Robert Palmer – I Didn’t Mean to Turn You On (US 12″)

BURNING THE GROUND EXCLUSIVE 1986

“I Didn’t Mean to Turn You On” is a song written by Jimmy Jam and Terry Lewis and originally performed by Cherrelle in 1984. In 1986, “I Didn’t Mean to Turn You On” was covered by Robert Palmer. Palmer’s cover fared better on the pop charts while Cherrelle’s version was a hit on the R&B charts.

Robert Palmer recorded a cover one year later and it was released as the fifth single from his 1985 album Riptide. The single hit No. 2 on the Billboard Hot 100 in 1986, only behind “Amanda” by Boston, and the music video, which featured women much like the ones from “Addicted to Love”, hit No. 1 on MTV on October 17, 1986. In the U.K. the single reached no. 9.

SIDE A:
I Didn’t Mean To Turn You On (Extended Dance Mix) 6:39
I Didn’t Mean To Turn You On (A Cappella Beats) 2:02

SIDE B:
I Didn’t Mean To Turn You On (Dub Version) 4:32
Addicted To Love (LP Version) 6:00

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1986 I Didn’t Mean To Turn You On U.S. Billboard Hot 100 #2
1986 I Didn’t Mean To Turn You On U.S. Billboard Hot Dance Music/Club Play #26

 

RELEASE INFORMATION:
Label: Island Records ‎– 0-96804
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1986
Genre: Electronic, Rock
Style: Pop Rock, Synth-pop

CREDITS:
Producer – Bernard Edwards
Remix – Bruce Forrest* (tracks: A1 to B1)
Written-By – J. Harris, T. Lewis* (tracks: A1 to B1), R. Palmer* (tracks: B2)

NOTES:
Written for Flyte Tyme Productions.
From the LP “RIPTIDE”

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7 TubeGold Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Face To Face – Under The Gun (US 12″)

BURNING THE GROUND EXCLUSIVE 1984

“Under The Gun” is a single by new wave quintet from Boston, Massachusetts Face to Face, produced by Highly influential American producer/DJ/remixer/musician Arthur Baker. The track was taken from the band’s self-titled debut album. “Under The Gun” peaked at #14 on the U.S. Dance Chart.

SIDE A:
Under The Gun (Dance Mix) 7:02

SIDE B:
Run From The Shot (Dub Mix) 8:39

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1984 Under The Gun U.S. Billboard Hot Dance Music/Club Play #14

 

RELEASE INFORMATION:
Label: Epic ‎– 49-05033
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1984
Genre: Electronic
Style: New wave, Electro

CREDITS:
Design [Cover Design] – Chris Lione
Edited By [The Latin Rascals] – Albert Cabrera, Tony Moran
Executive-Producer – Dick Wingate
Management [Direction] – Hart & Hinkle Management
Mixed By – Arthur Baker, Chris Lord-Alge
Performer [Face To Face Is] – Angelo*, William Beard*, John Ryder (2), Laurie Sargent, Stuart Kimball
Photography By [Back Cover Photo] – Carrie Branovan
Photography By [Cover Photo] – Image Bank*, Lawrence Fried (2)
Producer –Arthur Baker
Written-By – A. Baker*, Face To Face (3)

NOTES:
Special version from the Epic LP “Face To Face”

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7 TubeGold Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Queen – A Kind Of Magic (Extended Version) (Germany 12″)

BURNING THE GROUND EXCLUSIVE 1986

“A Kind of Magic” is the title track of the 1986 album of the same name by the British rock band Queen. It was written by the band’s drummer, Roger Taylor, for the film Highlander. The single reached number three on the UK Singles Chart, top ten in a number of European countries, and #42 on the US Billboard Hot 100. The song is the opening track on the band’s compilation albums, Greatest Hits II, and Classic Queen.

The phrase “a kind of magic” is used in Highlander by Connor MacLeod (Christopher Lambert) as a description of his immortality. Roger Taylor liked the phrase so much that he used it as inspiration for the song. There are references to the film in the lyrics: “one prize, one goal”; “no mortal man”; and “there can be only one”. The single’s cover art features an image of Clancy Brown in character as the film’s villain, The Kurgan.

Taylor wrote the melody and chords for the version that appeared in the film, which Brian May described as “quite lugubrious and heavy”. Freddie Mercury composed a new bass line, added instrumental breaks, and changed the song’s order to make it more chart-friendly. Mercury and David Richards produced this new version. The song was still credited only to Taylor. Whilst Taylor’s version is at the end of the film, Mercury’s version appears on the album. Taylor’s version of A Kind of Magic did not see an official release until it was included on the extra EP for the 2011 special edition of the album.

The b-side track is an instrumental version of Don’t Lose Your Head.

SIDE A:
A Kind Of Magic (Extended Version) 6:25

SIDE B:
A Dozen Red Roses For My Darling 5:03

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1986 A Kind Of Magic U.S. Billboard Hot 100 #42

 

RELEASE INFORMATION:
Label: EMI ?– 1C K 060-20 1119 6, EMI ?– 12 QUEEN 7
Format: Vinyl, 12″, 45 RPM, Maxi-Single
Country: Germany
Released: 1986
Genre: Rock
Style: Pop Rock

CREDITS:
Design – Richard Gray (2)
Photography By – David James (20)
Producer – David Richards, Queen
Written-By – Roger Taylor

NOTES:
From the film Highlander – There Can Be Only One

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7 TubeGold Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Peter Gabriel – Biko (Europe 12″)

BURNING THE GROUND EXCLUSIVE 1987

“Biko” is an anti-apartheid protest song by English rock musician Peter Gabriel. It was released by Charisma Records as a single from Gabriel’s eponymous third album in 1980.

The song is a musical eulogy, inspired by the death of the black South African anti-apartheid activist Steve Biko in police custody on 12 September 1977. Gabriel wrote the song after hearing of Biko’s death on the news. Influenced by Gabriel’s growing interest in African musical styles, the song carried a sparse two-tone beat played on Brazilian drum and vocal percussion, in addition to a distorted guitar, and a synthesized bagpipe sound. The lyrics, which included phrases in Xhosa, describe Biko’s death and the violence under the apartheid government. The song is book-ended with recordings of songs sung at Biko’s funeral: the album version begins and ends with “Senzeni Na?”, while the single began instead with “Ngomhla sibuyayo”.

“Biko” reached No. 38 on the British charts, and was positively received, with critics praising the instrumentation, the lyrics, and Gabriel’s vocals. A 2013 commentary called it a “hauntingly powerful” song, while review website AllMusic described it as a “stunning achievement for its time”. It was banned in South Africa, where the government saw it as a threat to security. “Biko” was a personal landmark for Gabriel, becoming one of his most popular songs and sparking his involvement in human rights activism. It also had a huge political impact, and along with other contemporary music critical of apartheid, is credited with making resistance to apartheid part of western popular culture. It inspired musical projects such as Sun City, and has been called “arguably the most significant non-South African anti-apartheid protest song”.

A live version, recorded in July 1987 at the Blossom Music Center in Cuyahoga Falls, Ohio, was released as a single later that year, to promote Richard Attenborough’s Biko biopic Cry Freedom. The music video consists of clips from the film and Gabriel singing. The song did not appear in the actual film.

SIDE A:
Peter GabrielBiko 6:30
Engineer [Effanel Music Mobile] – Kevin Killen
Engineer [Real World Studios] – David Bottrill
Producer – Kevin Killen, Peter Gabriel
Recorded By [Live] – Kevin Killen, Randy Ezratty
Written-By – Peter Gabriel

SIDE B:
Peter Gabriel / Shankar / Little StevenNo More Apartheid 7:11
Producer – Arthur Baker, Little Steven
Written-By – Little Steven

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Virgin ‎– 609 510, Virgin ‎– 609 510-213
Format: Vinyl, 12″, Single, 45 RPM
Country: Europe
Released: 1987
Genre: Rock
Style: Art Rock

CREDITS:
Bass – Tony Levin
Design [Sleeve Design – At Peter Saville Associates] – Brett Wickens
Drums – Manu Katché
Guitar – David Rhodes
Keyboards – David Sancious
Liner Notes – Peter Gabriel
Percussion – Assane Thiam, Babacar Faye
Vocals, Keyboards – Peter Gabriel

NOTES:
Recorded live at The Blossom Music Centre, Cleveland, 27th July 1987 on Effanel Music Mobile.
Mixed at Real World Studios, Box, England.
Little Steven appears on B2 courtesy of EMI/Manhattan Records, A Division of Capitol Records Inc.

Proceeds from the sale of this record got to: The International Defence and Aid Fund for Southern Africa and the Africa Fund.

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7 TubeGold Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi