Innocence In Danger – Innocence In Danger (US 12″ Promo)

Burning The Ground Exclusive 1984

The song “Innocence in Danger” by the American new wave group of the same name was released in 1984 as part of their self-titled EP. Fronted by Angela Bond and Steve Parry, the band featured notable contributions from renowned musicians, including guitarist Carlos Alomar. The single also incorporated the work of New York-based Freestyle and House producer Nelson Cruz, alongside acclaimed producer, arranger, composer, and remixer Steve Thompson.

The B-side of the single found its way into a Latin Rascals “Paco Supermix,” circa 1984, which aired on New York City’s dance radio stations such as WKTU or KISS. The track stands out with its hard electro beats, sharp synth stabs, heavily echoed snares, and expertly placed pause breaks. Female vocals in both English and Spanish add a dynamic layer to the production. The influence of Nelson Cruz is unmistakable, as his extensive credits include work with artists ranging from Shannon to the FFWD project, spanning a variety of freestyle and electro classics. This dramatic mix, with its prominent hard drum fills and rhythmic intensity, effortlessly crosses into several genres of 1980s club music.

Unfortunately, this single marked the group’s final release. Despite its brief existence, “Innocence in Danger” stands as a testament to the innovative sounds of the era, combining a distinctive blend of electro, freestyle, and new wave elements. For fans of 80s underground club music, it remains a hidden gem worth revisiting.

SIDE A:
Innocence In Danger (Extended Version Club Mix) 5:11
Innocence In Danger (Short Version) 3:48

SIDE B:
Who Do You Think You Are? (Extended Version) 6:32

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Epic – 49-04985
Format: Vinyl, 12″, 33 ⅓ RPM, Promo
Country: US
Released: 1984
Genre: Electronic, Rock
Style: New Wave, Electro

CREDITS:
Mastered By – Tom Coyne
Mixed By – Nelson Cruz, Steve Thompson
Producer – Ivan Ivan, Steve Parry (3)
Written-By – A. Bond*, S. Parry*

NOTES:
Special version from the Epic E.P.: “Innocence In Danger”

Demonstration – Not For Sale

Buy the 12″ at DISCOGS

VINYL TRANSFER * AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.



Innocence In Danger – Violate The Video (US 12″)

Burning The Ground Exclusive 1983

“Violate The Video” was the debut single by the New Wave group Innocence In Danger, released on Epic Records in 1983. The group comprised Angela Bond and Steve Parry.
DISCOGS

In 1984, they released a self-titled EP featuring five tracks, with contributions from guitarist Carlos Alomar.

Their music is characterized by a blend of synthpop and New Wave elements, reflecting the early 1980s musical landscape.

SIDE A:
Violate The Video (Long Version) 5:33
Violate The Video (Short Version) 4:27

SIDE B:
Violate The Video (Extended Spanish Version) 5:23

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Epic – 49-04157
Format: Vinyl, 12″, 33 ⅓ RPM, Single
Country: US
Released: 1983
Genre: Electronic, Rock
Style: New Wave

CREDITS:

NOTES:
Recorded at Rockin’ Reel Studios
Mixed at Street Sound Studio

Buy the 12″ at DISCOGS

VINYL TRANSFER && AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.



The Touch with Terence Trent D’Arby – I Want To Know (International Lady) (Europe 12″)

Burning The Ground Exclusive 1989

I Want to Know (International Lady)” is a track by The Touch featuring Terence Trent D’Arby. Originally recorded in 1984 for the album Love on Time, the album gained renewed attention when it was re-issued in 1989 under the title Early Works, following D’Arby’s global success as a solo artist. In 1989, the “I Want to Know (International Lady)” was released as a 12″ vinyl maxi-single in Germany, marking its official debut as a standalone release.

Before his rise to fame with his debut solo album, Introducing the Hardline According to Terence Trent D’Arby (1987), D’Arby was a member of The Touch. He joined the band while stationed in Germany during his military service. “I Want to Know (International Lady)” reflects his early musical style, blending elements of rock and funk.

The song also gained recognition for being featured in the 1984 German film Schulmädchen ’84, further solidifying its place in D’Arby’s early career history.

SIDE A:
I Want To Know (International Lady) (Club Mix) 6:53

SIDE B:
Weekend 3:47
I Want To Know (International Lady) (Radio Version) 4:27

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: IMP – 889 001-1
Format: Vinyl, 12″, Maxi-Single, 45 RPM
Country: Europe
Released: 1989
Genre: Rock, Funk / Soul
Style: Pop Rock, Funk, Disco

CREDITS:

NOTES:
Recorded at FAR Music-studios, Rosbach 1983.
Digital remix at FAR Music-studios, Rosbach 1989.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.



Grooving Into 2025: A New Year Message from Burning The Ground

As the clock ticks down to the final moments of 2024, I want to take a moment to reflect on what has been an incredible year of music, memories, and connection. Whether it was rediscovering lost gems, sharing rare remixes, or simply enjoying the tunes that make us move 2024 truly kept the groove alive.

To all the readers, friends, and music enthusiasts who have visited Burning The Ground — your support and passion means the world to me. It’s because of you that this blog continues to thrive as a celebration of 80s and 90s remix culture. I’m endlessly grateful for every comment, every share, and every story you’ve shared with me about how these songs have touched your lives.

Looking ahead to 2025, I’m excited to bring you even more rare finds, exclusive remixes, and in-depth explorations of the music we love. Let’s keep the spirit of discovery alive and continue to celebrate the golden age of 12” remixes together.

Here’s to a New Year filled with music, joy, and endless inspiration. May 2025 bring you health, happiness, and plenty of reasons to dance.

Happy New Year!

-DjPaulT