Category: Fine Young Cannibals

Fine Young Cannibals – She Drives Me Crazy (US 12″) (1989)

Burning The Ground Exclusive

Originally released in 1988, “She Drives Me Crazy” marked the explosive return of British trio Fine Young Cannibals. Issued as the lead single from their second (and final) album The Raw & the Cooked (1989), the track became an instant classic—showcasing Roland Gift’s unmistakable falsetto and the band’s clever fusion of pop, soul, and funk.

Written by frontman Roland Gift and bassist David Steele, and co-produced by the band along with David Z (a longtime Prince collaborator), “She Drives Me Crazy” has one of the most iconic snare sounds of the era. The distinctive “pop” of the drum was no accident—David Z employed an inventive technique during the recording sessions at Prince’s famed Paisley Park Studios in Minneapolis. The snare part was recorded separately, then played back through a speaker placed on top of the snare drum while a mic underneath captured the sound again—creating that sharp, tight punch that helped the track cut through on both radio and the dancefloor.

Chart-wise, the single became the band’s biggest hit. In the UK, it reached No. 5—making it their highest-charting release at home. But it was in the U.S. that the song really took off, hitting No. 1 on the Billboard Hot 100 and staying there for a week in April 1989. It also topped charts in Australia, Canada, New Zealand, Austria, and Spain, cementing Fine Young Cannibals’ global success. Two different music videos were shot for the track—one by French choreographer/director Philippe Decouflé and another by Pedro Romhanyi.

Today on Burning the Ground, I’m featuring the U.S. 12″ single, which includes three rare remixes by Justin Strauss: a club-friendly extended remix a Dub, and a tight edit version—none of which have been released digitally or appeared on commercial CD (except for a scarce promo) which included the Justin Strauss Remix. Strauss’s approach adds extra rhythmic space and re-sequencing, extending the groove while preserving the quirky charm of the original.

If, like me, you spent countless nights in record stores or at clubs chasing down mixes you knew weren’t on your regular 12″, this one’s for you. A peak pop moment, reimagined with the dancefloor in mind.

SIDE ONE:
She Drives Me Crazy (The Justin Strauss Remix) 7:42
Edited By – Chep Nunez*
Engineer [Remix] – Daniel Abraham
Keyboards – Eric Kupper
Producer [Additional], Remix – Justin Strauss

She Drives Me Crazy (Single Remix) 3:48
Edited By – Chep Nunez*
Engineer [Remix] – Daniel Abraham
Keyboards – Eric Kupper
Producer [Additional], Remix – Justin Strauss

SIDE A:
She Drives Me Crazy (David Z Remix) 7:05
Remix – David Z.

She Drives Me Crazy (Driven Crazy Dub) 5:33
Edited By – Chep Nunez*
Engineer [Remix] – Daniel Abraham
Keyboards – Eric Kupper
Producer [Additional], Remix – Justin Strauss

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1989 She Drives Me Crazy U.S. Billboard Hot 100 #1
1989 She Drives Me Crazy U.S. Billboard 12 Inch Singles Sales #3
1989 She Drives Me Crazy U.S. Billboard Hot Dance Club Play #1
1989 She Drives Me Crazy U.S. Billboard Hot Black Singles #54
1989 She Drives Me Crazy U.S. Billboard Modern Rock Tracks #5

RELEASE INFORMATION:
Label: I.R.S. Records – IRS-23926
Format: Vinyl, 12″, 33 ⅓ RPM, Single, Pinckneyville
Country: US
Released: 1989
Genre: Electronic, Pop, Stage & Screen
Style: Dance-pop, House

CREDITS:

NOTES:
The labels state Side One and Side A.

Tracks A1/A2/B2: Additional production for Just Right Productions.
Track A1 is also known as the “U.S. Mix”.

Management is written “Tony Meilandt AGM Management”

This release was pressed at the MCA Pressing Plant, Pinckneyville .

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


Fine Young Cannibals – She Drives Me Crazy (US 12″ Promo) (1989)

Burning The Ground Exclusive

Today on Burning the Ground, I’m featuring a true promo-only gem from the tail end of the ’80s dance explosion: Fine Young Cannibals’ “She Drives Me Crazy,” the U.S. 12″ promo issued by MCA Records in 1989. This release was aimed squarely at club and radio DJs and includes six exclusive remixes not commercially available elsewhere—crafted by none other than legendary remixer and MCA A&R man Louil Silas Jr.

“She Drives Me Crazy” was the lead single from The Raw & the Cooked, the sophomore (and final) album by the British trio Fine Young Cannibals. Released in early 1989, the track quickly became a global smash, hitting #1 on the Billboard Hot 100, the Canadian RPM chart, and topping charts across Europe. With its instantly recognizable snare snap and Roland Gift’s anguished falsetto, it was as odd as it was infectious—a rare collision of post-punk quirk and commercial pop genius.

But what makes this promo particularly exciting is what isn’t on the retail shelves.

📀 The Remixes
The promo-only U.S. 12″ features exclusive Louil Silas Jr. club and radio edits, reworking the original with added rhythmic punch and a more DJ-friendly structure. Silas, known for his polished R&B and dance remixes, gives the track a tighter, funkier foundation while preserving its tension and distinctive sonic identity. These mixes lean slightly more into the urban/club territory, reflecting the late ’80s U.S. remix culture that often reshaped British imports for American dancefloors.

🎤 Monie Love Rap Version
Also included is a special remix featuring a rap by British MC Monie Love, who was just breaking into the U.S. scene at the time. Her verse adds a dynamic, female perspective that contrasts sharply—but playfully—with the neurotic male energy of the original. It’s laid over a remix that sits closer to the album version than the club mixes but features subtle edits and production tweaks to mesh with Monie’s bars. This version was never commercially released and remains a rare slice of cross-Atlantic collaboration.

🔊 Promo-Only Appeal
As a promo, this 12″ wasn’t intended for retail sale, making it a sought-after collector’s item today—especially for fans of late-’80s remix culture. The exclusive mixes, tighter radio edits, and Monie Love feature encapsulate a time when labels went the extra mile to service dance floors and radio stations with unique content tailored to regional tastes.

Whether you were dancing to this in 1989 or discovering it anew, this promo captures She Drives Me Crazy at its most experimental and remix-forward. It’s a reminder of how major hits could take on a second life in the hands of remixers like Silas and boundary-pushers like Monie Love.

Stay tuned for more promo-only treasures coming soon to Burning the Ground.

SIDE A:
She Drives Me Crazy (Extended Version) 8:25
Featuring – Monie Love

She Drives Me Crazy (Radio Rap Version) 5:44
Featuring – Monie Love

SIDR B:
She Drives Me Crazy (Radio Edit) 5:20
She Drives Me Crazy (Instrumental) 4:53
She Drives Me Crazy (Percussapella) 4:53
She Drives Me Crazy (Bonus Beats) 4:35

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1989 She Drives Me Crazy U.S. Billboard Hot 100 #1
1989 She Drives Me Crazy U.S. Billboard 12 Inch Singles Sales #3
1989 She Drives Me Crazy U.S. Billboard Hot Dance Club Play #1
1989 She Drives Me Crazy U.S. Billboard Hot Black Singles #54
1989 She Drives Me Crazy U.S. Billboard Modern Rock Tracks #5

RELEASE INFORMATION:
Label: MCA Records – L33-17832
Format: Vinyl, 12″, 33 ⅓ RPM, Promo
Country: US
Released: 1989
Genre: Electronic, Rock
Style: Indie Rock

CREDITS:

NOTES:
From the LP “The Raw & the Cooked”

Promotional Only – Not For Sale

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


Fine Young Cannibals – Good Thing (UK 12″)

BURNING THE GROUND EXCLUSIVE 1988

“Good Thing” is a song recorded by Fine Young Cannibals, the second single from their album from 1989, The Raw & the Cooked. The song was their second and most recent U.S. #1, topping the Billboard Hot 100 on 8 July 1989. It also peaked at #7 on the UK Singles Chart.

The song made its first appearance in Tin Men (1987). Fine Young Cannibals portrayed a nightclub band in the movie, performing this song and three others (including the single’s b-side “Social Security”). The film is set in Baltimore in 1963, and the song’s retro-soul style is consistent with that setting.

Jools Holland played piano on the track, noting that it was “one of the biggest selling records I’ve ever played on”.

SIDE A:
Good Thing (Nothing Like The Single Mix) 4:38

SIDE B:
Good Thing (7″ Mix) 3:33
Good Thing (Nothing Like The Single Mix – Instrumental) 4:38

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1989 Good Thing U.S. Billboard Hot 100 #1
1989 Good Thing U.S. Billboard Adult Contemporary #12
1989 Good Thing U.S. Billboard Modern Rock Tracks #2
1989 Good Thing U.S. Billboard Hot Dance Music/Club Play #20

 

RELEASE INFORMATION:
Label: London Records ‎– LONX 218, London Records ‎– 886 531-1
Format: Vinyl, 12″, 45 RPM, Single
Country: UK
Released: Apr 1989
Genre: Electronic, Rock, Pop
Style: Breakbeat, Pop Rock, Synth-pop

CREDITS:
Design [Sleeve Design] – Martin Jenkins (5)
Producer – Cox*, Steele*, Gift*
Written-By – Steele*, Gift*

NOTES:
“GOOD THING” is taken from the LP “THE RAW & THE COOKED”
Made In England

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
DAC/Phono Pre-amp:
Alpha Design Labs GT40a USB DAC
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

Username: btg
Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

Fine Young Cannibals – Suspicious Minds (US 12″)

BURNING THE GROUND EXCLUSIVE 1986

“Suspicious Minds” is a song written and first recorded by American songwriter Mark James. After James’ recording failed commercially, the song was handed to Elvis Presley by producer Chips Moman, becoming a number one song in 1969.

In 1986, the band Fine Young Cannibals’ cover version of the song, which featured backing vocals by Jimmy Somerville, reached No. 8 on the UK Singles chart. Singer Roland Gift said that Elvis had come to him in a dream and told him he would record the greatest version of Suspicious Minds ever.

The Fine Young Cannibals’ music video for the song was filmed in black & white and remains so for the majority of the song. However, the video is noted for its innovative use of colorization, following the bridge section of the song. The video pays its homage to Elvis, both in its use of the monochrome filming (common during Elvis’ early career) and the shiny spangled suits that the band wear in the second half of the video.

In the United States, the single reached No. 23 on the Billboard Dance chart on June 28, 1986.

SIDE A:
Suspicious Minds (Suspicious Mix) 7:51
Backing Vocals [Uncredited] – Jimmy Somerville
Engineer – Gary Hellman
Producer – Robin Millar
Remix, Edited By – John Luongo
Written-By – James*

Prick Up Your Ears 2:53
Producer, Written-By – Cox*, Steele*

SIDE B:
Suspicious Minds (Caught In A Dub) 7:40
Backing Vocals [Uncredited] – Jimmy Somerville
Engineer – Gary Hellman
Producer – Robin Millar
Remix, Edited By – John Luongo
Written-By – James*

Johnny Come Home (That Other Mix) 5:08
Producer – Cox*, Steele*, Gift
Remix – Herbie

Written-By – Steele*, Gift*

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1986 Suspicious Minds U.S. Billboard Hot Dance Music/Club Play #28

 

RELEASE INFORMATION:
Label: I.R.S. Records ‎– IRS-23626
Format: Vinyl, 12″, 45 RPM
Country: US
Released: 1986
Genre: Electronic
Style: New Wave, Synth-pop

CREDITS:
Artwork [Serigraph By] – Laura Marie Benson
Cover – Grasso*, Scarselli* *, Scarselli*
Mastered By – Frank Deluna

NOTES:
From the LP “FINE YOUNG CANNIBALS”

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7 TubeGold Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi