Author: DjPaulT

October 21, 2025

Brenda K. Starr – Breakfast In Bed (US 12″) (1987)

Burning The Ground Exclusive

In 1987, Brenda K. Starr served up a delicious slice of late-’80s dance-pop with her single “Breakfast In Bed,” the lead release from her self-titled sophomore album on MCA Records. Hot on the heels of her debut I Want Your Love, this track firmly established Starr as one of the key voices of the freestyle and dance scene of the era.

Produced with a slick, club-ready sheen that captured the sound of New York’s Latin freestyle explosion, “Breakfast In Bed” blended smooth synth textures, irresistible rhythm programming, and Brenda’s soulful, passionate vocals. It’s a perfect example of the crossover potential of freestyle at the time—equal parts pop charm and club energy.

The single made a strong showing on the U.S. charts, peaking at #18 on Billboard’s Hot Dance Music/Club Play chart, where it spent 8 weeks spinning on dance floors across the country. It also climbed to #29 on the Hot Dance Music/Maxi-Singles Sales chart, further proving Starr’s growing fan base among DJs and club-goers.

Notably, Brenda also recorded a Spanish-language version of the song, “Desayuno De Amor,” which became a hit in its own right—reaching #6 on Billboard’s Latin Songs chart. This version showcased her Puerto Rican roots and helped expand her appeal to Latin audiences long before her later transition into salsa music in the 1990s.

“Breakfast In Bed” remains a shining moment in Brenda K. Starr’s early career—a warm, inviting dance track that’s both romantic and rhythmically infectious. Whether you remember it from your favorite nightclub or MTV rotation, it’s a perfect reminder of the era when freestyle ruled the airwaves.

SIDE A:
Breakfast In Bed (12″ Extended) 7:42

SIDE B:
Breakfast In Bed 7:49
Breakfast In Bed (Bonus Beats) 4:29

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

Chart Performance – Brenda K. Starr: *Breakfast In Bed* (1987)
Chart	Peak Position	Date
US Billboard Hot Dance Club Songs	#18	1987
US Billboard Hot Dance Maxi-Singles Sales	#29	1987

RELEASE INFORMATION:
Label: MCA Records – MCA-23796
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1987
Genre: Electronic
Style: Freestyle, Electro, Synth-pop

CREDITS:

Arranged By, Producer, Written-By – Stephen Broughton Lunt
Arranged By, Written-By – Arthur Stead
Edited By – Tuta Aquino
Executive-Producer – Kate Hyman, Steve Allen (19)
Producer [Additional Production], Remix – Steve Peck

NOTES:
From the MCA LP “Brenda K. Starr”

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus: Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC: Alpha Design Labs GT40a USB DAC
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!

Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.

October 17, 2025

KISS – Rocket Ride (UK 12″) (1977)

Burning The Ground Exclusive

When it comes to KISS, few songs capture the wild, space-age swagger of the band’s late-’70s era quite like “Rocket Ride.” Released in 1977, this hard-rocking, cosmic anthem was featured on the compilation album Alive II and served as a showcase for lead guitarist Ace Frehley, the “Spaceman” himself.

While Alive II was mostly known for its thunderous live performances, side four of the album offered something special—five brand-new studio tracks, one of which was “Rocket Ride.” The song quickly became a fan favorite, not only for its infectious riff and interstellar theme but because it was unmistakably Ace—playful, defiant, and dripping with attitude.

Ace Takes the Controls

Unlike most KISS songs of the era, “Rocket Ride” is almost entirely an Ace Frehley creation. He co-wrote it with longtime KISS associate Sean Delaney, and aside from Peter Criss on drums, Ace played all the guitar and bass parts himself. The track feels raw and unfiltered—an electric joyride through the galaxy with the Spaceman at the helm.

Musically, “Rocket Ride” leans heavier than much of KISS’s more radio-friendly material of the time. It’s a perfect mix of thick, crunchy guitar tones, swaggering grooves, and Frehley’s signature leads. The lyrics, full of innuendo and space-travel metaphors (“Baby wants it fast / Baby wants a blast”), are quintessential KISS—equal parts rock ‘n’ roll and tongue-in-cheek mischief.

Chart Flight

Released as a single in the U.S. in January 1978, “Rocket Ride” managed to blast its way up to #49 on the Billboard Hot 100—a solid showing for a track that leaned more toward hard rock than pop. It also reached #39 in Japan, further cementing Ace’s growing reputation as the band’s breakout personality.

A Launchpad for a Solo Career

“Rocket Ride” became something of a calling card for Ace Frehley, foreshadowing the sound he’d explore on his 1978 self-titled solo album—arguably the most successful of the four solo KISS releases. The song’s energy and individuality highlighted Ace’s confidence as a songwriter and performer. It also solidified his “Spaceman” persona, which would remain a defining part of his legacy both within and beyond KISS.

Legacy and Live Power

Though not always a setlist staple during KISS’s tours, “Rocket Ride” has been a mainstay in Ace Frehley’s solo shows for decades. The track’s riff still hits like a booster ignition, proving that its jet-fueled power hasn’t faded one bit since the late ’70s.

Final Thoughts

“Rocket Ride” isn’t just another KISS track—it’s a mission statement. It’s Ace Frehley doing what he does best: blasting off from the confines of Earth-bound rock and taking listeners along for the ride. Even in a band known for larger-than-life personas, “Rocket Ride” stands as a pure, unfiltered shot of Frehley magic—a reminder that sometimes, the best trips begin with a Les Paul, a loud amp, and a little rocket fuel.

Vinyl Notes

For collectors and fans, the 12″ single of “Rocket Ride” is a true gem. The A-side features the studio version of the track, while Side B contains live versions of KISS classics. These live tracks flow seamlessly into each other, preserving the integrity of the original vinyl experience. I’ve kept them as one continuous file rather than separating them into individual tracks, so you get the full live-set feel just like listening on the turntable.

SIDE A:
Rocket Ride 4:06

SIDE B:
Detroit Rock City/
Love Gun 7:37

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

Chart Performance — KISS: Rocket Ride (1978)
Chart	Peak Position	Date
US Billboard Hot 100	#49	1978

RELEASE INFORMATION:
Label: Casablanca – CANL117
Format: Vinyl, 12″, 45 RPM
Country: UK
Released: 1977
Genre: Rock
Style: Glam

CREDITS:
Producer – Kiss
Producer, Engineer, Arranged By – Eddie Kramer

NOTES:
From the Casablanca LP “KISS ALIVE II

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!

Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.

October 16, 2025

Ace Frehley 1951 – 2025

🚀 Tribute to Ace Frehley: The Spaceman Who Brought the Universe to Rock ‘n’ Roll

Few guitarists have managed to merge style, swagger, and outer-space mystique quite like Ace Frehley. As the original “Spaceman” of KISS, Ace didn’t just play the guitar — he made it talk, scream, and launch into orbit. With his smoking Les Paul and cosmic persona, Frehley became the embodiment of every kid’s rock-and-roll daydream: loud, flashy, mysterious, and free.

Born Paul Daniel Frehley in the Bronx, New York, Ace’s journey from street-smart city kid to interstellar guitar hero is one of rock’s great ascensions. When KISS blasted onto the scene in the early 1970s, their painted faces and explosive stage shows grabbed headlines — but it was Ace’s electrifying solos that gave the band its rocket fuel. His playing on classics like “Shock Me,” “Cold Gin,” “Love Gun,” and “Detroit Rock City” defined the KISS sound: raw, melodic, and instantly memorable.

Ace wasn’t just a performer — he was an innovator. His 1978 solo album, Ace Frehley, remains the standout of the four individual KISS records released that year. From the anthemic “Rip It Out” to the surprise Top 20 hit “New York Groove,” Ace proved that he could shine brightly on his own. That record cemented his reputation as not just a great guitarist, but a true rock songwriter.

Through the years — from his fiery 1970s heyday with KISS to his solo projects like Frehley’s Comet and beyond — Ace has continued to inspire generations of musicians. His influence can be heard in countless guitarists who picked up a Les Paul after seeing him light up arenas with his smoking guitar and sly grin.

Ace Frehley’s music reminds us that rock ’n’ roll is supposed to be fun, dangerous, and larger than life. He took us to the stars and back again, leaving a trail of cosmic riffs and unforgettable songs along the way. Whether onstage in full Spaceman regalia or playing the club circuit with his solo band, Ace remains one of rock’s true originals — a legend whose sound is written across the night sky in neon and thunder.

Here’s to Ace — the man who taught us that the sky isn’t the limit when your guitar can fly.

-DjPaulT

October 16, 2025

Robey – I Surrender (US 12″) (1986)

Burning The Ground Exclusive

French-Canadian actress, songwriter, and singer Louise Robey, known professionally as Robey, released “I Surrender” as her fourth single in 1986. The song was issued exclusively as a 12″ single in the United States and Canada, making it a standout in her discography and a sought-after collectible among fans of 1980s dance music.

Unlike her earlier singles, “I Surrender” did not appear on her self-titled debut album from 1985, which featured her breakout hit cover of “One Night in Bangkok.” Instead, this track was a non-album single that further showcased Robey’s dramatic vocal delivery and her flair for cinematic, synth-driven production.

Built around a steady club beat, lush synth textures, and Robey’s signature sultry vocals, “I Surrender” embodies the Hi-NRG and electro-pop sound that defined the mid-80s dancefloor. The single reached #47 on the Billboard Dance Chart in October 1986, becoming Robey’s final charting single in the U.S.

Although it didn’t achieve mainstream success, “I Surrender” remains a fascinating slice of mid-80s club culture — a shimmering, emotional track that captures the moment when pop, dance, and performance art all collided under the strobe lights.

Outside of her music career, Robey is perhaps best remembered for her role as Micki Foster on the cult TV series Friday the 13th: The Series. Her unique blend of glamour, mystery, and charisma made her a defining figure of 1980s pop culture — and “I Surrender” stands as a perfect example of her musical style and artistic spirit.

SIDE A:
I Surrender 6:06
Executive Producer – Joel Diamond
Producer – Mark Berry
Written By – D. Batteau, D. Freeman, J. Ingram

SIDE B:
I Surrender (Dub Mix) 4:53
Executive Producer – Joel Diamond
Producer – Mark Berry
Written By – D. Batteau, D. Freeman, J. Ingram

Paris, Paree 5:45
Executive Producer – Joel Diamond
Producer – Marcus Barone
Written By – Louise Robey, M. Barone

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

Chart Performance — Robey: I Surrender (1986)
Chart	Peak Position	Date
US Billboard Dance Club Songs	#47	1986

RELEASE INFORMATION:
Label: Chrysalis – 4V9 43018
Format: Vinyl, 12″, 33 ⅓ RPM, Stereo
Country: US
Released: 1986
Genre: Electronic
Style: Synth-pop

CREDITS:
Photography – Guy W. Cearley

NOTES:
Recorded at Broccoli Rabe Studios 1986

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!

Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.