 100 chart and the Billboard Black Singles chart, and number six in the UK Singles Chart. The song won Ocean the 1985 Grammy Award for Best Male R&B Vocal Performance, making him the first British artist to win in that category.

The saxophone solo is played by Vernon Jeffrey Smith.

SIDE A:
Caribbean Queen (No More Love On The Run) (Special Mix) 7:50

SIDE B:
Caribbean Queen (No More Love On The Run) (Instrumental) 8:04
Caribbean Queen (No More Love On The Run) (A Diamond Mix) 4:56

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1984 Caribbean Queen (No More Love On The Run) U.S. Billboard Hot 100 #1
1984 Caribbean Queen (No More Love On The Run) U.S. Billboard Adult Contemporary #7
1984 Caribbean Queen (No More Love On The Run) U.S. Billboard Hot Black Singles #1
1984 Caribbean Queen (No More Love On The Run) U.S. Billboard Hot Dance Music/Club Play #1

 

RELEASE INFORMATION:
Label: Jive ‎– JD 1-9215
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1984
Genre: Electronic, Funk / Soul, Pop
Style: Synth-pop

CREDITS:
Engineer – Brian “Chuck” New*
Mastered By – Herb Powers Jr.
Mixed By – Nigel Green (tracks: B1, B2)
Producer – Keith Diamond
Written-By – B. Ocean*, K. Diamond*

NOTES:
Original version appears on the Jive LP “SUDDENLY”

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7 TubeGold Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Thomas Dolby – Hyper-active! (Heavy Breather Subversion) (US 12″)

BURNING THE GROUND EXCLUSIVE 1984

“Hyperactive!” is a single by British musician Thomas Dolby, taken from his second album The Flat Earth, released in 1984. Additional vocals were provided by Louise Ulfstedt.

According to Thomas Dolby, he initially composed the song for Michael Jackson, whom he met in 1982. He decided to record it by himself since he never got any feedback from Jackson after sending him a demo tape.

It was the first single to be taken from the album and peaked at #17 on the UK Singles Chart and #16 on the Canadian RPM Magazine charts, but only reached #62 on the US Billboard Hot 100.

In 2017, the song was featured over the second episode closing credits of the FX series Legion.

SIDE A:
Thomas Dolby – Hyperactive! (Heavy Breather Subversion) 5:06

SIDE B:
Dolby’s Cube – Get Out Of My Mix (Special Dance Version) 7:58

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1984 Hyperactive U.S. Billboard Hot 100 #62

 

RELEASE INFORMATION:
Label: Capitol Records ‎– 8576, Capitol Records ‎– V-8576
Format: Vinyl, 12″, 33 ⅓ RPM, Single
Country: US
Released: 1984
Genre: Electronic, Rock
Style: New Wave, Synth-pop

CREDITS:
Mastered By – Wally*
Producer – Thomas Morgan Dolby Robertson*
Written-By – Thomas Dolby

NOTES:
” Hyper-active!” from the LP “THE FLAT EARTH”

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7 TubeGold Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Cabaret Voltaire – Sensoria (UK 12″)

BURNING THE GROUND EXCLUSIVE 1984

“Sensoria” was the first single taken from the sixth full-length studio album by British electronic band Cabaret Voltaire. Released in October 1984 the single peaked at #96 on the U.K. singles chart.

The video for “Sensoria” was directed by Peter Care and attracted airplay on MTV. It was voted Best Video of the Year by the Los Angeles Times in 1985 and was later procured by the New York Museum of Modern Art.

SIDE A:
Sensoria 7:55
Engineer, Producer – John ‘Tokes’ Potoker*

SIDE B:
Cut The Damn Camera 3:51
Drums – Roger Quail
Producer – Flood

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Virgin ‎– CVS 312, Some Bizzare ‎– CVS 312
Format: Vinyl, 12″, 45 RPM, Single
Country: UK
Released: 1984
Genre: Electronic
Style: Electro, Experimental, Industrial

CREDITS:
Backing Vocals – Shikisha
Percussion – Mark Tattersall
Producer – Cabaret Voltaire
Sleeve [Sleeve By] – Ian Wright (4)
Tabla – Eric Random
Written-By – Richard H. Kirk, Stephen Mallinder

NOTES:
Sleeve based on the work of Matta.

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7 TubeGold Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

M+M – Black Stations/White Stations (Canada 12″)

BURNING THE GROUND EXCLUSIVE 1984

Today, the US celebrates the life and legacy of civil rights activist Martin Luther King Jr, who would have turned 89 years old. I thought it fitting to post a single dealing with racism a topic that we are dealing with, in 2018.

“Black Stations/White Stations” is a song recorded by the Canadian group Martha and the Muffins in 1984 from the album Mystery Walk under the shortened name M+M. The track was the first single to be released after the act became a duo consisting of lead singer Martha Johnson and group founder Mark Gane (hence the shortened name, with the first letter of their first names). The single is a departure from the new wave genre, with emphasis this time around on a dance/funk direction, which featured brothers Randy & Michael Brecker and Wayne Mills on horns.

The song’s title deals with the subject of racism in the radio industry, at a time when more cutting-edged songs and the radio stations, in general, were starting to open up to newer formats like rhythmic contemporary, which genre this song predates. It also took on how station policies dictate what can or can not be played on air. This was evidenced by Johnson, who recalled how a radio station refused to play a song about an interracial relationship. That experience prompted Johnson and Gane to write about their feelings over this practice by recalling the events, in which they use lyrics like “I dream in Black and White” and call for stations in general to “Stand Up and Face the Music/This Is 1984!”.

The single was also controversial in its own right, as radio stations avoided playing the single because of the song’s title and lyrics despite being a modest hit in Canada, where it reached No. 26. In the United States, the single peaked at No. 63 on the Billboard Hot 100 chart and No. 2 on the Dance/Disco chart, where it reached number 2 in 1984.

SIDE A:
Black Stations/White Stations (Extended Dance Mix) 6:26
Remix – Mark Gane, Martha Johnson, Mike Jones (3)

SIDE B:
Black Stations/White Stations (Instrumental Remix) 4:54
Remix –Mark Gane, Martha Johnson, Mike Jones (3)

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1984 Black Stations/White Stations U.S. Billboard Hot 100 #63
1984 Black Stations/White Stations U.S. Billboard Hot Dance Music/Club Play #2

 

RELEASE INFORMATION:
Label: Current ‎– WASH-4, Current ‎– WASH4
Format: Vinyl, 12″, 33 ⅓ RPM
Country: Canada
Released: 1984
Genre: Electronic
Style: New Wave, Funk

CREDITS:
Producer – Daniel Lanois, Mark Gane, Martha Johnson
Written-By – M. Gane*, M. Johnson*

NOTES:
From the LP “Mystery Walk”

Find the 12″ on DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7 TubeGold Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi