Tag: The Latin Rascals

Naked Eyes – (What) In The Name Of Love (US 12″)

BURNING THE GROUND EXCLUSIVE 1984

“(What) In The Name Of Love” was the first single taken from the second album “Fuel For The Fire” by British new wave band Naked Eyes.

Produced by Arthur Baker, “(What) In The Name Of Love” reached #39 on the US Billboard Hot 100 and, #35 on the Dance chart. In the bands native UK, the song did not have any impact which prompted their record label not release any further singles from the album. Shortly after Naked Eyes disbanded.

The “Instrumental Version” is exclusive to the US 12″.

SIDE A:
(What) In The Name Of Love (Extended Version) 6:01

SIDE B:
(What) In The Name Of Love (Instrumental Version) 5:58
(What) In The Name Of Love (Single Version) 3:54

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1984 (What) In The Name Of Love U.S. Billboard Hot 100 #35
1984 (What) In The Name Of Love U.S. Billboard Hot Dance Music/Club Play #35

 

RELEASE INFORMATION:
Label: EMI America ‎– V-7832
Format: Vinyl, 12″, Single, 33 ⅓ RPM
Country: US
Released: 1984
Genre: Electronic, Pop
Style: Synth-pop

CREDITS:
Edited By – The Latin Rascal* (tracks: B1)
Engineer [Remix] – Jay Burnett
Mastered By – Greg Calbi
Producer, Mixed By – Arthur Baker
Written-By – P. Byrne*, R. Fisher*

NOTES:
Recorded in England.

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Mullard 12AX7 Preamp Vacuum Tube Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Username: btg
Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

Madonna – True Blue (US 12″)

BURNING THE GROUND EXCLUSIVE 1986

“True Blue” is a song by American singer Madonna. It is the title track from her third studio album True Blue (1986) and was released as the album’s third single on September 17, 1986, by Sire Records. Written and produced by Madonna and Steve Bray, the song deals with Madonna’s feelings for her then-husband Sean Penn. A dance-pop song, it features instrumentation from a rhythm guitar, a synthesizer, keyboards, and drums. The main chorus is backed by an alternate one, incorporating a chord progression generally found in doo-wop music.

Received by the critics as a light-hearted and cute retro song, “True Blue” topped the charts in the United Kingdom, Ireland and Canada and became another consecutive top-ten song in the United States for Madonna, by reaching number three on the Billboard Hot 100. The original music video portrayed her again with a new look, leaner and sporting platinum blond bushy hair. An alternate video was made through the “Make My Video” contest on MTV. The final selected videos had a similar theme of a 1950s-inspired setting and the storyline following the lyrics of the song. “True Blue” has been performed on the Who’s That Girl World Tour (1987) and the Rebel Heart Tour (2015–2016).

SIDE A:
True Blue (The Color Mix) 6:37
True Blue (Instrumental) 6:52

SIDE B:
Ain’t No Big Deal 4:14
Producer – Reggie Lucas

True Blue (Remix/Edit) 4:28

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1986/87 True Blue U.S. Billboard Hot 100 #3
1986/87 True Blue U.S. Billboard Adult Contemporary #5
1986/87 True Blue U.S. Billboard Hot Dance Music/Club Play #6

 

RELEASE INFORMATION:
Label: Sire ‎– 0-20533, Sire ‎– 9 20533-0 A
Format: Vinyl, 12″, 45 RPM, Maxi-Single
Country: US
Released: 1986
Genre: Electronic
Style: Synth-pop

CREDITS:
Design – Jeri McManus
Edited By – Latin Rascals* (tracks: A1, A2, B2)
Engineer [Remix] – Steve Peck (tracks: A1, A2, B2)
Photography By – Herb Ritts
Producer – – Madonna (tracks: A1, A2, B2), Stephen Bray (tracks: A1, A2, B2)
Producer [Additional] – Shep Pettibone (tracks: A1, A2, B2)
Remix – Shep Pettibone (tracks: A1, A2, B2)
Written-By – Madonna (tracks: A1, A2, B2), Stephen Bray

NOTES:
B1 from “Revenge of the killer B’s, Vol. 2” on Warner Bros. Records. Produced for Kalisa Inc.

“True Blue”
WB Music Corp./Bleu Disque Music Co., Inc./Webo Girl Publishing, Inc./Black Lion Music, Inc. ASCAP
All rights on behalf of Bleu Disque and Webo Girl admin. by WB Music Corp.
℗ 1986 Sire Records Company

“Ain’t No Big Deal”
July Fourth Music/Semi Automatic Music Inc. ASCAP
℗ 1984 Sire Records Company

Marketed by Warner Bros. Records Inc., A Warner Communications Company.
© 1986 Sire Records Company
Made in U.S.A.

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Mullard 12AX7 Preamp Vacuum Tube Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Username: btg
Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

Information Society – What’s On Your Mind (Pure Energy) (US 12″)

BURNING THE GROUND EXCLUSIVE 1988

“What’s on Your Mind (Pure Energy)” is a song by American synth-pop band Information Society that was released as a single in 1988. The “Pure Energy” subtitle derives from a sample of Leonard Nimoy’s voice from the Star Trek episode “Errand of Mercy”. There is also a sample of DeForest Kelley’s voice from the episode “I, Mudd”. John Leland of Spin magazine called it a “pretty potent dance record”.

In 2009, VH1 ran a countdown of the 100 Greatest One Hit Wonders of the ’80s. Information Society’s “What’s on Your Mind (Pure Energy)” placed at number 74 on the countdown despite the fact that the group had two other top 40 hits: “Walking Away” (number 9) and “Think” (number 28).

The song was a big hit in the US, spending 25 weeks on the Billboard Hot 100, peaking at number three in October 1988.

The song was featured in Loverboy and American Psycho. A remixed version was included in American Psycho’s soundtrack.

In 1989, Pittsburgh radio station WYDD-FM executed an early viral marketing plan by playing this song non-stop in a loop for 25.5 hours — focusing on a repeat of the “Pure Energy” sample from Leonard Nimoy as Star Trek’s Mr. Spock. The marketing stunt caused listeners to call emergency services, concerned that some calamity had befallen the DJs and other station employees. Bob Hank, general manager at the time, told reporters he was only trying to draw attention to the station’s switch in format and new call letters WNRJ (W-N-R-J = “energy”). “We were just trying to draw a little bit of attention,” Hank said. “We never dreamed it would go this far”. The song also samples Star Trek in the intro, with the character Dr. McCoy saying “it’s worked so far, but we’re not out yet.”

SIDE A:
What’s On Your Mind (Pure Energy) (Club Mix) 8:00
What’s On Your Mind (Pure Energy) (The 54 Mix) 5:12
What’s On Your Mind (Pure Energy) (Percappella) 4:11

SIDE B:
What’s On Your Mind (Pure Energy) (Pure Energy Mix) 4:35
Engineer [Mix] – Roey Shamir
Mixed By – Fred Maher, Roey Shamir

What’s On Your Mind (Pure Energy) (What’s On Your Dub Mix) 6:26
Edited By – Chep Nunez*
Engineer [Mix] – Roey Shamir
Mixed By – Fred Maher, Roey Shamir

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1988-89 What’s On Your Mind (Pure Energy) U.S. Billboard Hot 100 #3
1988-89 What’s On Your Mind (Pure Energy) U.S. Billboard Mainstream Rock Tracks #10
1988-89 What’s On Your Mind (Pure Energy) U.S. Billboard Hot Dance Music/Club Play #1
1988-89 What’s On Your Mind (Pure Energy) U.S. Billboard Hot Dance Music/Club Play Maxi-Singles Sales #2

 

RELEASE INFORMATION:
Label: Tommy Boy ‎– TB 911
Format: Vinyl, 12″, 33 ⅓ RPM, Single
Country: US
Released: 1988
Genre: Electronic
Style: Freestyle, Electro, Synth-pop

CREDITS:
Arranged By, Programmed By – Fred Maher, Paul Robb
Art Direction – The Grey Organisation*
Edited By – The Latin Rascals (tracks: A1 to A3)
Engineer [Mix] – Hugo Dwyer (tracks: A1 to A3)
Executive-Producer – Kevin Laffey
Keyboards [Overdubs] – Andy Marvel (tracks: A1 to A3)
Layout – Steven Miglio
Management – Bang Communications, Scott Mehno
Mastered By – Herb Powers Jr.
Mixed By – “Little” Louie Vega* (tracks: A1 to A3), Roman Ricardo (tracks: A1 to A3)
Photography By – Isabel Snyder
Producer – Fred Maher
Written-By – K. Valaquen*, P. Robb*

NOTES:
Recorded at Platinum Island, NYC.
Mastered at Frankford-Wayne, NYC.

Tracks A1 to A3:
Mixed for Small Wonder Productions Inc. and AM-PM Productions.
Edited for Latin Rascal Productions Inc.
Mixed at Soundtrack Studios, NYC.

Track B2:
Edited for S.O.S. Productions.
Mixed at Unique Recording, NYC.

Management at Bang Communications

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Mullard 12AX7 Preamp Vacuum Tube Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Information Society – Running (Remix) (US 12″)

BURNING THE GROUND EXCLUSIVE 1986

“Running” is the debut single by American band Information Society. This 12″ is the third released by the band after they were signed to Tommy Boy Records. Producer Joey Gardner heard the song and brought it to Tommy Boy Records, a forward-thinking label that specialized in rap and freestyle. Gardner remixed the track for Tommy Boy, which released the song as a single in 1986. The song did well in dance clubs and on radio, earning the group an album deal with Tommy Boy. That self-titled album was released in 1988 and included the track.

Group founder Paul Robb wrote this song with Murat Konar, who was associated with Information Society for just a short time but was key in putting together Creatures Of Influence. Like most of the songs on the album, Konar handled the lead vocals. When Tommy Boy Records remixed the track they replaced Konar’s vocals with Kurt Harland’s, since Harland had emerged as the lead singer and Konar had moved on to other pursuits.

The longing lyric finds the singer in real pain and feeling very alone. In an interview with Paul Robb, he explained: “It’s basically someone who is in a relationship where it’s not working, and you have a sense of things falling apart. You’re doing your best to keep it together, but it doesn’t seem to be working.

There’s also a certain level of nostalgia in that song, too – that’s what really hooked a lot of people. It does have that monstrously huge dance beat, the electro feel, but the song that’s laid over the top is very romantic and nostalgic sounding.”

After being remixed the re-issue of “Running” peaked at #10 on the U.S. Billboard Dance Chart on July 21, 1986, after spending nine weeks on the survey.

**The 12″ was housed in the same picture sleeve as the previous 1985 release except with an orange Tommy Boy Records hype sticker added.

SIDE A:
Running (Vocal Remix) 7:42
Running (Percappella) 3:56

SIDE B:
Running (Instrumental) 5:27
Running (“The Nest” Remix) 7:44

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1986 Running U.S. Billboard Hot Dance Music/Club Play #10

 

RELEASE INFORMATION:
Label: Tommy Boy ‎– TB 877, Wide Angle ‎– TTW 8547
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1986
Genre: Electronic
Style: Freestyle, Electro

CREDITS:
Edited By – Albert Cabrera, The Latin Rascals, Tony Moran
Engineer [Mix Engineer] – Eric Calvi, Jon Smith
Engineer [Recording Engineer] – “Chopper” Black*
Mastered By – Herb Powers, Jr.*
Producer, Arranged By – Paul Schwitters
Remix – Joey Gardner, “Little Louie” Vega*
Written-By – P. Schwitters*
Vocals – Kurt Harland

NOTES:
Housed inside Wide Angle jacket for TTW 8547 release “Running”, with an orange Tommy Boy sticker promoting the Gardner and Vega remix.

Jacket Made in Canada
Jacket contains different track and credit information. The information shown is taken from labels.

Produced and Arranged for Wide Angle Productions
Mixed at Tommy Boy, NYC
Mastered at Frankford-Wayne, NYC

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Mullard 12AX7 Preamp Vacuum Tube Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi