Author: DjPaulT

Gardner Cole – Live It Up (US 12″) (1988)

Burning The Ground Exclusive

This record has always been one of my guilty pleasures. I love its uplifting lyrics about embracing life no matter what comes your way—something that feels especially relevant right now. Blending freestyle, synth-pop, and house, the track boasts remixes by Keith Cohen, Steve Beltran, and Arthur Baker.

“Live It Up” was the debut single from singer-songwriter Gardner Cole, released in 1988. Featured on his album Triangles, the track fused pop, R&B, and dance influences, embodying the polished, radio-friendly production style of the late ’80s.

While the song only reached #91 on the Billboard Hot 100, it found greater success in the clubs, peaking at #13 on the Billboard Dance Chart in October 1988, where it spent seven weeks. Though not a major pop hit, “Live It Up” became a club favorite, showcasing Cole’s knack for infectious melodies and sleek production.

Beyond his own recordings, Gardner Cole was a prolific songwriter. He co-wrote Open Your Heart for Madonna and penned songs for major artists like Jody Watley and Tina Turner.

For Jody Watley, he co-wrote Most of All, a standout from her 1987 self-titled debut. Released as a single, it became a dance floor hit, reaching #11 on the Billboard Dance Chart.

For Tina Turner, he contributed to Whatever You Want, featured on her 19895album Wild’s Dreams. The song blended Turner’s signature rock and R&B sound with a refined mid-’90s production.

Though Live It Up didn’t turn Gardner Cole into a household name, his behind-the-scenes contributions left a lasting mark on pop and dance music, ensuring his influence lived on well beyond the charts.

SIDE A:
Live It Up (12″ Club Mix) 7:00
Remix – Keith CohenSteve Beltran

Live It Up (Dub) 7:18
Remix – Keith CohenSteve Beltran

Live It Up (Remix/Edit) 4:44
Remix – Keith CohenSteve Beltran

SIDE B:
Live It Up (12″ Remix) 7:26
Remix, Producer [Additional Production] – Arthur Baker

Live It Up (Acid Dub) 6:24
Remix, Producer [Additional Production] – Arthur Baker

Got Me Curious 3:58

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1988 Live It Up U.S. Billboard Hot 100 #91
1988 Live It Up U.S. Billboard Hot Dance / Club Play #13

RELEASE INFORMATION:
Label: Warner Bros. Records – 0-21015
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1988
Genre: Electronic
Style: Acid House, Synth-pop, Freestyle

CREDITS:

NOTES:
1 to A3, and B1/B2 From the Warner Bros. album △’s

B1/B2 Additional production and mix by Arthur Baker for Arthur Baker Inc.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

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The Twelve-Inch Single: A Vinyl Revolution

While you’re waiting for me to post new music, I wanted to do something a little different with this post and talk about the history of the twelve-inch single.

For music collectors and DJs, the twelve-inch single is more than just a format—it’s a piece of history. Emerging in the mid-1970s and reaching its peak in the 1980s and 1990s, the twelve-inch single changed the way we experienced music. With extended remixes, deeper bass, and dynamic sound quality, it became the preferred format for dance, disco, and electronic music fans.

The Birth of the Twelve-Inch Single

The twelve-inch single was born out of necessity. In the early 1970s, DJs in New York’s burgeoning disco scene were looking for ways to keep the dancefloor energized. Standard seven-inch singles didn’t provide the sonic depth or length needed for club play, while albums often didn’t focus on the beats and rhythms DJs required. Enter Tom Moulton, the man often credited with pioneering the format. Moulton, a remix legend, experimented with longer edits of songs and found that pressing them onto twelve-inch vinyl allowed for louder cuts, better bass response, and longer grooves.

The first commercially released twelve-inch single was “Ten Percent” by Double Exposure in 1976, released by Salsoul Records. It set the standard for what would become a defining format of dance music.

Technical Advantages of the Twelve-Inch

  • Wider Grooves: Less distortion and louder playback.
  • Higher Fidelity: More detail in sound and reduced surface noise.
  • Extended Playtime: Typically pressed at 45 RPM for better quality.
  • Deeper Bass Response: Essential for club sound systems.

The Twelve-Inch Boom of the 1980s

While disco may have ignited the format, the twelve-inch single found its true golden era in the 1980s. Record labels saw its potential for promoting artists, allowing for remixes, alternate versions, and even exclusive tracks that never appeared on albums. It became a staple for artists across genres, from pop to rock to new wave.

Producers and remixers such as Arthur Baker, Shep Pettibone, Jellybean Benitez, François Kevorkian, and Trevor Horn elevated the twelve-inch remix to an art form. Some of the most iconic twelve-inch singles of the decade include:

  • New Order – “Blue Monday” (1983): One of the best-selling twelve-inch singles of all time, this track featured an extended arrangement that defined electronic music.
  • Madonna – “Into the Groove” (1985): The twelve-inch version showcased an extended mix that took the song beyond its radio-friendly format.
  • Depeche Mode – “Strangelove” (1987): A perfect example of how a twelve-inch remix could transform a song into a club anthem.
  • Duran Duran – “The Reflex” (1984, Nile Rodgers Remix): This extended version became more famous than the original album cut.

The Remix Culture

The twelve-inch single wasn’t just about longer versions—it became the foundation of remix culture. DJs and producers had the freedom to experiment with alternate arrangements, dub mixes, acapella versions, and instrumental cuts. Extended intros and breakdowns gave club DJs more flexibility in their sets, while the additional space allowed for creative reworkings of songs.

In many cases, the twelve-inch version became the definitive version of a track. Songs like Pet Shop Boys’ “West End Girls”, Frankie Goes to Hollywood’s “Relax”, and Grace Jones’ “Slave to the Rhythm” all benefited from the format, cementing their legendary status in clubs and on dance charts.

The Decline and Resurgence

By the mid-1990s, the rise of CDs and digital music led to a decline in twelve-inch singles. The format was no longer essential for DJ culture as digital turntables and later streaming services took over. However, in the last decade, vinyl’s resurgence has brought renewed interest in the twelve-inch single.

Today, reissues of classic twelve-inch singles, Record Store Day exclusives, and new pressings from electronic and dance artists keep the format alive. For collectors, DJs, and vinyl enthusiasts, the twelve-inch single remains an essential part of music history—a testament to the power of sound, remix culture, and the magic of the extended mix.

Do You Have a Favorite Twelve-Inch?

If you’re a fan of twelve-inch singles, which are your favorites? Are there any hidden gems that deserve more recognition? Let me know in the comments—because the twelve-inch format never truly went away.

Written by  -DjPaulT (2/2025)

Update from Paul: Good News on My Recovery

Hi everyone,

It’s Paul, and I wanted to give you all an update. I recently saw my doctor after surgery, and he assured me that they successfully removed the cancer from my left kidney. The margins around it are also clear, which means I won’t need any further treatment like chemotherapy or radiation—great news! While the chances of recurrence aren’t zero, they’re very unlikely.

I’m healing well, though I need to avoid lifting anything over ten pounds for the next six weeks and avoid heavy exertion.

I also want to express my deepest gratitude for the overwhelming love and support you’ve shown—through messages, cards, gifts, and donations. It has truly meant the world to me and has been a huge part of my healing process. I love and appreciate you all so much.

I’m looking forward to getting back to posting on Burning the Ground soon! At first, posts may be a bit limited as I ease back into things, but I’m excited to return.

I appreciate your patience, and I’ll see you all soon.

—Paul