Category: Hall & Oates

Artists United Against Apartheid – Sun City (US 12″)

BURNING THE GROUND EXCLUSIVE 1985

A. Front

“Sun City” is a 1985 protest song written by Steven Van Zandt, produced by Van Zandt and Arthur Baker and recorded by Artists United Against Apartheid to convey opposition to the South African policy of apartheid. The primary means of that opposition is to declare that all the artists involved would refuse any and all offers to perform at Sun City, a resort which was located within the bantustan of Bophuthatswana, one of a number of internationally unrecognized states created by the South African government to forcibly relocate its black population.

“Sun City” only reached #38 on the Billboard Hot 100 chart in December 1985. Only about half of American radio stations played “Sun City”, with some objecting to the lyrics’ explicit criticism of President Ronald Reagan’s policy of “constructive engagement.” (Joey Ramone’s line in the song criticizes Reagan. Ramone also expressed open discontent and criticism towards him with the Ramones song “Bonzo Goes to Bitburg”.) The song was banned in South Africa itself.

The song did somewhat better overseas, reaching #21 on the UK Singles Chart, #4 in Australia and achieving chart action in a number of other European countries, becoming a substantial hit in The Netherlands. It was also a top ten single in Canada in December 1985 and January 1986.

“Sun City” was picked as record of the year by many of the most influential music critics, topping the prestigious international Pazz & Jop Critics Poll for best single of the year.

The album and single raised more than a million U.S. dollars for anti-apartheid projects. It premiered at the United Nations, thanks to the Special Committee Against Apartheid and UN officers such as Aracelly Santana.

Featuring – Afrika Bambaataa, Anthony Williams, Big Youth, Bob Dylan, Bob Geldof, Bobby Womack, Bonnie Raitt, Bono, Bruce Springsteen, Clarence Clemons, Darlene Love, Daryl Hall, David Ruffin Jr, Duke Bootee, Eddie Kendricks, Fat Boys, George Clinton, Gil Scott-Heron, Grandmaster Melle Mel, Herbie Hancock, Jackson Browne, Jimmy Cliff, Joey Ramone, John Oates, Kashif, Kurtis Blow, Linton Kwesi Johnson, Little Steven, Lou Reed, Malopoets, Michael Monroe, Miles Davis, Nona Hendryx, Pat Benatar, Pete Townshend, Peter Gabriel, Peter Garrett, Peter Wolf, Ray Barretto, Ringo Starr, Ron Carter, Ruben Blades, Run-DMC, Scorpio (3), Shankar, Sonny Okosun, Stanley Jordan, Stiv Bators, Tina B, Via Afrika, Will Downing, Zak Starkey
Producer – Arthur Baker, Little Steven

SIDE A:
Sun City (Last Remix) 9:36

SIDE B:
Not So Far Away (Dub Version) 12:32
Tracking By [Emulator Overdubs] – Keith Le Blanc*

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1985 Sun City U.S. Billboard Hot 100 #38

 

RELEASE INFORMATION:
Label: Manhattan Records ‎– V-56013
Format: Vinyl, 12″, Single, 33 ⅓ RPM
Country: US
Released: October 25, 1985
Genre: Electronic
Style: Synth-pop

CREDITS:
Edited By – Albert Cobrera*, Aldo Miran
Engineer [Mix] – Frank Filipetti
Engineer [Mix], Remix – Jay Burnett
Producer – Little Steven
Producer, Remix – Arthur Baker

NOTES:
The artist royalties from this record are going to The Africa Fund, a charitable trust based in New York City and registered with the United Nations. The income will benefit political prisoners and their families in South Africa, educational and cultural needs of South African exiles, and educational work of anti-apartheid groups in the United States.

Mixed at Electric Lady, NYC.

Find the 12″ On DISCOGS

B. Back

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Daryl Hall – Foolish Pride (US 12″)

BURNING THE GROUND EXCLUSIVE 1986

A. Front

“Foolish Pride” was the second single taken from American singer Daryl Hall’s 1986 solo album Three Hearts in the Happy Ending Machine. “Foolish Pride” was co-produced by David A. Stewart from Eurythmics. The single debuted on the Billboard Hot 100 on October 18, 1986 peaking at #32.

This pressing does not contain the track “What’s Gonna Happen To Us” as mentioned on the back of cover, but instead includes a bonus remix of “Foolish Pride” entitled “Acadubella Version”.

SIDE A:
Foolish Pride (Extended Remixed Version) 7:434
Foolish Pride (Edited Remixed Version) 3:55

SIDE B:
Foolish Pride (Acadubella Version) 4:30
Foolish Pride (Dub Version) 7:57

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1986 Foolish Pride U.S. Billboard Hot 100 #32
1986 Foolish Pride U.S. Billboard Hot Adult Contemporary Tracks #21
1986 Foolish Pride U.S. Billboard Hot R&B Singles #91

 

RELEASE INFORMATION:
Label: RCA ‎– 5748-1-RD
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1986
Genre: Rock
Style: Pop Rock

CREDITS:
Engineer [Mix] – Michael Hutchinson
Producer – Hall*, Stewart*, Wolk*
Producer [Additional], Mixed By – Shep Pettibone
Vocals – Hall*

NOTES:
Taken from the LP “Three Hearts In The Happy Ending Machine”

Find the 12″ On DISCOGS

B. Back

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Daryl Hall – Dreamtime (US 12″ Promo)

BURNING THE GROUND EXCLUSIVE 1986

Side A Label

New 2015 Re-Rip!
Meticulously Remastered!
First time in 24bit Flac!

Originally posted April 15, 2010

“Dreamtime” is a single from singer/songwriter Daryl Hall (part of pop-rock duo Hall & Oates). Co-written by John Beeby, it was issued prior to the release of his second solo album, Three Hearts in the Happy Ending Machine.

It was his debut single, and also his biggest hit as a solo performer, climbing the Billboard Hot 100 to peak at number 5 in October 1986. The hit helped drive its parent album up the charts to peak at number 29.

SIDE A:
Dreamtime (Extended Remix Version) 7:54

SIDE B:
Dreamtime (Dub Vesion) 7:50

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint (generic)

U.S. CHART HISTORY:

Year Single Chart Position
1986 Dreamtime U.S. Billboard Hot 100 #5
1986 Dreamtime U.S. Billboard Adult Contemporary #24
1986 Dreamtime U.S. Billboard Mainstream Rock Tracks #28
1986 Dreamtime U.S. Billboard Hot Dance Music/Club Play #11

 

RELEASE INFORMATION:
Label: RCA ‎– 5714-1-RDAC
Format: Vinyl, 12″, 33 ⅓ RPM, Promo
Country: US
Released: 1986
Genre: Electronic, Rock, Pop
Style: Pop Rock

CREDITS:
Lyrics By – Daryl Hall
Music By – Daryl Hall , John Beebe
Producer – Daryl Hall , David A. Stewart , Tom “T-Bone” Walk*
Remix – Arthur Baker

NOTES:
From the LP “Three Hearts In The Happy Ending Machine”

Find the 12″ On DISCOGS

Side B Label

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

USA For Africa – We Are The World (US 12″ Promo)

BURNING THE GROUND EXCLUSIVE 1985
A. Front

Happy Thanksgiving

Thanksgiving is a holiday that we celebrate on Thursday November 27 here in the US. It’s a time to reflect and give thanks for all of the abundant blessings and freedom that we have. We gather around the table with family and friends to share a festive meal. We also spare a thought for those not so lucky. It is a season of bountifulness and a reason to share the same ….true Thanksgiving is in actually doing that – Giving !!!”

I will be spending some time with family and friends over the next few days and will return on Tuesday December 2.

001“We Are the World” is a song and charity single originally recorded by the supergroup USA for Africa in 1985. It was written by Michael Jackson and Lionel Richie, and produced by Quincy Jones and Michael Omartian for the album We Are the World. With sales in excess of 20 million copies, it is one of the fewer than 30 all-time singles to have sold at least 10 million copies worldwide.

Following Band Aid’s “Do They Know It’s Christmas?” project in the UK, an idea for the creation of an American benefit single for African famine relief came from activist Harry Belafonte, who, along with fundraiser Ken Kragen, was instrumental in bringing the vision to reality. Several musicians were contacted by the pair, before Jackson and Richie were assigned the task of writing the song. The duo completed the writing of “We Are the World” seven weeks after the release of “Do They Know Its Christmas”, and one night before the song’s first recording session, on January 21, 1985. (The last recording session for the song was held on January 28, 1985.) The historic event brought together some of the most famous artists in the music industry at the time.

The song was released on March 7, 1985, as the only single from the album. A worldwide commercial success, it topped music charts throughout the world and became the fastest-selling American pop single in history. The first ever single to be certified multi-platinum, “We Are the World” received a Quadruple Platinum certification by the Recording Industry Association of America. However, the song garnered mixed reviews from journalists, music critics, and the public. Fans enjoyed hearing racially and musically diverse recording artists singing together on one track, and felt satisfied in buying “We Are the World”, knowing that the money was going to charity. Other individuals, including many commentators in the rock press, were disappointed that the song did not challenge listeners as to why famines occur in the first place, and felt that the lyrics were self-aggrandizing.

Awarded numerous honors—including three Grammy Awards, one American Music Award, and a People’s Choice Award—the song was promoted with a critically received music video, a home video, a special edition magazine, a simulcast, and several books, posters, and shirts. The promotion and merchandise aided the success of “We Are the World” and raised over $63 million for humanitarian aid in Africa and the US.

Following the devastation caused by the magnitude 7.0 Mw earthquake in Haiti on January 12, 2010, a remake of the song by another all-star cast of singers was recorded on February 1, 2010. Entitled “We Are the World 25 for Haiti”, it was released as a single on February 12, 2010, and proceeds from the record aided survivors in the impoverished country.

SIDE A:
We Are The World 7:19

SIDE B:
We Are The World 7:19

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1985 We Are The World U.S. Billboard Hot Country Singles Chart #76
1985 We Are The World U.S. Billboard Hot 100 #1
1985 We Are The World U.S. Billboard Hot Adult Contemporary Tracks #1
1985 We Are The World U.S. Billboard Hot Dance Music/Maxi-Singles Sales #1
1985 We Are The World U.S. Billboard Hot Mainstream Rock Tracks #27
1985 We Are The World U.S. Billboard Hot R&B Singles #1

 

RELEASE INFORMATION:
Label: Columbia ‎– US2-05179
Format: Vinyl, 12″, 33 ⅓ RPM, Promo
Country: US
Released: March 7, 1985
Genre: Rock
Style: Pop Rock

CREDITS:
Conductor – Quincy Jones
Engineer – Humberto Gatica, John Guess
Producer – Quincy Jones
Producer [Associate] – Tom Bahler
Written-By – Lionel Richie, Michael Jackson

NOTES:
Promo. Same versions on both sides.

Find The 12″ On DISCOGS

B. Back

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Speed Control: Pro-Ject Speed Box S
Phono Pre-amp: Bellari VP130 Tube Phono Preamp
Tube: Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard: ESI Juli@
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removeal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi