Author: DjPaulT

John Cougar Mellencamp – R.O.C.K. In The U.S.A. (US 12″)

Burning The Ground Exclusive 1986

Happy Independence Day (United States)

“R.O.C.K. in the U.S.A.”, subtitled “A Salute to 60’s Rock”, is a rock song written and performed by John Cougar Mellencamp. It was the third single from his 1985 album Scarecrow and a top-ten hit on both the Billboard Hot 100 and Top Rock Tracks charts, peaking at number 2 and number 6 respectively. In Australia, the single effectively became a double-A side when the B-side “Under the Boardwalk” received significant airplay and both tracks were listed together on the singles chart, reaching #18.

According to Mellencamp’s biography Born in a Small Town, Mellencamp was initially reluctant to include “R.O.C.K. in the U.S.A.” on Scarecrow, feeling the song was too light-hearted to include alongside the otherwise grim songs such as “Rain on the Scarecrow” and “Face of the Nation”. Mellencamp told Timothy White in a 1986 article for the Illinois Entertainer of his decision to include “R.O.C.K. in the U.S.A.” on Scarecrow: “It was one of those absolute last-split-second decisions. I was only including it on the cassette and CD copies of Scarecrow as a bonus party track, but my manager loved the energy of it and I thought, ‘Yeah! What the hell!'”

Mellencamp required his band to learn how to play about 100 songs from the 1960s before recording Scarecrow, and the song includes several direct musical references to 1960s songs, including The Troggs’ “Wild Thing”.

The song was recorded at Belmont Mall in Belmont, Indiana. The recording was produced by Mellencamp (under the alias “Little Bastard”) and Don Gehman, engineered by Gehman and Greg Edward; backing Mellencamp on the recording were Kenny Aronoff (drums), Toby Myers (bass), Mike Wanchic (guitars, background vocals), Larry Crane (guitars, flutophone), John Cascella (keyboards), and Sarah Flint (background vocals).

Cash Box called it a “no-holds-barred rocker.” Billboard said that it “evokes, without quite quoting, reference points from ‘La Bamba’ to ’96 Tears.'”

A music video for the single was released in 1986. The video was directed by Mellencamp and Faye Cummings, and it was filmed using a kinescope camera. It featured an African American-vocal group and a Caucasian-instrumental group with the two groups playing together at the end of the video.

SIDE A:
R.O.C.K. In The U.S.A. 2:49
Written-By – John Mellencamp*

SIDE B:
Under The Boardwalk (Not Previously Available) 3:52
Written-By –  Arthur ResnickKenny Young

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1986 R.O.C.K. in the U.S.A. U.S. Billboard Hot 100 #2
1986 R.O.C.K. in the U.S.A. U.S. Billboard Adult Contemporary #36

RELEASE INFORMATION:
Label: Riva (2) – 884 455-1
Format: Vinyl, 12″, 33 ⅓ RPM, Single
Country: US
Released: 1986
Genre: Rock
Style: Pop Rock, Rock N Roll

CREDITS:

NOTES:
From the LP “Scarecrow”

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.



Klymaxx – Meeting In The Ladies Room (US 12″ Promo)

Burning The Ground Exclusive 1985

“Meeting in the Ladies Room” is a song recorded by Klymaxx for the MCA Records label, and the title track from their fourth album. It was written by Reggie Calloway, Vincent Calloway, and Boaz Watson. It was released as a single, reaching number 4 on the Billboard R&B chart, 59 on the Billboard Hot 100 chart, and peaked at number 22 on the Billboard Hot Dance Club Play chart.

The success of this song helped their Meeting in the Ladies Room album reach Platinum status. The song’s music video was directed by Gerald Casale of Devo and featured an appearance from a then-unknown Vivica A. Fox. The song was also included on the MCA Records motion picture soundtrack for 1985’s Secret Admirer—Billboard named the song #85 on their list of 100 Greatest Girl Group Songs of All Time. The song was also featured in an episode of the FX series Pose and in the third season of Logo TV’s RuPaul’s Drag Race. In addition, a comedy sketch parodying the song was featured in an episode of Saturday Night Live as part of their forty-fourth season, granting the group and the song newfound popularity.

The Instrumental Version is Promo only and exclusive to this release.

SIDE A:
Meeting In The Ladies Room (Extended Version) 8:06

SIDE B:
Meeting In The Ladies Room (Radio Edit) 5:18
Meeting In The Ladies Room (Instrumental) 9:56

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1985 Meeting In The Ladies Room U.S. Billboard Hot 100 #59
1985 Meeting In The Ladies Room U.S. Billboard Hot Dance Music/Club Play #22
1985 Meeting In The Ladies Room U.S. Billboard Hot R&B/Hip-Hop #4

RELEASE INFORMATION:
Label: Constellation (2) – L33-1277, MCA Records – L33-1277
Format: Vinyl, 12″, Promo, 33 ⅓ RPM
Country: US
Released: 1985
Genre: Electronic, Funk / Soul
Style: Electro, Funk

CREDITS:

NOTES:
Special version of the song from the Constellation LP, “Meeting In The Ladies Room”,

Promotional Only Not For Sale

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.



Club Nouveau – Why You Treat Me So Bad? (Remix) (US 12″)

Burning The Ground Exclusive 1987

“Why You Treat Me So Bad?” is a 1987 single by Club Nouveau from their 1986 album Life, Love & Pain. The basic melodic hook of the song is taken from a hit by Club Nouveau member Jay King’s previous project as producer, Timex Social Club (namely, the song “Thinkin’ About Ya”).

The song has been sampled several times by other musicians. Hip-hop duo Luniz interpolated the music on their hit single “I Got 5 on It”; that song was then sampled by Sean ‘Puff Daddy’ Combs, on his hit single, “Satisfy You”; as well as “I Like It” by Mr. Capone-E and “I Know” by Yo Gotti. Singer Ashanti sampled the song for her hit single “Only U” and Jennifer Lopez on “I’m Gonna Be Alright”.

No Doubt singer Gwen Stefani cited the song for recording her solo debut album Love. Angel. Music. Baby., after she listened to it while the band was on tour.

“Why You Treat Me So Bad?” reached #2 on the Billboard R&B Chart, #22 (Dance), and #39 on the Billboard Hot 100 Singles chart.

SIDE A:
Why You Treat Me So Bad (Club Mix) 7:50
Why You Treat Me So Bad (Radio Edit) 5:36

SIDE B:
Why You Treat Me So Bad (Ultimate Nouveau Mix) 9:06
Engineer [Mix] – John Morales
Engineer [Overdubs] – Peter Sturge
Producer [Additional], Remix [Mixes] – John Morales And Sergio Munzibai
Tracking By [Keyboard Overdubs] – David “Jaz” Grant
John Morales

Why You Treat Me So Bad (LP Version) 5:08

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1987 Why You Treat Me So Bad U.S. Billboard Hot 100 #39
1987 Why You Treat Me So Bad U.S. Billboard Hot Dance Music/Club Play #222
1987 Why You Treat Me So Bad U.S. Billboard Hot R&B/Hip-Hop #2

RELEASE INFORMATION:
Label: Tommy Boy – TB 895, King Jay Records – TB 895
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1987
Genre: Electronic, Funk / Soul
Style: Funk, Swingbeat, Contemporary R&B

CREDITS:

NOTES:
Produced, arranged, and mixed for 2 Tuff-E-Nuff Productions.
Additional production and mixes for Another M+M Production, Inc.
Recorded at Moon Studio, Sacramento, CA.
Mixed at Starlight Studios, Richmond, CA.
Remix mixed at Quad Recording Studios, New York.
Mastered at Frankford-Wayne, NYC.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.



Village People – Y.M.C.A./Macho Man (US 12″)

Burning The Ground Exclusive 1978

I could not close PRIDE month without showcasing one of the greatest PRIDE Anthems ever recorded Y.M.C.A. recorded by Village People.

Village People reign supreme as gay-anthem chart toppers. Songs like ‘Macho Man’, ‘Go West’ (covered brilliantly by the Pet Shop Boys), ‘Cruisin’’ and ‘In the Navy’ are full of double entendres, and 1978’s ‘Y.M.C.A.’— which became one of the most popular singles of the 1970s — is no different. The Young Men’s Christian Association was so appalled at the song’s implications that it threatened to sue until it noticed that membership had significantly increased in the wake of the tune’s success. Turns out any press is good press — eh, boys?

In 1978 Casablanca Records released a double A-side 12″ which included the Diso Mixes of “Y.M.C.A.” along with “Macho Man”. Both tracks appear only on one side of the record.

“Y.M.C.A.” is a song by American disco group Village People, written by Jacques Morali (also the record’s producer) and singer Victor Willis and released in October 1978 by Casablanca Records as the only single from their third studio album, Cruisin’ (1978). A medley with “Hot Cop” reached No. 2 on the US Billboard Dance Music/Club Play Singles chart, while the song reached No. 2 on the Billboard Hot 100 in early 1979, placing behind both “Le Freak” by Chic and “Da Ya Think I’m Sexy?” by Rod Stewart. Outside the US, “Y.M.C.A.” reached No. 1 on the UK Singles Chart around the same time, becoming the group’s biggest hit. It has sold 12 million copies worldwide.

“Macho Man” was released as the second single and title song of their album of the same name (1978). The song entered the Billboard Hot 100 on June 24, 1978 (when the album had already been charting since March) before picking up more airplay that August. It became the Village People’s first charting hit in the United States, peaking on the Hot 100 at number 25 on the week of September 2.

A medley with “I Am What I Am” and “Key West” reached number four on the Billboard Dance Music/Club Play Singles chart. On the survey of Chicago radio superstation WLS-AM, “Macho Man” spent two weeks at number three.

SIDE A1:
Y.M.C.A. (Disco Mix) 6:47
Written-By – Henri BeloloJacques MoraliVictor Willis

SIDE A2:
Macho Man (Disco Mix) 5:15
Written-By – Henri BeloloJacques MoraliP. Whitehead*Victor Willis

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Casablanca – NBD 20144
Format: Vinyl, 12″, 33 ⅓ RPM, Single Sided, Single, Stereo
Country: US
Released: 1978
Genre: Funk / Soul
Style: Disco

CREDITS:

NOTES:
Produced for Can’t Stop Productions, Inc.
Manufactured and Distributed by Casablanca Record and FilmWorks, Inc.

Made in U.S.A.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.