Category: Mick Jagger

Mick Jagger – Lucky In Love (US 12″)

BURNING THE GROUND EXCLUSIVE 1985

“Lucky in Love” is a song written and performed by English singer-songwriter Mick Jagger released as the second as single from his debut solo album, She’s the Boss, in 1985. “Lucky in Love” peaked at #91 on the UK singles chart. In the United States, the single did much better entering the top 40 on the Billboard Hot 100 peaking at #38. The single was a top five hit on the Billboard Mainstream Rock chart, reaching #5, it also reached #11 on the US Dance chart.

SIDE A:
Lucky In Love (Dance Mix) 6:31

SIDE B:
Lucky In Love (Dub Mix) 6:19
Lucky In Love (Single Mix) 4:47

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1985 Lucky In Love U.S. Billboard Hot 100 #38
1985 Lucky In Love U.S. Billboard Mainstream Rock Tracks #5
1985 Lucky In Love U.S. Billboard Hot Dance Music/Club Play #11
1985 Lucky In Love U.S. Billboard Hot Dance Music/Club Play Maxi-Singles Sales #35

 

RELEASE INFORMATION:
Label: Columbia ‎– 44-05214, Columbia ‎– 44 05214
Format: Vinyl, 12″, 45 RPM, Maxi-Single
Country: US
Released: 1985
Genre: Rock, Pop
Style: Alternative Rock

CREDITS:
Co-producer – Bill Laswell
Producer – Mick Jagger
Producer [Assistant], Remix [Assistant] – Tim Crich
Remix, Producer [Additional] – Francois Kevorkian*, Ron St. Germain
Written-By – C. Alomar*, M. Jagger*

NOTES:
Special Version From The Columbia Lp: “SHE”S THE BOSS”

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7 TubeGold Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Mick Jagger – Ruthless People (US 12″)

BURNING THE GROUND EXCLUSIVE 1986

Side A

2015 Re-Rip!
Newly Remastered!
First Time In 24 Bit Flac!

Originally posted March 28, 2011

“Ruthless People” is the theme song for the 1986 black comedy, starring Danny DeVito, Bette Midler, Judge Reinhold and Helen Slater. It also features Bill Pullman as a supporting role in his film debut.

The song was co-written by Mick Jagger, Daryl Hall and Eurythmics co-member Dave Stewart and performed by Jagger. Assuming the song would be a hit, “Weird Al” Yankovic requested (and received) permission from Jagger to record a parody version, “Toothless People”, for his upcoming Polka Party! album. When Jagger’s song failed to crack the Top 40, Yankovic considered not recording his version; because Jagger had “authorized” the parody, however, he decided failing to produce it would be an insult to the artist and recorded it.

The movie version features different lyrics from the single version.

SIDE A:
Ruthless People (12″ Version) 6:56
Mixed By – Gary Langan
Producer – Daryl Hall , David A. Stewart , Mick Jagger

SIDE B:
I’m Ringing 4:20
Producer – Gary Langan , Mick Jagger

VINYL GRADE:
Vinyl: Near Mint
Cover: Near Mint (generic)

U.S. CHART HISTORY:

Year Single Chart Position
1986 Ruthless People U.S. Billboard Hot 100 #51
1986 Ruthless People U.S. Billboard Mainstream Rock Tracks #14
1986 Ruthless People U.S. Billboard Hot Dance Club Play #29

 

RELEASE INFORMATION:
Label: Epic – 49-05931
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1986
Genre: Electronic
Style: Pop Rock

NOTES:
Mick Jagger appears courtesy of Columbia Records
Taken from the Original Motion Picture Sountrack “RUTHLESS PEOPLE”

Find the 12″ on DISCOGS

Side B

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Speed Control:
Pro-Ject Speed Box S
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removeal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

David Bowie/Mick Jagger – Dancing In The Street (US 12″)

BURNING THE GROUND EXCLUSIVE 1985

A. Front

DONATION RECEIVED, REQUEST FILLED!

“Dancing in the Street” is a 1964 song first recorded by Martha and the Vandellas and is one of Motown’s signature songs.

In 1985 the song was recorded by Mick Jagger and David Bowie as a duo, as part of the Live Aid charity movement. The original plan was to perform a track together live, with Bowie performing at Wembley Stadium and Jagger at John F. Kennedy Stadium, until it was realized that the satellite link-up would cause a half-second delay that would make this impossible unless either Bowie or Jagger mimed their contribution, something neither artist was willing to do. In 1968 Jagger and Keith Richards had already “borrowed” a line from the song in “Street Fighting Man” – “Cause summer’s here and the time is right for fighting in the street, boy.”

In June 1985, Bowie was recording his contributions to the Absolute Beginners soundtrack at Abbey Road Studios, and so Jagger arranged to fly in to record the track there. A rough mix of the track was completed in just four hours, at which point the pair went straight out to London Docklands to film a video with director David Mallet. Thirteen hours after the start of recording, this also was completed. Jagger arranged for some minor musical overdubs with Steve Thompson and Michael Barbiero in New York.

The video was shown twice at the Live Aid event. Soon afterwards the track was issued as a single, with all profits going to the charity. “Dancing in the Street” topped the UK charts for four weeks, and reached number seven in the United States. Bowie and Jagger would perform the song once more, at the Prince’s Trust Concert on June 20, 1986. The song has been featured since on several Bowie compilations.

It was also shown in movie theaters before showings of Ruthless People, for which Jagger had recorded the theme song. It was the first instance in which a promotional clip was used outside of MTV or broadcast television.

SIDE A:
Dancing In The Street (Extended Dance Mix) 4:40

SIDE B:
Dancing In The Street (Dub Mix) 4:41
Dancing In The Street (Edited Version) 3:24

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

CHART HISTORY:

Year Single Chart Position
1985 Dancing In The Street U.S. Billboard Hot 100 #7
1985 Dancing In The Street U.S. Billboard Mainstream Rock Tracks #3
1985 Dancing In The Street U.S. Billboard Hot Dance Music/Club Play #4

 

RELEASE INFORMATION:
Label: EMI America ‎– V-19200
Format: Vinyl, 12″, 45 RPM
Country: US
Released: 1985
Genre: Rock
Style: Pop Rock
Credits:  Alto Saxophone [Alto Sax] – Stan Harrison
Artwork [Back Cover Logo] – David Bell (9)
Backing Vocals – Helena SpringsTessa Niles
Baritone Saxophone [Baritone Sax] – Lenny Pickett
Bass – John “Skinny” Regan*, Matthew Seligman
Drums – Neil Conti
Engineer – Bob ClearmountainMark SaundersStephen Benben
Engineer [Assistant] – Alexander Haas*, Ira McLaughlinRichard SullivanSteve Boyer
Guitar – Earl SlickG.E. SmithKevin Armstrong
Keyboards – Steve Nieve
Mastered By – Bob Ludwig
Mixed By – Steve Thompson, Michael Barbiero*
Percussion – Jimmy MaelenPedro Ortiz
Photography By [Front Cover Photograph] – Jon Hoffmann
Producer – Clive Langer, Alan Winstanley*
Producer [Additional Production] – Michael BarbieroMick JaggerNile RodgersSteve Thompson
Tenor Saxophone [Tenor Sax] – Lenny PickettStan Harrison
Trumpet – Mac Gollehon
Written-By – I. Hunter*, M. Gaye*, W. Stevenson*
Vocals – David BowieMick Jagger

NOTES:
Back cover logo © LIVE-AID Foundation 1985.

Find The 12″ On DISCOGS

B. Back

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Pro-Ject Acryl-It platter
Pro-Ject Speed Box S
Bellari VP130 Tube Phono Preamp
Soundcard: ESI Juli@
VPI HW 16.5 Record Cleaning Machine
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Adobe Audition 3.0 (Recording)
Adobe Photoshop CS5
ClickRepair
dBpoweramp
Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
Downsampled to 24bit/96kHz and16bit /44kHz using iZotope RX Advanced 2
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

The Rolling Stones – Too Much Blood (US 12″)

BURNING THE GROUND EXCLUSIVE 1984

A. Front

“Too Much Blood” is a single released only in the United States by The Rolling Stones taken from their 1983 album Undercover.

Credited to Mick Jagger and Keith Richards, “Too Much Blood” is largely a Jagger composition. The song is a reflection of the many influences the Stones would have during their career in the mid-1980s. Jagger said at the time of its release, “I had made out a very honest burden of mind before everyone had arrived one night. It was just Charlie [Watts] and Bill [Wyman]. And one of our roadies called Jim Barber, he was playing guitar on it too. And I just started playing this riff I had, with this middle part, I didn’t have any words to it and then I just suddenly started rapping out these words which are the ones you hear.” (“Mick asked me if I could do an ‘Andy Summers’ on the track” – Jim Barber).

The song itself deals with the growing depictions of violence in the media at the time and the case of Issei Sagawa, with Jagger saying, “Well there was this scandalous, murderous story in France – it was a true story – about this Japanese guy who murdered this girl and it sort of captured the imagination of the French public, and the Japanese. The Russians wanted to make a movie out of it. So that was the first bit and then I started becoming more light-hearted about it, movies and all. …it came out as a sort of anti-gratuitous cinema of violence. And it’s a kind of anti-violent thing.”

“Did you ever see “The Texas Chain Saw Massacre”? Horrible, wasn’t it. You know, people ask me “is it really true where you live in Texas, is that really true what they do around there, people?” I say, “yea, every time I drive through the crossroads I get scared, there’s a bloke running round with a fucking chain saw. Oh! Oh! oh No, he’s gonna cut off, Oh no. Don’t saw off me leg, don’t saw off me arm.”

Jagger uses a half-hearted rap delivery for some lines, saying at the time, “I’m not a great rapper… It’s just made up on the spot as well. It’s completely extemporized, as well, most of it. A couple words I cleaned up. I don’t mean clean up, just made better sounds. That was just rap off the top of my head. I didn’t write it down, even.”

Recording took place at Paris’ Pathé Marconi Studios and New York City’s Hit Factory between October and November 1982. With Jagger on lead vocals, he also performs electric guitars with Barber and Richards. Horns are provided by Chops and percussion by Sly Dunbar.

A dance version of “Too Much Blood,” remixed by Arthur Baker, was released as a twelve-inch single in December 1984. A music video, directed by Julien Temple, was produced in support showing the band performing the song as well as Richards and guitarist Ron Wood chasing Jagger with chainsaws. The trio also appear, without chainsaws but still in character, on the record sleeve for the single. The video opens with an excerpt from the first movement of the String Quartet Number 3 by Béla Bartók. “Too Much Blood” has never been performed live by the Stones and appears on no compilation albums.

In the US the singles peaked at #44 on the Billboard Dance Chart and #38 on the Mainstream Rock Chart.

SIDE A:
Too Much Blood (Dance Version) 12:46
Edited By – Latin Rascals, The
Engineer [Remix Assistant] – Tom Lord-Alge
Engineer [Remix] – Chris Lord-Alge
Producer – Glimmer Twins, The
Remix – Arthur Baker

SIDE B:
Too Much Blood (Dub Version) 8:00
Edited By – Latin Rascals, The
Engineer [Remix Assistant] – Tom Lord-Alge
Engineer [Remix] – Chris Lord-Alge
Producer – Glimmer Twins, The
Remix – Arthur Baker

Too Much Blood (Album Version) 6:13
Mixed By – Chris Kimsey
Producer – Chris KimseyGlimmer Twins, The

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

CHART HISTORY:

Year Single Chart Position
1983 Too Much Blood U.S. Billboard Hot Mainstream Rock Tracks #38
1984 Too Much Blood U.S. Billboard Hot Dance Music/Club Play #44

 

RELEASE INFORMATION:
Label: Rolling Stones Records ‎– 0-96902
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1984
Genre: Electronic, Rock
Style: Dub
Credits: Art Direction – Bob Defrin
Mastered By – Greg Calbi
Recorded By – Chris Kimsey
Written-By – Jagger-Richards

NOTES:
From the album “UNDERCOVER”

Find The 12″ On DISCOGS

B. Back

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Pro-Ject Acryl-It platter
Pro-Ject Speed Box S
Bellari VP130 Tube Phono Preamp
Soundcard: ESI Juli@
VPI HW 16.5 Record Cleaning Machine
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Adobe Audition 3.0 (Recording)
Adobe Photoshop CS5
ClickRepair
dBpoweramp
Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
Downsampled to 24bit/96kHz and16bit /44kHz using iZotope RX Advanced 2
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi