Tag: US

Paul Parker – One Look (One Look Was Enough) (US 12″)

Burning The Ground Exclusive 1987

“One Look (One Look was Enough),” released in 1987, is a quintessential dance anthem by San Francisco-based Hi-NRG artist Paul Parker. Produced by Parker himself alongside Man Parrish, this single took the dance floors by storm and secured Parker his second #1 on the Billboard Dance Chart. With its pulsating beats, electrifying synth lines, and Parker’s unmistakable, powerful vocals, “One Look” exemplifies the freestyle and Hi-NRG styles that dominated the late 80s. The track remains a staple of the era, highlighting Parker’s influential role in shaping the high-energy dance music that filled clubs and captivated audiences worldwide.

SIDE A:
One Look (One Look Was Enough) (Extended Dance Mix) 6:08
Mixed By – Randy Easterling

SIDE B
One Look (One Look Was Enough) (The Man Parrish Mix) 6:38
Mixed By – Man Parrish

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1987 One Look (One Look Was Enough) U.S. Billboard Hot Dance Music / Club Play #1

RELEASE INFORMATION:
Label: Dice Records – TGR 1011Dice Records – TGR-1011Dice Records – 1011
Format: Vinyl, 12″, 33 ⅓ RPM, Single
Country: US
Released: 1987
Genre: Electronic
Style: HiNRG, Freestyle, Electro

CREDITS:

NOTES:
A. Mixed for A Maze Productions
Engineered for Cyberteknics and for Network Sound Studio.
Mastered for Frankford-Wayne, NYC

Jacket Made in Canada

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.



Howard Jones – Things Can Only Get Better (US 12″)

Burning The Ground Exclusive 1985

NEW 2024 Transfer!
NEW Meticulous Audio Restoration!

Original post date: January 20, 2013

“Things Can Only Get Better” by Howard Jones is an iconic track that captures the upbeat, positive energy of the mid-80s synthpop era. Released in 1985 as the lead single from his second studio album, Dream Into Action, the song was an immediate hit, reaching #5 on the Billboard Hot 100 in the U.S. and #6 in the UK charts. Known for its infectious optimism, “Things Can Only Get Better” became an anthem of resilience and hope, qualities that resonated with fans worldwide.

The track showcases Jones’ skillful blend of synthesizers, upbeat rhythms, and introspective lyrics. Musically, it features a prominent bassline, funky guitar riffs, and a brass section that adds an extra layer of excitement to the track. The song’s melody is uplifting, with Jones’ dynamic vocals driving home the theme of perseverance. His lyrics focus on pushing through life’s challenges and remaining hopeful, with the refrain “Things can only get better” embodying the core message of positivity.

Jones, who had already made waves with hits like “New Song” and “What Is Love?”, continued to solidify his place in the 80s music scene with this release. Not only did Dream Into Action go on to become a commercial success, but the single also helped define his image as a thoughtful pop artist. Jones’s brand of synthpop was different in that he combined the new wave, electronic feel with introspective, almost philosophical lyrics—an approach that set him apart in a decade where flashy beats often took center stage.

“Things Can Only Get Better” has been widely regarded as a classic 80s anthem, even appearing in films, TV shows, and commercials over the years. Its infectious optimism still resonates today, and its message of hope continues to be a source of inspiration for listeners across generations.

SIDE A:
Things Can Only Get Better (LP Version) 4:05
What Is Love? (New Extended Version) 6:34
Lyrics By – Howard JonesWilliam Bryant (3)
Music By – Howard Jones

SIDE B:
Things Can Only Get Better (Extended Version) 7:26
New Song (New Version) 4:53

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1985 Things Can Only Get Better U.S. Billboard Hot 100 #5
1985 Things Can Only Get Better U.S. Billboard Hot Adult Contemporary Tracks #28
1985 Things Can Only Get Better U.S. Billboard Hot Dance/Club Play #10
1985 Things Can Only Get Better U.S. Billboard Hot Black Singles #54
1985 Things Can Only Get Better U.S. Billboard Hot Mainstream Rock Tracks #21

RELEASE INFORMATION:
Label: Elektra ‎– 0-66915
Format: Vinyl, 12″, 33 ⅓ RPM, Stereo, Yellow Sleeve
Country: US
Released: 1985
Genre: Electronic
Style: Synth-pop

CREDITS:

NOTES:
Produced for Gestalt.
Mastered at Sterling.

Picture sleeve available in 3 other colors pink, white, and orange.

Printed in U.S.A.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.



Andy Gibb / David Shire – Shadow Dancing / Manhattan Skyline (US 12″ Promo)

Burning The Ground Exclusive 1978

NEW 2024 Transfer
NEW Meticulous Audio Restoration

Original post date: March 1, 2013

“Shadow Dancing” is a hit disco track by English singer Andy Gibb, which topped the Billboard Hot 100 for an impressive seven weeks in 1978. Produced and arranged by Albhy Galuten, with contributions from Barry Gibb, the song marked a peak in Andy’s chart success. In July of that year, Andy performed “Shadow Dancing” at Miami’s Jai-Alai Fronton Studios, where Barry, Robin, and Maurice Gibb unexpectedly joined him on stage. This was the first time all four Gibb brothers performed together live.

According to Billboard’s Book of Number One Hits, Andy Gibb became the first solo artist in U.S. pop history to see his first three singles reach the number-one spot. “Shadow Dancing” was not only the top single of 1978 on Billboard’s year-end chart but also peaked at number eleven on the soul chart, selling 2.5 million copies in the U.S. alone.

The song was a collaboration among Andy and his brothers—Barry, Maurice, and Robin Gibb—written in Los Angeles while the three elder brothers worked on the film Sgt. Pepper’s Lonely Hearts Club Band. Andy recalled, “One night, while we were relaxing, we started working on tracks for my album Shadow Dancing, which later reached #7 on the U.S. album chart. In just ten minutes, we had a group going with the chorus.” This track became Andy’s final U.S. chart-topper, though he would achieve three more Top 10 hits in America.

On March 5, 1988, Andy Gibb celebrated his 30th birthday in London, in the midst of working on a new album. Tragically, just five days later, on March 10, he passed away from myocarditis—an inflammation of the heart muscle brought on by a recent viral infection and worsened by his years of cocaine abuse.

The B-side of this 12″ release features “Manhattan Skyline,” an instrumental by American composer David Shire. This track, from the Saturday Night Fever soundtrack, reflects Shire’s expertise in film, television, and stage musicals.

  • Denotes vinyl-only

SIDE A:
Andy Gibb – Shadow Dancing (Special Disco Version)+ 6:06
Producer – Albhy GalutenBarry GibbKarl Richardson
Written-By – Andy GibbBarry Gibb-Robin Gibb-Maurice Gibb*

SIDE B:
David Shire – Manhattan Skyline (Instrumental) 4:43
Producer – Bill OakesDavid Shire
Written-By – David Shire

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1978 Shadow Dancing U.S. Billboard Hot 100 #1
1978 Shadow Dancing U.S. Billboard Hot Adult Contemporary Tracks #8
1978 Shadow Dancing U.S. Billboard Hot Soul Singles #11

RELEASE INFORMATION:
Label: RSO – RPO 1000
Format: Vinyl, 12″, 33 ⅓ RPM, Promo, Single
Country: US
Released: 1978
Genre: Funk / Soul, Pop
Style: Disco, Funk

NOTES:
12″ housed in a white jacket with front title/artist text. Gold stamped rear.

A:
Produced by arrangement with The Robert Stigwood Organisation.
Extended version from Andy Gibb’s forthcoming album “Shadow Dancing” RS-1-3034

B:
From the RSO Records Soundtrack Album “Saturday Night Fever” RS-2-4001

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.



Whodini – The Haunted House Of Rock (US 12″)

Burning The Ground Exclusive 1983

Halloween is finally here! and it’s time for one last Spooky Season Spin one such standout song is Whodini’s 1983 hit, “The Haunted House of Rock.” Released as a Halloween single, this song not only showcases Whodini’s lyrical style and creativity but also helps bridge the gap between hip-hop and seasonal novelty music.

Formed in Brooklyn in the early 80s, Whodini was one of the pioneering groups in hip-hop, blending R&B, funk, and early hip-hop styles. The trio, originally consisting of Jalil Hutchins, Ecstasy (John Fletcher), and DJ Drew Carter (aka Grandmaster Dee), made a name for themselves with their catchy hooks and fresh beats, standing out in a rapidly growing hip-hop scene. With hits like “Friends,” “Freaks Come Out at Night,” and “Five Minutes of Funk,” Whodini quickly established themselves as a key player in 80s hip-hop. “The Haunted House of Rock” was one of their earliest hits and brought something unexpected—a hip-hop track made specifically for Halloween.

Released in 1983, “The Haunted House of Rock”* was produced by Larry Smith, who also worked with Run-D.M.C. and helped shape the sound of early hip-hop. The song opens with a haunting synth line that immediately sets the tone. Its eerie yet funky beat lays the groundwork for the perfect Halloween track, blending 80s electronic vibes with Whodini’s unique style of storytelling rap.

The lyrics take listeners on a tour of a fictional haunted house party, where classic monsters like Dracula, the Mummy, and the Invisible Man join forces with Whodini for a night of eerie revelry. Hutchins and Fletcher use the song to describe a spooky yet entertaining scene full of thrills and chills, making it as fun as it is fantastical.

The production on “The Haunted House of Rock” is quintessentially 80s, leaning heavily into synthesizers, drum machines, and that unmistakable hip-hop groove. The song uses creative sound effects and samples that add to its supernatural theme. From creaky door sounds to ghostly moans, the production choices enhance the atmosphere, transforming the song into a haunted audio experience that fits right in with Halloween playlists. Larry Smith’s work on this track is a testament to his ability to blend genres, and his influence can be felt in many of Whodini’s subsequent works.

Upon its release, “The Haunted House of Rock” garnered attention for its creativity and originality. At a time when hip-hop was still finding its identity, Whodini dared to bring a fun, seasonal twist to the genre. The song remains a unique piece of hip-hop history—a Halloween-themed rap that set the stage for future holiday hits. While it may not have reached the chart-topping heights of Whodini’s later songs, it remains a beloved part of their catalog and a go-to Halloween track for hip-hop enthusiasts.

The song was later included on Whodini’s debut album, “Whodini,” which featured other hits that would go on to define the group’s career. Despite being a novelty track, “The Haunted House of Rock” has endured over the decades as a Halloween staple, making it a perfect addition to any spooky-themed playlist.

In an era where Halloween music often leans heavily on horror movie soundtracks and pop hits, Whodini’s “The Haunted House of Rock” stands out as one of the rare early hip-hop songs specifically for the holiday. Its playful lyrics, spooky vibes, and retro sound capture Halloween’s essence while offering a classic hip-hop taste that still resonates with fans today.

Whether you’re a hip-hop head or just looking to add some 80s flavor to your Halloween festivities, “The Haunted House of Rock” is a must-listen.

  • All tracks are vinyl-only

SIDE A:
The Haunted House Of Rock (Extended Version) 6:35
The Haunted House Of Rock (Haunted Mix) 4:33

SIDE B:
The Haunted House Of Rock (Vocoder Version) 5:29
The Haunted House Of Rock (Acapella) 1:55

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Jive – JD1-9026Arista – JD-1-9026
Format: Vinyl, 12″, 45 RPM
Country: US
Released: 1983
Genre: Hip Hop, Pop
Style: Electro, Boom Bap, Pop Rap

CREDITS:

NOTES:
From the LP “Whodini”

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.