Tag: US

Instant Funk – Got My Mind Made Up (US 12″) (1978)

Burning The Ground Exclusive

“I Got My Mind Made Up” is a 1978 disco-funk classic by Instant Funk, released on Salsoul Records. A defining track of the era, the song became a massive dancefloor hit, fusing deep funk grooves, hypnotic rhythms, and high-energy production.

From Simple R&B to a Club Anthem
The song’s original production was a simple 3-minute R&B track recorded on an 8-track tape, but that was only the beginning. It was transferred to 24-track tape at Blank Tapes, NYC, where producer Bunny Sigler and engineer Bob Blank began transforming it into a club anthem. Among the many enhancements, Bunny brought in a woman to deliver the now-iconic “Say what?” throughout the track. As she recorded, Bunny stood behind her, shouting instructions like “Scream!”, which were amplified and incorporated into the mix.

The Grueling Manual Remix Process
Remixing was a meticulous, manual process—no computerization was involved. Initially, legendary DJ Walter Gibbons attempted a remix but abandoned the project due to religious beliefs. Then, Ken Cayre, the owner of Salsoul Records, took a shot before it ultimately landed in the hands of Larry Levan. Working in Blank Tapes’ old Studio A, on a console without automation, the mix was assembled through painstaking tape splicing. To extend the groove that defines the song, four bars of the groove section were manually edited and repeated to create its now-familiar format. Bob Blank estimated that it took over 60 hours of mixing to finalize the versions that exist today.

The Legendary 12″ Versions
The original 12″ vinyl release of “I Got My Mind Made Up” featured what later became known as the “Disco Version”, running 9:46—marking Larry Levan’s second-ever remix credit! This version has appeared on all subsequent CD releases.

BUT… the flip-side of the 12″ featured a version running 7:11, a mix that has never been repressed or released in digital format—EVER! This makes the original 12″ pressing a sought-after collector’s item.

Chart Success & Lasting Influence
Upon release, “I Got My Mind Made Up” became a major success, spending three non-consecutive weeks at #1 on the Billboard R&B chart, briefly interrupted by Sister Sledge’s “He’s the Greatest Dancer.” It also reached #20 on the Billboard Hot 100 and topped the Billboard Disco chart, cementing its status as a dancefloor staple.

However, in a tragic turn of events, Salsoul Records removed and destroyed all of their multi-track masters from Blank Tapes in 1985—hundreds of recordings lost forever. Thankfully, some were saved by John Morales, and this master was one of them, preserving its legacy.

The song’s impact has lasted well beyond the disco era. Whether played in classic funk sets, sampled in modern productions, or rediscovered by new generations, “I Got My Mind Made Up” remains one of the most electrifying club anthems ever recorded.

*Vinyl-only

SIDE A:
I Got My Mind Made Up (Special 12 Inch Disco Mix) 9:46

SIDE B:
I Got My Mind Made Up (Special 12 Inch Disco Mix Edit)* 7:11

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1978 I Got My Mind Made Up U.S. Billboard Hot 100 #20
1978 I Got My Mind Made Up U.S. Billboard Hot Soul Singles #1
1978 I Got My Mind Made Up U.S. Billboard Hot Dance / Disco #1

RELEASE INFORMATION:
Label: Salsoul Records – SG 207
Format: Vinyl, 12″, 33 ⅓ RPM, Single, Indianapolis
Country: US
Released: 1978
Genre: Funk / Soul
Style: Funk, Disco

CREDITS:

NOTES:
Special 12 Inch Disco Mix
Produced for Bundino Productions

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.



Gardner Cole – Live It Up (US 12″) (1988)

Burning The Ground Exclusive

This record has always been one of my guilty pleasures. I love its uplifting lyrics about embracing life no matter what comes your way—something that feels especially relevant right now. Blending freestyle, synth-pop, and house, the track boasts remixes by Keith Cohen, Steve Beltran, and Arthur Baker.

“Live It Up” was the debut single from singer-songwriter Gardner Cole, released in 1988. Featured on his album Triangles, the track fused pop, R&B, and dance influences, embodying the polished, radio-friendly production style of the late ’80s.

While the song only reached #91 on the Billboard Hot 100, it found greater success in the clubs, peaking at #13 on the Billboard Dance Chart in October 1988, where it spent seven weeks. Though not a major pop hit, “Live It Up” became a club favorite, showcasing Cole’s knack for infectious melodies and sleek production.

Beyond his own recordings, Gardner Cole was a prolific songwriter. He co-wrote Open Your Heart for Madonna and penned songs for major artists like Jody Watley and Tina Turner.

For Jody Watley, he co-wrote Most of All, a standout from her 1987 self-titled debut. Released as a single, it became a dance floor hit, reaching #11 on the Billboard Dance Chart.

For Tina Turner, he contributed to Whatever You Want, featured on her 19895album Wild’s Dreams. The song blended Turner’s signature rock and R&B sound with a refined mid-’90s production.

Though Live It Up didn’t turn Gardner Cole into a household name, his behind-the-scenes contributions left a lasting mark on pop and dance music, ensuring his influence lived on well beyond the charts.

SIDE A:
Live It Up (12″ Club Mix) 7:00
Remix – Keith CohenSteve Beltran

Live It Up (Dub) 7:18
Remix – Keith CohenSteve Beltran

Live It Up (Remix/Edit) 4:44
Remix – Keith CohenSteve Beltran

SIDE B:
Live It Up (12″ Remix) 7:26
Remix, Producer [Additional Production] – Arthur Baker

Live It Up (Acid Dub) 6:24
Remix, Producer [Additional Production] – Arthur Baker

Got Me Curious 3:58

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1988 Live It Up U.S. Billboard Hot 100 #91
1988 Live It Up U.S. Billboard Hot Dance / Club Play #13

RELEASE INFORMATION:
Label: Warner Bros. Records – 0-21015
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1988
Genre: Electronic
Style: Acid House, Synth-pop, Freestyle

CREDITS:

NOTES:
1 to A3, and B1/B2 From the Warner Bros. album △’s

B1/B2 Additional production and mix by Arthur Baker for Arthur Baker Inc.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.



Colourbox – Breakdown (Second Version) (US 12″)

Burning The Ground Exclusive -1983

In the early 1980s, the world of electronic music was rapidly evolving, and British group Colourbox was at the forefront of this creative revolution. Among their many standout tracks, “Breakdown” holds a special place. Originally released as the band’s debut single in 1982, this track encapsulates the experimental spirit of the era while showcasing the band’s unique blend of dub, soul, and electronic pop influences.

But it’s the 1983 Second Version of “Breakdown” that truly stands out. In contrast to the slower, funkier first version, the second version transforms the song into a syrupy new wave dance jam. Featuring the striking new vocals of Lorita Grahame, it pairs a hard-driving beat with intricate tape edits. This style would later foreshadow the Young brothers’ pioneering work in sampling, first showcased in tracks like Hot Doggie and later brought to the mainstream as M|A|R|R|S with the groundbreaking hit Pump Up the Volume.

The second version is packed with innovation. It’s faster, more dynamic, and built for the dance floor, yet retains the emotional depth that made the original so captivating. The production is razor-sharp, and the layers of sound give it a genre-defying quality that only Colourbox could pull off.

On the same EP, “Tarantula”, written by Martyn Young and sung by Grahame, is another standout track. It’s one part cutter anthem, another part political screed, and yet another part genre-bending dub cut. The haunting, otherworldly vibe earned it the nickname “dub goth,” and it’s easy to imagine a 16-year-old Zooey Deschanel on ludes vibing to it in Thatcherite Britain. Sadly, its themes remain relevant today.

These tracks are a reminder of how Colourbox pushed the boundaries of what pop music could be, merging genres and sounds in ways that were truly ahead of their time. Breakdown (Second Version), with its danceable energy and sonic ingenuity, is a testament to their fearless creativity.

SIDE A:
Breakdown (Second Version) 7:50
Engineer, Producer – Mick Glossop

SIDE B:
Tarantula (Second Version) 8:14
Engineer – John Fryer
Producer – Colourbox

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: A&M Records – SP-12067
Format: Vinyl, 12″, 33 ⅓ RPM, Maxi-Single, Promo
Country: US
Released: 1983
Genre: Electronic, Pop
Style: New Wave, Synth-pop

CREDITS:

NOTES:
Track A produced and engineered for Smoothside Limited.
Although uncredited, both tracks differ from the 7″ and are extended versions.

Promotional Copy Not For Sale

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.



Innocence In Danger – Innocence In Danger (US 12″ Promo)

Burning The Ground Exclusive 1984

The song “Innocence in Danger” by the American new wave group of the same name was released in 1984 as part of their self-titled EP. Fronted by Angela Bond and Steve Parry, the band featured notable contributions from renowned musicians, including guitarist Carlos Alomar. The single also incorporated the work of New York-based Freestyle and House producer Nelson Cruz, alongside acclaimed producer, arranger, composer, and remixer Steve Thompson.

The B-side of the single found its way into a Latin Rascals “Paco Supermix,” circa 1984, which aired on New York City’s dance radio stations such as WKTU or KISS. The track stands out with its hard electro beats, sharp synth stabs, heavily echoed snares, and expertly placed pause breaks. Female vocals in both English and Spanish add a dynamic layer to the production. The influence of Nelson Cruz is unmistakable, as his extensive credits include work with artists ranging from Shannon to the FFWD project, spanning a variety of freestyle and electro classics. This dramatic mix, with its prominent hard drum fills and rhythmic intensity, effortlessly crosses into several genres of 1980s club music.

Unfortunately, this single marked the group’s final release. Despite its brief existence, “Innocence in Danger” stands as a testament to the innovative sounds of the era, combining a distinctive blend of electro, freestyle, and new wave elements. For fans of 80s underground club music, it remains a hidden gem worth revisiting.

SIDE A:
Innocence In Danger (Extended Version Club Mix) 5:11
Innocence In Danger (Short Version) 3:48

SIDE B:
Who Do You Think You Are? (Extended Version) 6:32

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Epic – 49-04985
Format: Vinyl, 12″, 33 ⅓ RPM, Promo
Country: US
Released: 1984
Genre: Electronic, Rock
Style: New Wave, Electro

CREDITS:
Mastered By – Tom Coyne
Mixed By – Nelson Cruz, Steve Thompson
Producer – Ivan Ivan, Steve Parry (3)
Written-By – A. Bond*, S. Parry*

NOTES:
Special version from the Epic E.P.: “Innocence In Danger”

Demonstration – Not For Sale

Buy the 12″ at DISCOGS

VINYL TRANSFER * AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.