Tag: UK

Katrina And The Waves – Plastic Man (UK 12″)

BURNING THE GROUND EXCLUSIVE 1984

NEW 2020 Transfer!
Meticulously Remastered!

Originally posted June 18, 2013

“Plastic Man” is an early single by British-American rock band Katrina and the Waves released in 1984 in the UK. The single was issued before the band had international success with their hit “Walking on Sunshine”.

The b-side “Going Down To Liverpool” was written by Katrina And The Waves guitarist Kimberley Rew. The song was first released on the band’s 1982 EP titled Shock Horror! (with the band then simply named The Waves) and also included on their 1983 debut album Walking on Sunshine, which was only released in Canada. The version included on both releases featured Rew on lead vocals.

When the band signed with major label Capitol Records, the song was re-recorded with Katrina Leskanich on lead vocals and included on their 1985 self-titled album. Although never released as a single, it was featured as the b-side of two of the bands’ singles, Plastic Man and their breakthrough hit Walking on Sunshine.

The song was also covered by the girl group The Bangles in 1985.

SIDE A:
Plastic Man (Expanded Version) 5:31

SIDE B:
Going Down To Liverpool 3:45

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Silvertown ‎– STST 7
Format: Vinyl, 12″, 45 RPM
Country: UK
Released: 1984
Genre: Electronic
Style: New Wave, Synth-pop

CREDITS:
Photography – John De La Cruz
Producer – Pat Collier
Written-By – K. Rew*

NOTES:
Recorded at Greenhouse & Alaska, London

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
DAC/Phono Pre-amp:
Alpha Design Labs GT40a USB DAC
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

Username: btg
Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

The Damned – Grimly Fiendish (UK 12″ Ltd. Edition)

BURNING THE GROUND EXCLUSIVE 1985

“Grimly Fiendish” is a single by English band The Damned, released in 1985, the song was the band’s biggest hit since 1979, reaching No. 21 in the UK Singles Chart in April 1985.

The song takes its title (although misspelled for copyright reasons) from a character – Grimly Feendish – The Rottenest Crook in the World – in the UK children’s Wham!, Pow! and Smash! comics from the 1960s, as well as Cor!, Shiver & Shake, Monster Fun, and Buster in the 1970s and 1980s.

Created by Leo Baxendale, Grimly is an over-ambitious and generally incompetent, childlike criminal mastermind, who is often shown wearing a long, black coat, starting initially as the villainous foil to Eagle-Eye, Junior Spy. Although popular enough to merit his own strip, the regular restructuring or shelving of his strip due to the comics he appeared in being merged with others meant that he never achieved longevity in any single publication, though he was a staple in many IPC/Fleetway comics annuals until the 1980s.

The inspiration behind the song is a throwaway remark by a BBC Radio One DJ, who wondered whether anyone still remembered the character. The lyrics depict Grimly on trial for being a bad influence on children but protesting that he was never given much of a chance (an allegory to his fate in the comic world).

SIDE A:
Grimly Fiendish (The Bad Trip Mix) 5:08
Producer – Bob Sargeant, The Damned
Remix [Remixed by] – The Damned
Written-By – Merrick*, Vanian*, Scabies*, Jugg*, Doctor*

SIDE B:
Grimly Fiendish (7″ Version) 3:48
Producer – Bob Sargeant, The Damned
Written-By – Merrick*, Vanian*, Scabies*, Jugg*, Doctor*

Edward The Bear 3:50
Producer – The Damned
Written-By – Merrick*, Vanian*, Scabies*, Jugg*, Doctor*

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: MCA Records ‎– GRIMX 1
Format: Vinyl, 12″, 45 RPM, Single, Limited Edition, Numbered, White
Country: UK
Released: 1985
Genre: Electronic, Rock
Style: Punk, New Wave, Goth Rock

CREDITS:
Photography By – Bob Carlos Clarke

NOTES:
Limited Edition pressed on white vinyl

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
DAC/Phono Pre-amp:
Alpha Design Labs GT40a USB DAC
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

Username: btg
Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

Michael Jackson – Beat It (UK 12″)

BURNING THE GROUND EXCLUSIVE 1983

“Beat It” is a song by American singer Michael Jackson from his sixth studio album, Thriller (1982). It was produced by Jackson and Quincy Jones. Quincy Jones encouraged Jackson to include a rock song on the album, though Jackson had never previously shown an interest in the genre. Jackson later said of “Beat It”, “I wanted to write a song, the type of song that I would buy if I were to buy a rock song… That is how I approached it and I wanted the children to really enjoy it—the school children as well as the college students.”

Following the successful Thriller singles “The Girl Is Mine” and “Billie Jean”, “Beat It” was released on February 14, 1983, as the album’s third single. “Beat It” peaked at number one on the Billboard Hot 100, staying there for three weeks. It also charted at number one on the Billboard Hot Black Singles chart. Billboard ranked the song No. 5 for 1983. It is a certified 5x Platinum by the Recording Industry Association of America (RIAA). With over 7 million copies sold worldwide, it is one of the best-selling singles of all time. “Beat It” was a number one hit in Europe, reaching number one in Spain and the Netherlands. The single, along with its music video, helped propel Thriller into becoming the best-selling album of all time.

“Beat It” received the 1984 Grammy Awards for Record of the Year and Best Male Rock Vocal Performance, as well as two American Music Awards.

 

Eddi Van Halen Guitar Solo

Eddie Van Halen, lead guitarist of hard rock band Van Halen, was asked to add a guitar solo. When initially contacted by Jones, Van Halen thought he was receiving a prank call. Having established that the call was genuine, Van Halen used a Hartley–Thompson amplifier borrowed from guitarist Allan Holdsworth and recorded his guitar solo free of charge. “I did it as a favor”, the musician later said. “I was a complete fool, according to the rest of the band, our manager, and everyone else. I was not used. I knew what I was doing—I don’t do something unless I want to do it.” Van Halen recorded his contribution following Jones and Jackson arriving at the guitarist’s house with a “skeleton version” of the song. Fellow guitarist Steve Lukather recalled, “Initially, we rocked it out as Eddie had played a good solo—but Quincy thought it was too tough. So I had to reduce the distorted guitar sound and that is what was released.” Two versions of the solo were recorded. Van Halen reported in 2015 that he also rearranged the song and asked Jones to edit the chords so his solo could be in the key of E.

Right before Van Halen’s guitar solo begins, a noise is heard that sounds like somebody knocking at a door. It is reported that the knock was a person walking into Eddie’s recording studio. Another story has claimed that the sound was simply the musician knocking on his own guitar. The sound, however, is that of Jackson knocking on a drum case, as he is credited in the album’s liner notes.

The engineers were shocked during the recording of Van Halen’s solo to discover that the sound of his guitar had caused the monitor speaker in the control room to catch fire, causing one to exclaim, “This must be really good!”

SIDE A:
Beat It* 4:17
Guitar – Eddie Van Halen, Paul Jackson Jr., Steve Lukather
Producer – Quincy Jones

SIDE B:
Burn This Disco Out 3:40
Producer – Quincy Jones
Written-By – R. Temperton*

Don’t Stop ‘Till You Get Enough (Live Version) 4:25
Performed By – The Jacksons
Producer – The Jacksons

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1983 Beat It U.S. Billboard Hot 100 #1
1983 Beat It U.S. Billboard Mainstream Rock Tracks #14
1983 Beat It U.S. Billboard Hot R&B/Hip-Hop Songs #1

 

RELEASE INFORMATION:
Label: Epic ‎– TA 3258
Format: Vinyl, 12″, 45 RPM, Stereo
Country: UK
Released: 1983
Genre: Pop/Rock, Funk / Soul
Style: Pop

CREDITS:
Written-By – M. Jackson* (tracks: A, A2)

NOTES:
*Taken from the album ‘Thriller’

Find the12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
DAC/Phono Pre-amp:
Alpha Design Labs GT40a USB DAC
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

Username: btg
Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

Then Jerico – Big Area (UK 12″)

BURNING THE GROUND EXCLUSIVE 1988

“Big Area” is a 1988 single by English rock band Then Jerico, from their second album The Big Area. The song is their biggest hit and highest-charting single to date, reaching No. 13 on the UK Singles Chart in January 1989. It featured on the soundtrack to the 1989 film Slipstream.

SIDE A:
Big Area (12” Mix) 4:47
Engineer – John Brough
Mixed By – Bruce Lampcov
Producer – Gary Langan

SIDE B:
The Big Sweep (Dance Mix) 4:49
Remix – Philth Tennant*, Tim Baldwin*
Written-By – Then Jerico

The Motive (USA Mix) 4:05
Producer – Martin Rushent
Remix – Bob Clearmountain
Written-By – Then Jerico

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: London Records ‎– LONX 204, London Records ‎– 886 366-1
Format: Vinyl, 12″, 45 RPM
Country: UK
Released: 1988
Genre: Rock
Style: New Wave, Synth-pop

CREDITS:
Keyboards – Alex Right*, Andy Wright, Arthur Barrow, Ben Angwin, Chris Youdell
Lyrics By – Shaw*
Percussion – Andy Duncan, Luis Jardim
Written-By [And Performed By] – Then Jerico

NOTES:
Side A listed as 12″ mix on the sleeve but not on the label.

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
DAC/Phono Pre-amp:
Alpha Design Labs GT40a USB DAC
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

Username: btg
Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.