Tag: UK

Pet Shop Boys – It’s A Sin (Remix) (Ltd. Edition UK 12″)

BURNING THE GROUND EXCLUSIVE 1987

“It’s a Sin” is a song recorded by English synthpop duo the Pet Shop Boys which reached number one on the UK Singles Chart for three weeks in 1987, and was their third top ten in the US when it reached number nine on the Billboard Hot 100.

In the U.K. a limited edition 12″ was released which included a remix by Ian Levine.

The b-side “You Know Where You Went Wrong (Rough Mix)” is a track the boys worked on with Shep Pettibone. The inspiration came from Chris Lowe: “He’d been walking through Covent Garden and there were two tramps in this doorway and one of them turned round to the other one and said, ‘well, you know where you went wrong’. For the ‘It’s A Sin’ limited 12” release, a ‘rough mix’ was released that features a speaking part by Helena Springs, who also sings backup vocal. This version has not appeared on any official CD.

SIDE A:
It’s A Sin (Remix) 8:15
Producer [Additional Production] – Stephen Hague
Producer, Engineer – Julian Mendelsohn
Programmed By [Fairlight] – Andy Richards
Remix – Ian Levine

SIDE B:
You Know Where You Went Wrong (Rough Mix) 6:38
Engineer – Dave Meegan
Keyboards [Additional Keyboards] – Adrien Cook
Producer – Pet Shop Boys, Shep Pettibone
Vocals [Additional Vocals] – Helena Springs

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1987 It’s A Sin U.S. Billboard Hot 100 #9
1987 It’s A Sin U.S. Billboard Hot Dance Club Play #3

 

RELEASE INFORMATION:
Label: Parlophone ‎– 12RX 6158, Parlophone ‎– 12RX6158
Format: Vinyl, 12″, 45 RPM, Single
Country: UK
Released: 06 Jul 1987
Genre: Electronic
Style: Synth-pop

CREDITS:
Design [Sleeve Designed By] – Mark Farrow, Pet Shop Boys
Written-By –Tennant / Lowe

NOTES:
Helena Springs, courtesy of Arista Records.
Sleeve designed at ③
Manufactured in the UK by EMI Records Limited

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7 TubeGold Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Cabaret Voltaire – Sensoria (UK 12″)

BURNING THE GROUND EXCLUSIVE 1984

“Sensoria” was the first single taken from the sixth full-length studio album by British electronic band Cabaret Voltaire. Released in October 1984 the single peaked at #96 on the U.K. singles chart.

The video for “Sensoria” was directed by Peter Care and attracted airplay on MTV. It was voted Best Video of the Year by the Los Angeles Times in 1985 and was later procured by the New York Museum of Modern Art.

SIDE A:
Sensoria 7:55
Engineer, Producer – John ‘Tokes’ Potoker*

SIDE B:
Cut The Damn Camera 3:51
Drums – Roger Quail
Producer – Flood

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Virgin ‎– CVS 312, Some Bizzare ‎– CVS 312
Format: Vinyl, 12″, 45 RPM, Single
Country: UK
Released: 1984
Genre: Electronic
Style: Electro, Experimental, Industrial

CREDITS:
Backing Vocals – Shikisha
Percussion – Mark Tattersall
Producer – Cabaret Voltaire
Sleeve [Sleeve By] – Ian Wright (4)
Tabla – Eric Random
Written-By – Richard H. Kirk, Stephen Mallinder

NOTES:
Sleeve based on the work of Matta.

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7 TubeGold Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Human League – Sound Of The Crowd (UK 12″)

BURNING THE GROUND EXCLUSIVE 1981

“The Sound of the Crowd” is a song by the British synthpop group The Human League. It became the band’s commercial breakthrough, reaching #12 on the UK Singles Chart in May 1981.

Written jointly by lead singer Philip Oakey and keyboard player Ian Burden, the song was recorded at Genetic Sound Studios, Reading, in March 1981. Originally released as a stand-alone single in April 1981, it was subsequently re-recorded and incorporated into the studio album Dare, later in the year.

“The Sound Of The Crowd” was the first Human League song to feature female vocals, from new band members Susan Ann Sulley and Joanne Catherall, interacting with Philip Oakey’s baritone lead.

Apart from the catchy imperatives such as “Get in line now!” and “Get around town!”, the song contains some more obscure lyrics such as “Make a shroud pulling combs through a backwash frame” and “Stroke a pocket with a print of a laughing sound”. Discussing the song in a 2009 interview Ian Burden said:

On The Sound of the Crowd I scribbled down some stream-of-consciousness words so that I could demonstrate the vocal parts to him (Oakey) without having to do the naff la-la-la-hum-hum-hum type of explanation. He went off and wrote a new chorus vocal, but surprisingly kept my verse lyrics!

The single was the first to feature a distinctive, though short-lived, marketing tactic, where Human League singles were labeled ‘Red’ or ‘Blue’ to help buyers differentiate between the band’s musical styles. ‘Red’ was for dance tracks, ‘Blue’ for pop songs. “The Sound Of The Crowd” was designated ‘Red’. When asked to explain the system, vocalist Sulley explained that “Red is for posers, for Spandy (Spandau Ballet) types.” Oakey added: “Blue is for ABBA fans.”

The group first appeared on Top of the Pops to perform the song on 30 April 1981 when it was at no. 53 in the UK Singles Chart. The single entered the UK Top 40 a week later at no. 34 and after three weeks it reached its peak position of no. 12. A second Top of the Pops performance took place on 21 May 1981 when the single was at no. 15.

The original 7″ B side “The Sound of the Crowd (Add Your Voice)” is an instrumental remix of the A-side, an edit of which was later used as the closing track of the remix album Love and Dancing, issued in 1982 under the name of The League Unlimited Orchestra. A longer instrumental version of “The Sound of the Crowd” was featured on the B side to the 12″ release.

SIDE A:
The Sound Of The Crowd (Complete) 6:28

SIDE B:
The Sound Of The Crowd (Instrumental) 4:10

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Virgin ‎– VS 416-12
Format: Vinyl, 12″, 45 RPM, Single
Country: UK
Released: 20 Apr 1981
Genre: Electronic, Pop
Style:Synth-pop

CREDITS:
Mastered By [Disc Cut At Tape 1 By] – Denis Blackham
Photography By [Photographs By] – Adrian Wright*
Producer – Martin Rushent, The Human League
Written-By – Burden*, Oakey*

NOTES:
RED

“Still vocals and synthesizers only.”

Etched in A-side runout groove: A BILBO ELECTRONIC BOPPA!

Find the 12″ on DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7 TubeGold Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Duran Duran – Careless Memories (UK 12″)

BURNING THE GROUND EXCLUSIVE 1981

“Careless Memories” is the second single by Duran Duran, released on 20 April 1981.

The band’s debut single “Planet Earth” had been a Top 20 hit, so it was regarded as a major setback when “Careless Memories” stalled at No. 37 in the UK charts, particularly as it was to herald the June release of the debut album Duran Duran.

It has since come to light that the decision to release the single was not the bands but EMI’s. After its failure, executives decided to let Duran Duran choose their own single releases. The band’s first selection was “Girls on Film” and it duly became their first Top 5 hit in the UK.

The song “Khanada” (pronounced “keh-NAY-duh”) was included as the B-side to the single. It is reported to have been written for fashion designer Jane Kahn who owned, with partner Patti Bell, the Hurst Street shop Kahn & Bell where Duran Duran (and numerous other clubgoers of the day) shopped for clothes.

“Careless Memories” is one of three original-era singles that didn’t include a remix of the title track (although the fade-out on the 12″ is slightly longer), the other two being “Save A Prayer” and “A View to a Kill”. To compensate for this, EMI issued a bonus B-side on the 12″, a faithful cover of David Bowie’s “Fame”. However, the “Careless Memories” 12″ version fades out at 3:44 seconds, the 7″ version three seconds earlier at 3:41. The 7″ version is included in the “Singles Box Set 1981-1985” but runs to 3:44 as it includes three seconds of silence after the fade out. The album version has a cold end.

SIDE A:
Careless Memories 3:46
Written-By – Duran Duran

SIDE B:
Fame 3:18
Written-By – Alomar*, Bowie*, Lennon*

Khanada 3:27
Written-By – Duran Duran

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: EMI ‎– 12EMI 5168, EMI ‎– 12 EMI 5168
Format: Vinyl, 12″, 45 RPM, Single
Country: UK
Released: 1981
Genre: Electronic, Rock, Pop
Style: New Wave, Synth-pop

CREDITS:
Photography By – Peter Ashworth
Producer – Colin Thurston

NOTES:
B2 styled with diacritics as “KHĀ̑NĀDĂ” on back sleeve and labels.

Assorted Images ®

Find the 12″ on DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7 TubeGold Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi