Month: April 2025

April 30, 2025

New Order – True Faith (US 12″) (1987)

Burning The Ground Exclusive

Released in July 1987, “True Faith” stands as one of New Order’s most enduring and critically acclaimed singles. Written specifically for their compilation Substance 1987, the track marked a creative peak for the band—seamlessly blending moody post-punk sensibilities with polished synth-pop and club-ready beats. It soared to #4 on the UK Singles Chart and became their first real breakthrough in the U.S., peaking at #32 on the Billboard Hot 100.

Co-produced with Stephen Hague (best known for his work with Pet Shop Boys and OMD), “True Faith” is layered with shimmering synths, dynamic drum programming, and Bernard Sumner’s unmistakably detached vocal delivery. The lyrics, while cryptic, are widely interpreted as reflecting personal struggles, particularly with addiction and emotional disconnection.

The single’s success was amplified by its surreal, artful music video directed by French choreographer Philippe Decouflé, featuring colorfully costumed performers in bizarre, theatrical movement—a staple of late-’80s MTV.

Included here is the 12″ remix by Shep Pettibone, whose club credentials need no introduction. His rework maintains the song’s brooding elegance while enhancing its rhythmic pulse for the dancefloor—striking a balance between underground edge and commercial appeal.

This post is particularly special as it marks the first vinyl transfer using the Ortofon Concorde Music Black cartridge, bringing out an even greater level of clarity, warmth, and precision in this pressing. The result is a faithful and dynamic reproduction of one of the most iconic singles of the era.

SIDE A:
True Faith (The Morning Sun Extended Remix) 9:02

SIDE B:
True Faith (Alternate Faith Dub) 10:44
1963 5:31

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year	Single	Chart	Position
1987	True Faith	U.S. Billboard Hot 100	#32
1987	True Faith	U.S. Billboard 12-Inch Singles Sales	#10
1987	True Faith	U.S. Billboard Hot Dance Music / Club Play	#3

RELEASE INFORMATION:
Label: Qwest Records – 0 – 20733, Qwest Records – 9 20733-0
Format: Vinyl, 12″, 33 ⅓ RPM, Maxi-Single, ARC Pressing
Country: US
Released: 1987
Genre: Electronic
Style: Synth-pop

CREDITS:

Engineer – Steve Peck (tracks: A, B1)
Producer [Additional Production], Remix – Shep Pettibone (tracks: A, B1)
Producer, Written-By – New Order, Stephen Hague

NOTES:
True Faith (The Morning Sun Extended Remix) is the same mix as “True Faith (Remix)” & “True Faith (Alternate Faith Dub)” is the same as “True Dub” from the UK remix 12″.

From the New Order album “Substance” on Qwest Records 1 – 25621

Made in USA

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus: Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC: Alpha Design Labs GT40a USB DAC
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!

Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.

April 25, 2025

New Arrival: Concorde Music Black – First Impressions

Something new and exciting has landed in the Burning the Ground setup – my brand-new Concorde Music Black cartridge has arrived!

I’m currently in the early stages of breaking it in, which means I’ve been spinning record after record (not exactly a hardship). I’m giving it a proper workout across a variety of pressings and genres to let it really settle into its groove.

Let me tell you—it’s not often I swap out a cartridge and immediately hear such a dramatic difference. But this time? Night and day. The clarity, the depth, the punch… it’s all there. Everything feels more alive, more present, more musical. It’s one of those rare upgrades that makes you want to go back and rediscover your entire vinyl collection.

Needless to say, I’m already looking forward to transferring some vinyl with this beauty. Can’t wait to hear how it handles some of my favorite 12″ mixes and rare cuts.

More updates to come once the break-in period is complete, but for now—I’m impressed.

Stay tuned,
Paul

April 23, 2025

Quick Update – New Cartridge Incoming!

Hey everyone,

Just a quick heads-up — there won’t be a post today because I’m waiting on a new piece of gear that should arrive tomorrow: the Ortofon Concorde Music Black stylus and cartridge.

This new cartridge is replacing my four-year-old Ortofon 2M Black Plug & Play MkII, which has been my go-to since April 2021. It’s served me faithfully for thousands of rips, but it’s time to give it a well-earned retirement. Rather than just replace the stylus, I decided to go with the full Concorde Music Black cartridge — and here’s why:

Even though it looks different, the Concorde Music Black is essentially identical to the 2M Black in terms of sound and performance:

Both use the Nude Shibata stylus for ultra-precise tracking and top-tier detail.
They share the same moving magnet generator system and specs, offering that signature rich, dynamic Ortofon sound.
Frequency response, channel balance, and output levels are all nearly identical.

The biggest difference is the design. The Concorde version features an integrated headshell that plugs directly into my Technics SL-1200MK7 — no screws, no cartridge alignment, no hassle. Just plug in, set the tracking force (1.8g), and drop the needle.

👉 Ortofon Concorde Music Black – Official Product Page

A Huge Thank You

I also want to take a moment to thank everyone who has donated to Burning the Ground. This cartridge upgrade was made possible because of your support. Your donations directly fund the gear I use to preserve and share these amazing 12″ mixes — from cartridges and styli to software and equipment upkeep. I can’t tell you how much I appreciate it.

Once the new cartridge arrives and I’ve had a chance to break it in, I’ll be back with more music magic. Thanks again for sticking with me — and for being part of this music-loving community.

Stay tuned,
Paul

April 22, 2025

Duran Duran – The Wild Boys (Japan 12″) (1984)

Burning The Ground Exclusive

NEW 2025 Transfer!
NEW Meticulous Audio Restoration!

Original post date: December 22, 2016

In late 1984, Duran Duran unleashed “The Wild Boys,” a pounding, futuristic anthem that marked a darker turn for the band and became one of their most iconic singles of the era. The track was conceived as part of a proposed film project based on the William S. Burroughs novel The Wild Boys: A Book of the Dead, with the idea pushed by director Russell Mulcahy (who had helmed many of the band’s most lavish videos). While the film never came to fruition, the song and its accompanying video pushed boundaries—and budgets—at the time.

Produced by the legendary Nile Rodgers, “Wild Boys” was the only studio track on the band’s live album Arena and perfectly fused the band’s pop sensibility with Rodgers’ cutting-edge production and dancefloor sensibilities. The result was a sonic assault of heavy synths, aggressive guitar stabs, tribal drums, and Simon Le Bon’s defiant vocal delivery.

The Extended Mix takes the drama up several notches, building the tension with a long, cinematic intro that recalls the dystopian atmosphere of the video. The breakdowns and effects-laden passages give the song more room to breathe and further highlight Rodgers’ intricate production.

Chart-wise, “Wild Boys” was a smash. It reached #2 in both the US and UK, blocked from the top in the US by Hall & Oates’ “Out of Touch.” It also gave Duran Duran their first #1 in Germany and South Africa, proving the band’s international staying power as they transitioned from New Romantic heartthrobs into global pop powerhouses.

Fun fact: Simon Le Bon nearly drowned during the filming of the video, which featured the band tied to a windmill and submerged in a water tank. It’s a miracle the band made it out intact—both literally and figuratively.

The B-side, “(I’m Looking For) Cracks In The Pavement (Live),” was recorded during the band’s 5 March 1984 show at Maple Leaf Gardens in Toronto. This is the same concert where the video for “The Reflex” was filmed—capturing the band at the height of their early-’80s hysteria with screaming fans and high-voltage energy. The live track offers a grittier, rawer take on the Seven and the Ragged Tiger album cut, giving fans a peek into the band’s powerful live presence during their Sing Blue Silver tour.

“Wild Boys” remains a touchstone of mid-80s maximalism: all attitude, danger, and style. It’s the sound of a band pushing their limits—and taking us along for the ride.

SIDE A:
The Wild Boys (Wilder Than Wild Boys) (Extended Mix) 8:00
Producer – Nile Rodgers

SIDE B:
The Wild Boys (45) 4:18
Producer – Nile Rodgers

(I’m Looking For) Cracks In The Pavement (1984) 4:10
Engineer [Live Recording] – George Tutko
Engineer, Mixed By – Jason Corsaro

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint
OBI Strip: Near Mint
Insert: Near Mint