Category: Sting

January 21, 2021

Sting – Love Is The Seventh Wave (New Mix) (UK 12″)

BURNING THE GROUND EXCLUSIVE 1985

NEW 2021 Transfer!

Originally posted, February 16, 2012

“Love Is the Seventh Wave” was the second single and second track from Sting’s 1985 solo debut album The Dream of the Blue Turtles. The song is supposedly about love being the seventh wave or the strongest wave in a series of waves, thus wiping out any sort of problems. It concludes with a brief, self-mocking reference to Sting’s biggest hit song with The Police, “Every Breath You Take”, which had been about the dark side of love that leads to sexual jealousy and obsession.

The single contained a different mix of the song than the album mix, as well as a live version of “Consider Me Gone.”

“Love Is The Seventh Wave” debuted in the US Billboard Top 40 on November 23, 1985. The song remained in the top 40 for seventeen weeks peaking at #9.

SIDE A:
Love Is The Seventh Wave (New Mix) 4:07
Engineer – Jim Scott, Pete Smith
Remix – Daniel Quatrochi*, Sting

SIDE B:
Consider Me Gone (Live) 4:48
Engineer, Recorded By – Pete Smith
Mixed By –Kim Turner

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint
Poster: Mint

U.S. CHART HISTORY:

Year	Single	Chart	Position
1985	Love Is The Seventh Wave	U.S. Billboard Hot 100	#9
1985	Love Is The Seventh Wave	U.S. Billboard Hot Adult Contemporary Tracks	#20
1985	Love Is The Seventh Wave	U.S. Billboard Hot Mainstream Rock Tracks	#19

RELEASE INFORMATION:
Label: A&M Records ‎– AMY 272
Format: Vinyl, 12″, 45 RPM, Maxi-Single, Limited Edition
Country: UK
Released: 1985
Genre: Electronic, Pop
Style: Reggae-Pop

CREDITS:
Lacquer Cut By – Pounda
Lyrics By – Gordon Sumner
Photography By – Daniel Quatrochi*
Producer – Pete Smith, Sting
Written-By – Sting

NOTES:
Includes Giant Full Colour Sting Poster (Limited Edition)
The album “The Dream Of The Blue Turtles” also available

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge/Stylus: Ortofon 2M Bronze
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Pro-Jec Tube Box DS2
DAC: Alpha Design Labs GT40a USB DAC
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

Password: burningtheground

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March 8, 2018

Sting – If You Love Somebody Set Them Free (US 12″)

BURNING THE GROUND EXCLUSIVE 1985

“If You Love Somebody Set Them Free” is the first single released from Sting’s solo debut album The Dream of the Blue Turtles. It is also the opening track of the album and is featured on Fields of Gold: The Best of Sting 1984–1994 as well as The Very Best of Sting & The Police.

Like much of the album, the song has heavy jazz influences, and was a major hit, peaking at number one on the US Album Rock Tracks chart for three weeks. On the US pop chart, it peaked at number three on the US Billboard Hot 100, number 17 on the US R&B chart, number 26 on the UK Singles Chart, and number 18 on the Australian Kent Music Report singles chart.

A portion of the song was later used for Sting’s 1987 hit “We’ll Be Together” from …Nothing Like the Sun.

The single launched a long string of singles(stretching over three albums) where Sting collaborated with New Orleans saxophonist and one-time Tonight Show bandleader Branford Marsalis.

The song was also performed at The Brits in February 1995 with M People. He duetted on the song with the band’s lead singer, Heather Small and this track was given the dance treatment by the band who was also backed by a 100-strong Gospel Choir at the Earls Court Arena during the annual music awards show.

Sting said that he wrote the song as an “antidote” to the Police’s 1983 song, “Every Breath You Take”, which he also wrote. The song was also lampooned by The Dead Milkmen in the song “If You Love Somebody, Set Them on Fire,” from their 1990 album Metaphysical Graffiti.

The single B-side consists of a studio recording of the song “Another Day” which would appear the following year in a live version on Sting’s live album Bring On the Night.

SIDE A:
If You Love Somebody Set Them Free (“Jellybean” Dance Mix) 8:00
Percussion – Paulinho da Costa
Engineer [Remix] – Michael Hutchinson
Producer – Pete Smith
Remix – John “Jellybean” Benitez

If You Love Somebody Set Them Free (Album Version) 4:13
Producer – Pete Smith

SIDE B
If You Love Somebody Set Them Free (Torch Song Mix) 4:52
Producer – William Orbit
Remix – Rico Conning

Another Day 3:58
Producer – Pete Smith

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year	Single	Chart	Position
1985	If You Love Somebody Set Them Free	U.S. Billboard Hot 100	#3
1985	If You Love Somebody Set Them Free	U.S. Billboard Mainstream Rock Tracks	#1
1985	If You Love Somebody Set Them Free	U.S. Billboard Hot R&B/Hip-Hop Singles	#17

RELEASE INFORMATION:
Label: A&M Records ‎– SP-12132
Format: Vinyl, 12″, 45 RPM, B
Country: US
Released: 1985
Genre: Electronic
Style: Synth-pop

CREDITS:
Backing Vocals – Dolette McDonald, Janice Pendarvis
Bass – Darryl Jones
Drums – Omar Hakim
Keyboards – Kenny Kirkland
Photography By – Max Vadukul
Producer – Pete Smith (tracks: A1, A2, B2), Sting (tracks: A1, A2, B2)
Saxophone, Percussion [Miscellaneous] – Branford Marsalis
Written-By, Vocals, Guitar – Sting

NOTES:
“If You Love Somebody Set Them Free” from the LP “The Dream of the Blue Turtles”

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Bellari VP130 Tube Phono Preamp
Tube: Tung-Sol 12AX7 TubeGold Pins
Soundcard: Novation Audiohub 2×4 Audio Interface
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

December 20, 2017

Band Aid – Band Aid Special (Japan LP)

BURNING THE GROUND EXCLUSIVE 1985

Probably my biggest undertaking to date since I usually do not transfer full albums. I have been working on this off and on over the last rew days and I think it turned out nicely. The Japan pressings always sound very good. I realize this album was released on CD however I prefer vinyl and for those of you who share that love I really hope you enjoy this collection.

Happy, Merry Christmas! -DjPaulT

“Band Aid Special” is a 1985 album compiled by Mercury Records in Japan, released on March 31, 1985 a few months after the release of the single “Do They Know It’s Christmas?”. This compilation contains all three mixes of “Do They Know It’s Christmas?”that were originally released on 12” single. The rest of the album was filled artists that were involved with the recording of “Do They Know It’s Christmas?”, along with other artists to fill out the album.

The album was re-issued in December 1985 under the title “Rock ‘Now” 12 Hits!”.

Band Aid is a charity supergroup featuring mainly British and Irish musicians and recording artists.was founded in 1984 by Bob Geldof and Midge Ure to raise money for anti-famine efforts in Ethiopia by releasing the song “Do They Know It’s Christmas?” for the Christmas market that year. On 25 November 1984, the song was recorded at Sarm West Studios in Notting Hill, London, and was released in the UK four days later. The single surpassed the hopes of the producers to become the Christmas number one on that release. The 12″ version was mixed by Trevor Horn.

SIDE A:
Band Aid – Do They Know It’s Christmas? (12″ Mix) 6:13
Engineer – Trevor Horn
Producer – Midge Ure, Trevor Horn
Remix – Trevor Horn
Written-By – Geldof*, Ure*

Big Country – In A Big Country 3:52
Producer – Steve Lillywhite
Written-By – Big Country

Marilyn – Calling Your Name 4:04
Producer – Clive Langer & Alan Winstanley
Written-By – Marilyn, Caplin*

Status Quo – Marguerita Time 3:27
Producer – Quo*
Written-By – Frost*, Rossi*

The Boomtown Rats – Tonight 3:53
Producer – The Boomtown Rats
Written-By – Bob Geldof

Genesis – That’s All 4:23
Producer – Genesis, Hugh Padgham
Written-By – Genesis

SIDE B:
Band Aid– Do They Know It’s Christmas? 3:53
Engineer – Steve Lipsom*
Producer – Midge Ure, Trevor Horn
Written-By – Geldof*, Ure*

BBon Jovi – Runaway 3:51
Producer – Lance Quinn, Tony Bongiovi
Written-By – G. Karak*, J. Bon Jovi*

Elton John – Sad Songs (Say So Much) 4:48
Producer – Chris Thomas
Written-By – Elton John & Bernie Taupin

ABC – The Look Of Love 3:29
Producer – Trevor Horn
Written-By – ABC

Tears For Fears – Mothers Talk 3:54
Backing Vocals – Stevie Lange
Producer – Chris Hughes
Written-By – Ian Stanley

Band Aid – Feed The World 4:16
Engineer – Steve Lipsom*
Producer – Midge Ure, Trevor Horn
Written-By – Geldof*, Ure*

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint
OBI: Near Mint
Insert: Near Mint

RELEASE INFORMATION:
Label: Mercury – 25PP-161
Format: Vinyl, LP, Compilation
Country: Japan
Released: 1985
Genre: Electronic, Rock, Pop
Style: Alternative Rock, New Wave, Pop Rock, Synth-pop

NOTES:
Among super hits of prominent names included on this special compilation album are songs by The Boomtown Rats, Big Country, Genesis, Status Quo, and Marilyn who participated in the Band Aid project.

℗ 1985 Phonogram International, B.V.
Manufactured and Distributed by Nippon Phonogram Co., Ltd.
Made in Japan

Find the LP on DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

April 2, 2015

The Police – Don’t Stand So Close To Me ’86 (UK 12″)

BURNING THE GROUND EXCLUSIVE 1986

“Don’t Stand So Close to Me” is a 1980 song and hit single by the British rock band The Police. It concerns a schoolgirl’s crush on her young teacher which leads to an affair, which in turn is discovered. The Police won the 1982 Grammy Award for Best Rock Performance by a Duo or Group with Vocal for this song.

In 1986, a re-recorded version of the song was released as “Don’t Stand So Close to Me ’86”. The song was re-recorded in 1986 with a new, brooding arrangement, a different chorus and a more opulent production. The new version appeared as “Don’t Stand So Close to Me ’86” on the album Every Breath You Take: The Singles, and was released as a single, reaching number 24 in the British charts. It also reached number 11 in Ireland, number 14 in New Zealand, number 19 on the Netherlands MegaCharts Singles Chart (number 20 on Dutch Top 40), number 27 in Canada and number 46 on Billboard Hot 100 (number 10 on the Billboard Mainstream Rock Tracks).

Because of the decrease in tempo, a slight lyric change is found in the line “Just like the old man in that book by Nabokov” (the word ‘famous’ was added). A new music video was produced for the reworked song by Godley and Creme, notable for its early use of animated computer graphics.

Because drummer Stewart Copeland had broken his collarbone and was unable to drum, he opted to use his Fairlight CMI to program the drum track for the single. While singer/bassist Sting pushed to utilize the drums on his Synclavier instead, the group’s engineer found the Synclavier’s programming interface difficult—and it ended up taking him two days to complete the task. Copeland ultimately finished the drum programming and claimed that the Fairlight’s then-legendary “Page R” (the device’s sequencing page) saved his life and put him on the map as a composer. In a Qantas inflight radio program named “Reeling in the Years”, Copeland was quoted as saying that the argument over Synclavier versus Fairlight drums was “the straw that broke the camel’s back,” and that this led to the group’s unraveling.

As the Police had already disbanded by the time the 1986 single was released, this, aside from the then-unreleased “De Do Do Do, De Da Da Da ’86,” was the last recording before the band’s reunion and the most recent studio recording the band has released.

SIDE A:
Don’t Stand So Close To Me ’86 (Dance Mix) 6:24
Producer – Laurie Latham, Police, The

Don’t Stand So Close To Me ’86 4:51
Producer – Laurie Latham, Police, The

SUDE B:
Don’t Stand So Close To Me (Original Version) 4:00
Producer – Nigel Gray, Police, The

Don’t Stand So Close To Me (Live) 4:01
Mixed By – Kim Turner

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year	Single	Chart	Position
1986	Don’t Stand So Close To Me ’86	U.S. Billboard Hot 100	#46
1986	Don’t Stand So Close To Me ’86	U.S. Billboard Mainstream Rock Tracks	#10

RELEASE INFORMATION:
Label: A&M Records ‎– AMY 354
Format: Vinyl, 12″, 45 RPM, Single
Country: UK
Released: 1986
Genre: Rock
Style: Pop Rock

CREDITS:
Mastered By – Timtom*
Photography By – Peter Mountain
Written-By – Sting

NOTES:
Track A2 taken from the forthcoming compilation album
“Every Breath You Take – The Singles”

Find the 12″ On DISCOGS

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Bellari VP130 Tube Phono Preamp
Tube: Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard: ESI Juli@
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removeal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi