Tag: Tom Lord-Alge

Orchestral Manoeuvres In The Dark – Dreaming (UK Ltd. Edition 10″)

BURNING THE GROUND EXCLUSIVE 1988

A. Front

 

“Dreaming” was the 22nd single by Orchestral Manoeuvres In The Dark (OMD). Released on June 6, 1988 to promote the bands first geatest hits compilation The Best Of OMD. The single was released internationally on various formats including a Limited Numbered Edition 10 Inch single in the U.K.. This particulat single included an exclusive remix by English musician, composer and record producer William Orbit.

SIDE A:
Dreaming (The William Orbit Remix) 7:16
Remix – William Orbit

Dreaming (7″ Version) 3:56
Mixed By – Tom Lord-Alge

SIDE B:
Messages 4:44
Engineer – Lawrence Diana*
Producer – Mike Howlett

Secret 3:57
Producer – Stephen Hague

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Virgin ‎– VS 987-10, Virgin ‎– VS 98710
Format: Vinyl, 10″, 45 RPM, Limited Edition
Country: UK
Released: 06 Jun 1988
Genre: Electronic
Style: Synth-pop

NOTES:
Limited edition individually numbered release some copies featured a stickered sleeve stating “OMD Special Limited Edition 10″”

Find The 10″ On DISCOGS

B. Back

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Speed Control: Pro-Ject Speed Box S
Phono Pre-amp: Bellari VP130 Tube Phono Preamp
Tube: Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard: ESI Juli@
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removeal: ClickRepair (DeClick Level 3)
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Orchestral Manoeuvres In The Dark – (Forever) Live And Die (US 12″)

BURNING THE GROUND EXCLUSIVE 1986

A. Front

“(Forever) Live and Die” is a song by British synthpop band Orchestral Manoeuvres in the Dark (OMD), released as the first single taken from their 1986 album, The Pacific Age. It is sung by Paul Humphreys, who ordinarily functions as keyboard player and backing vocalist. The single narrowly missed the Top 10 of the UK Singles Chart, peaking at #11, but was a significant radio hit. It was a Top 10 hit in Canada and many European territories, and a Top 20 hit in the United States, Australia, New Zealand and Ireland. It was the last of the group’s singles to reach the UK Top 20 before Humphreys left in 1989, and Andy McCluskey continued OMD on his own.

Producer Stephen Hague had made his production debut the previous year on OMD’s Crush. He is also known for his work with the Pet Shop Boys, often using a chorus effect on Neil Tennant’s voice, as he did with Humphreys on this song.

The b-side “This Town” is a non-lp track.

SIDE A:
(Forever) Live And Die (Extended Mix) 5:55
Remix – Tom Lord-Alge

SIDE B:
(Forever) Live And Die (7″ Version) 3:36
This Town 3:46

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1986 (Forever) Live And Die U.S. Billboard Hot 100 #19
1986 (Forever) Live And Die U.S. Billboard Hot Adult Contemporary #25
1986 (Forever) Live And Die U.S. Billboard Hot Dance/Club Play #37

 

RELEASE INFORMATION:
Label: A&M Records ‎– SP-12202
Format: Vinyl, 12″, 45 RPM
Country: US
Released: 1986
Genre: Electronic
Style: Synth-pop

CREDITS:
Artwork By – Mick Haggerty
Engineer [Production] – Tom Lord-Alge
Producer – Stephen Hague
Written-By – O.M.D.*

NOTES:
“(Forever) Live And Die” From the A&M album “The Pacific Age”

Find The 12″ On DISCOGS

B. Back

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Speed Control: Pro-Ject Speed Box S
Phono Pre-amp: Bellari VP130 Tube Phono Preamp
Tube: Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard: ESI Juli@
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removeal: ClickRepair (DeClick Level 3)
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

The Rolling Stones – Too Much Blood (US 12″)

BURNING THE GROUND EXCLUSIVE 1984

A. Front

“Too Much Blood” is a single released only in the United States by The Rolling Stones taken from their 1983 album Undercover.

Credited to Mick Jagger and Keith Richards, “Too Much Blood” is largely a Jagger composition. The song is a reflection of the many influences the Stones would have during their career in the mid-1980s. Jagger said at the time of its release, “I had made out a very honest burden of mind before everyone had arrived one night. It was just Charlie [Watts] and Bill [Wyman]. And one of our roadies called Jim Barber, he was playing guitar on it too. And I just started playing this riff I had, with this middle part, I didn’t have any words to it and then I just suddenly started rapping out these words which are the ones you hear.” (“Mick asked me if I could do an ‘Andy Summers’ on the track” – Jim Barber).

The song itself deals with the growing depictions of violence in the media at the time and the case of Issei Sagawa, with Jagger saying, “Well there was this scandalous, murderous story in France – it was a true story – about this Japanese guy who murdered this girl and it sort of captured the imagination of the French public, and the Japanese. The Russians wanted to make a movie out of it. So that was the first bit and then I started becoming more light-hearted about it, movies and all. …it came out as a sort of anti-gratuitous cinema of violence. And it’s a kind of anti-violent thing.”

“Did you ever see “The Texas Chain Saw Massacre”? Horrible, wasn’t it. You know, people ask me “is it really true where you live in Texas, is that really true what they do around there, people?” I say, “yea, every time I drive through the crossroads I get scared, there’s a bloke running round with a fucking chain saw. Oh! Oh! oh No, he’s gonna cut off, Oh no. Don’t saw off me leg, don’t saw off me arm.”

Jagger uses a half-hearted rap delivery for some lines, saying at the time, “I’m not a great rapper… It’s just made up on the spot as well. It’s completely extemporized, as well, most of it. A couple words I cleaned up. I don’t mean clean up, just made better sounds. That was just rap off the top of my head. I didn’t write it down, even.”

Recording took place at Paris’ Pathé Marconi Studios and New York City’s Hit Factory between October and November 1982. With Jagger on lead vocals, he also performs electric guitars with Barber and Richards. Horns are provided by Chops and percussion by Sly Dunbar.

A dance version of “Too Much Blood,” remixed by Arthur Baker, was released as a twelve-inch single in December 1984. A music video, directed by Julien Temple, was produced in support showing the band performing the song as well as Richards and guitarist Ron Wood chasing Jagger with chainsaws. The trio also appear, without chainsaws but still in character, on the record sleeve for the single. The video opens with an excerpt from the first movement of the String Quartet Number 3 by Béla Bartók. “Too Much Blood” has never been performed live by the Stones and appears on no compilation albums.

In the US the singles peaked at #44 on the Billboard Dance Chart and #38 on the Mainstream Rock Chart.

SIDE A:
Too Much Blood (Dance Version) 12:46
Edited By – Latin Rascals, The
Engineer [Remix Assistant] – Tom Lord-Alge
Engineer [Remix] – Chris Lord-Alge
Producer – Glimmer Twins, The
Remix – Arthur Baker

SIDE B:
Too Much Blood (Dub Version) 8:00
Edited By – Latin Rascals, The
Engineer [Remix Assistant] – Tom Lord-Alge
Engineer [Remix] – Chris Lord-Alge
Producer – Glimmer Twins, The
Remix – Arthur Baker

Too Much Blood (Album Version) 6:13
Mixed By – Chris Kimsey
Producer – Chris KimseyGlimmer Twins, The

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

CHART HISTORY:

Year Single Chart Position
1983 Too Much Blood U.S. Billboard Hot Mainstream Rock Tracks #38
1984 Too Much Blood U.S. Billboard Hot Dance Music/Club Play #44

 

RELEASE INFORMATION:
Label: Rolling Stones Records ‎– 0-96902
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1984
Genre: Electronic, Rock
Style: Dub
Credits: Art Direction – Bob Defrin
Mastered By – Greg Calbi
Recorded By – Chris Kimsey
Written-By – Jagger-Richards

NOTES:
From the album “UNDERCOVER”

Find The 12″ On DISCOGS

B. Back

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Pro-Ject Acryl-It platter
Pro-Ject Speed Box S
Bellari VP130 Tube Phono Preamp
Soundcard: ESI Juli@
VPI HW 16.5 Record Cleaning Machine
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Adobe Audition 3.0 (Recording)
Adobe Photoshop CS5
ClickRepair
dBpoweramp
Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
Downsampled to 24bit/96kHz and16bit /44kHz using iZotope RX Advanced 2
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Steve Winwood – Valerie (UK 12″)

BURNING THE GROUND EXCLUSIVE 1987

A.-Front1

“Valerie” is a song written by Steve Winwood and Will Jennings and originally recorded by Winwood for his third solo album Talking Back to the Night, in 1982.

The song deals with a man reminiscing about a lost love he hopes to find again someday. Will Jennings reportedly wrote the lyrics while thinking about Valerie Carter, singer songwriter, whose career was declining because of drugs. On its original release, the single reached number 51 on the UK Singles Chart and number 70 on the U.S. Billboard Hot 100.

In 1987, a remix by Tom Lord-Alge was included on Winwood’s compilation album Chronicles. The remixed version of “Valerie” was released as a single and climbed to number 9 in the US Billboard Hot 100 in late December 1987, and also reached number 19 in the UK. Both versions also reached #13 on the Mainstream Rock Tracks chart.

Eric Prydz sampled the song in 2004 for a house music track and presented it to Winwood. Winwood was so impressed with what Prydz had done, he re-recorded the vocals to better fit the track. The 2004 remix was released under the title “Call on Me”.

SIDE A:
Valerie 4:08
Producer – Steve WinwoodTom Lord Alge*
Remix – Tom Lord Alge*

Talking Back To The Night (Instrumental Version) 4:15
Producer – Steve WinwoodTom Lord Alge*
Remix – Tom Lord Alge*

SIDE B:
The Finer Things (12″ Remix) 8:30
Mixed By – Tom Lord Alge*
Producer –Russ TitelmanSteve Winwood

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

CHART HISTORY:

Year Single Chart Position
1987 Valerie U.S. Billboard Hot 100 #9
1987 Valerie U.S. Billboard Mainstream Rock Tracks #13
1987 Valerie U.S. Billboard Hot Adult Contemporary #2

 

RELEASE INFORMATION:
Label: Island Records ‎– 12 IS 336
Format: Vinyl, 12″, 45 RPM
Country: UK
Released: 1987
Genre: Electronic
Style: Synth-pop
Credits: Written-By – Steve WinwoodWill Jennings

NOTES:
Track A1 & A2 Remixed at Sixteenth Avenue Sound, Nashville.
‘Valerie’ is taken from the forthcoming compilation ‘CHRONICLES’.
Available on Compact Disc, Album & Cassette.

Find The 12″ On DISCOGS

B.-Back1

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Pro-Ject Acryl-It platter
Pro-Ject Speed Box S
Bellari VP130 Tube Phono Preamp
Soundcard: ESI Juli@
VPI HW 16.5 Record Cleaning Machine
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Adobe Audition 3.0 (Recording)
Adobe Photoshop CS5
ClickRepair
dBpoweramp
Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
Downsampled to 24bit/96kHz and16bit /44kHz using iZotope RX Advanced 2
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi