Category: King

King – Won’t You Hold My Hand Now (Heavy Times Mix) (US 12″) (1984)

Burning The Ground Exclusive

Before Love & Pride became a defining pop moment of 1985, King were already refining their bright, brassy brand of new wave soul. One of the key stepping stones in that ascent was “Won’t You Hold My Hand Now,” the third single lifted from their debut LP Steps In Time.

Originally released in 1984, the single failed to ignite immediately, reaching only #112 on the UK Singles Chart. At that point, King were still carving out their identity in a crowded mid-’80s pop landscape. Stylish? Absolutely. Catchy? Undeniably. But they hadn’t yet broken through.

Everything changed with the explosive success of “Love & Pride.” After that breakthrough hit stormed the charts, “Won’t You Hold My Hand Now” was re-released in March 1985 and finally connected with a wider audience, climbing to #24 on the UK Singles Chart. It was proof that sometimes the public just needs a nudge — or a hit — to look back and discover what they missed.

Brass, Bounce, and Romantic Urgency

Musically, the track is quintessential King. Paul King’s distinctive vocal delivery balances urgency and vulnerability, while the band propels the song forward with punchy brass stabs, tight rhythm guitar, and polished keyboard textures. The production straddles late new romantic flair and the emerging sophisti-pop sheen that would define much of 1985’s radio sound.

At its core, the song is simple and relatable — a plea for reassurance, connection, and emotional grounding. Wrapped in vibrant instrumentation, that vulnerability becomes something celebratory rather than desperate.

A Treat for 12″ Collectors

For vinyl enthusiasts, the US 12″ single offers something particularly special. The two remixes featured on the B-side are exclusive to the American 12″ release, making it an essential pickup for serious King collectors. These extended versions stretch the groove beautifully, giving the brass and rhythm section more room to breathe while enhancing the track’s dancefloor appeal — a perfect example of how the 12-inch format could elevate an already strong pop single.

It’s details like these that make collecting so rewarding: alternate mixes, regional exclusives, and subtle production differences that tell their own story.

A Second Chance Well Earned

“Won’t You Hold My Hand Now” may not have exploded out of the gate, but its re-release success solidified King’s brief yet brilliant run in the mid-’80s spotlight. Alongside Love & Pride and the rest of Step In Time, it captures a moment when British pop was colorful, ambitious, and unapologetically stylish.

Sometimes all it takes is one big hit to make the world circle back — and realize what was there all along.

SIDE A:
Won’t You Hold My Hand Now (Heavy Times Mix) 7:49
Producer – Liam Henshall*

SIDE B:
Won’t You Hold My Hand Now (85 Reasons To Hold Hands Mix) 5:07
Producer – Richard James Burgess

Won’t You Hold My Hand Now (Dub Mix) 3:22
Producer – Richard James Burgess

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

Chart Performance – King: Won’t You Hold My Hand Now (1984)
Chart Peak Position Date
UK Singles Chart #24 1984
Australia (Kent Music Report) #86 1984
Belgium (ultrapop) #14 1984

RELEASE INFORMATION:
Label: Epic – 49 05286
Format: Vinyl, 12″, 33 ⅓ RPM, Single, Stereo, Pitman Pressing
Country: US
Released: 1984
Genre: Electronic
Style: New Wave, Synth-pop

CREDITS:

NOTES:
Also available King “Steps In Time” on Epic Records and Cassettes

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND


THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


Paul King – I Know (Instant Magic Mix) (Europe 12″)

Burning The Ground Exclusive 1987

“I Know” is the debut solo single by British-Irish singer Paul King released in May 1987. The single was produce by Dan Hartman with remixes by Pete Hammond. “I Know” peaked at #57 on the UK singles chart. Paul King was the former lead singer for the new wave band King best known for their UK Top 10 single “Love & Pride”. Paul King later went on to become a VJ on MTV in 1989, before moving over to VH1 in 1994.

SIDE A:
I Know (Instant Magic Mix) 5:21
Remix –Pete Hammond

SIDE B:
I Know (Dub It Fresh Mix) 3:57
Some Risk 4:19

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: CBS – CBS 650749 8
Format: Vinyl, 12″, 45 RPM, Maxi-Single
Country: Europe
Released: 1987
Genre: Electronic
Style: Synth-pop

CREDITS:
Producer –  Dan Hartman
Written-By –Charlie Midnight (tracks: A, B1), Dan Hartman (tracks: A, B1), Paul King (2)

NOTES:
From the LP “JOY”

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge/Stylus: Ortofon 2M Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

 

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.



King – Alone Without You (Scorcher Mix) (Japan 12″)

Burning The Ground Exclusive 1986

“Alone Without You” is a song by English band King, released as the first single from their second studio album Bitter Sweet.

The single was the second of the band’s only two top ten hits, peaking at No. 8 on the UK Singles Chart in August 1985, and remaining there for nine weeks.

SIDE A:
Alone Without You (Scorcher Mix) 4:33
Remix – Groucho*

SIDE B:
Love & Pride (U.S.A. Summer Mix) 6:14
Remix – Richard James Burgess
Written-By – M. Roberts*

I Kissed The Spikey Fridge (Rock Hard Mix) 3:59
Remix – Richard James Burgess

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Mear Mint
OBI: Near Mint
Insert: Near Mint

RELEASE INFORMATION:
Label: Epic – 12•3P-719
Format: Vinyl, 12″, 45 RPM
Country: Japan
Released: Mar 21, 1986
Genre: Electronic
Style: New Wave, Synth-pop

CREDITS:
Photography By –Simon Fowler (2)
Producer – Richard James Burgess
Written-By – P. King*

NOTES:
Issued with OBI and one sided insert.
Label side A is a picture label, label side B carries all the credits.

Find the 12″ at DISCOGS

VINYL RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge/Stylus: Ortofon 2M Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC only available for seven days

Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

Ferry Aid – Let It Be (US 12″)

BURNING THE GROUND EXCLUSIVE 1987

Although this single was recorded to help victims of a 1987 tragedy. Today we pray for those affected in Manchester, England.

Ferry Aid were a British-American ensemble group, brought together to record the song “Let It Be” in 1987. The single was released following the Zeebrugge Disaster, which had occurred on 6 March 1987 involving the capsizing of the MS Herald of Free Enterprise ferry, which killed 193 passengers and crew. All proceeds from sales of the single were donated to the charity set up in the aftermath of the disaster. The recording was organised by The Sun newspaper, after it had sold cheap tickets for the ferry on that day. “Let It Be” was written by Lennon–McCartney and originally recorded by The Beatles in 1969.

Garry Bushell, then with The Sun newspaper, organised the recording of the song by recruiting record producers Stock, Aitken and Waterman. They then put an invitation out to the music industry for artists to contribute their vocals to the song. Although many stars were initially reluctant to join forces with the newspaper, eventually artists such as Boy George, Kate Bush, Gary Moore and Mark Knopfler agreed to take part. Original writer, Paul McCartney also contributed to the song, although his performance (and section in the accompanying video) were recorded independently in his own studios. In fact, it was later revealed that McCartney used his voice of the original recording of the 1970 Beatles track and added it to the Ferry Aid recording. The song was recorded over three days between 14 and 16 March 1987 and the single was released on Monday 23 March 1987. The first artist to record his part was Mark King (who also played bass guitar on the song) on the Saturday morning, while the last was Paul King on Monday evening.

In the original Beatles recording George Harrison did the guitar solo but for the purposes of this song – as shown in the video – the solo was divided with Gary Moore first, then Mark Knopfler, then back to Gary Moore with Moore’s parts being more ‘rock’ and Knopfler’s being more laid-back.

“Let It Be” reached #1 in the UK Singles Chart in its first week on 4 April 1987, and remained at that position for three weeks. It was the 13th best selling single of the year in the UK; it was certified gold for shipping over 500,000 copies. The single was also a number one hit in Norway and Switzerland, and reached the top 10 in several European countries.

Artists to have contributed and performed solo spots on the song are as follows:

Paul McCartney
Boy George
Keren Woodward and Nick Kamen
Paul King
Mark King
Jaki Graham
Taffy
Mark Knopfler (guitar solo)
Andy Bell
Pepsi & Shirlie
Mel and Kim
Gary Moore (guitar solo)
Kim Wilde and Nik Kershaw
Edwin Starr
Ben Volpeliere-Pierrot
Ruby Turner
Kate Bush

The closing choruses of the song feature an ensemble choir featuring many of the above performers as well other recording artists. The back-up chorus consisted of:

The Alarm, John Altman, Debee Ashby, Al Ashton, Rick Astley, Bananarama, Simon Bates, Alison Bettles, Jenny Blythe, Errol Brown, Miquel Brown, Bucks Fizz, Jay Carly, The Christians, Nick Conway, Linda Davidson, Hazell Dean, Anne Diamond, Difford and Tilbrook, Doctor and the Medics, The Drifters, Drum Theatre, Frankie Goes to Hollywood, Roy Gayle, Go West, Carol Hitchcock, Felix Howard, Gloria Hunniford, Imagination, Jenny Jay, Ellie Laine, Annabel Lamb, Stephanie Lawrence, Loose Ends, Linda Lusardi, Ruth Madoc, Bobby McVey, Suzanne Mizzi, The New Seekers, Sadie Nine, The Nolans, Hazel O’Connor, Mike Osman, Su Pollard, Tim Polley, Pamela Power, Maxi Priest, Princess, Jimmy Pursey, Suzi Quatro, Mike Read, Sally Sagoe, Nejdet Salih, Ray Shell, Mandy Smith, Neville Stapleton, Alvin Stardust, Steve Strange, Sylvia Tella, Terraplane, Bonnie Tyler, Maria Whittaker, Working Week.

SIDE A:
Let It Be 6:30
Engineer – Mark McGuire
Mixed By – Burni Adams, Jamie Bromfield

SIDE B:
Let It Be (Mega Message Mix) 6:11
Mixed By – Jamie Bromfield

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Profile Records ‎– PRO-7147
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1987
Genre: Pop
Style: Pop/Rock

CREDITS:
Bass – Mark King
Drums – A. Lynn
Guitar – Gary Moore, Mark Knopfler
Keyboards – Matt Aitken, Mike Stock
Producer – Stock/Aitken/Waterman*
Written-By – Lennon/McCartney*

NOTES:
Recorded at PWL Studios.
Special thanks to: Michael Jackson and Paul McCartney

Find the 12″ on DISCOGS

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi