Tag: The Latin Rascals

The Rolling Stones – Too Much Blood (US 12″)

BURNING THE GROUND EXCLUSIVE 1984

A. Front

“Too Much Blood” is a single released only in the United States by The Rolling Stones taken from their 1983 album Undercover.

Credited to Mick Jagger and Keith Richards, “Too Much Blood” is largely a Jagger composition. The song is a reflection of the many influences the Stones would have during their career in the mid-1980s. Jagger said at the time of its release, “I had made out a very honest burden of mind before everyone had arrived one night. It was just Charlie [Watts] and Bill [Wyman]. And one of our roadies called Jim Barber, he was playing guitar on it too. And I just started playing this riff I had, with this middle part, I didn’t have any words to it and then I just suddenly started rapping out these words which are the ones you hear.” (“Mick asked me if I could do an ‘Andy Summers’ on the track” – Jim Barber).

The song itself deals with the growing depictions of violence in the media at the time and the case of Issei Sagawa, with Jagger saying, “Well there was this scandalous, murderous story in France – it was a true story – about this Japanese guy who murdered this girl and it sort of captured the imagination of the French public, and the Japanese. The Russians wanted to make a movie out of it. So that was the first bit and then I started becoming more light-hearted about it, movies and all. …it came out as a sort of anti-gratuitous cinema of violence. And it’s a kind of anti-violent thing.”

“Did you ever see “The Texas Chain Saw Massacre”? Horrible, wasn’t it. You know, people ask me “is it really true where you live in Texas, is that really true what they do around there, people?” I say, “yea, every time I drive through the crossroads I get scared, there’s a bloke running round with a fucking chain saw. Oh! Oh! oh No, he’s gonna cut off, Oh no. Don’t saw off me leg, don’t saw off me arm.”

Jagger uses a half-hearted rap delivery for some lines, saying at the time, “I’m not a great rapper… It’s just made up on the spot as well. It’s completely extemporized, as well, most of it. A couple words I cleaned up. I don’t mean clean up, just made better sounds. That was just rap off the top of my head. I didn’t write it down, even.”

Recording took place at Paris’ Pathé Marconi Studios and New York City’s Hit Factory between October and November 1982. With Jagger on lead vocals, he also performs electric guitars with Barber and Richards. Horns are provided by Chops and percussion by Sly Dunbar.

A dance version of “Too Much Blood,” remixed by Arthur Baker, was released as a twelve-inch single in December 1984. A music video, directed by Julien Temple, was produced in support showing the band performing the song as well as Richards and guitarist Ron Wood chasing Jagger with chainsaws. The trio also appear, without chainsaws but still in character, on the record sleeve for the single. The video opens with an excerpt from the first movement of the String Quartet Number 3 by Béla Bartók. “Too Much Blood” has never been performed live by the Stones and appears on no compilation albums.

In the US the singles peaked at #44 on the Billboard Dance Chart and #38 on the Mainstream Rock Chart.

SIDE A:
Too Much Blood (Dance Version) 12:46
Edited By – Latin Rascals, The
Engineer [Remix Assistant] – Tom Lord-Alge
Engineer [Remix] – Chris Lord-Alge
Producer – Glimmer Twins, The
Remix – Arthur Baker

SIDE B:
Too Much Blood (Dub Version) 8:00
Edited By – Latin Rascals, The
Engineer [Remix Assistant] – Tom Lord-Alge
Engineer [Remix] – Chris Lord-Alge
Producer – Glimmer Twins, The
Remix – Arthur Baker

Too Much Blood (Album Version) 6:13
Mixed By – Chris Kimsey
Producer – Chris KimseyGlimmer Twins, The

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

CHART HISTORY:

Year Single Chart Position
1983 Too Much Blood U.S. Billboard Hot Mainstream Rock Tracks #38
1984 Too Much Blood U.S. Billboard Hot Dance Music/Club Play #44

 

RELEASE INFORMATION:
Label: Rolling Stones Records ‎– 0-96902
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1984
Genre: Electronic, Rock
Style: Dub
Credits: Art Direction – Bob Defrin
Mastered By – Greg Calbi
Recorded By – Chris Kimsey
Written-By – Jagger-Richards

NOTES:
From the album “UNDERCOVER”

Find The 12″ On DISCOGS

B. Back

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Pro-Ject Acryl-It platter
Pro-Ject Speed Box S
Bellari VP130 Tube Phono Preamp
Soundcard: ESI Juli@
VPI HW 16.5 Record Cleaning Machine
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Adobe Audition 3.0 (Recording)
Adobe Photoshop CS5
ClickRepair
dBpoweramp
Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
Downsampled to 24bit/96kHz and16bit /44kHz using iZotope RX Advanced 2
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Diana Ross – Swept Away (US 12″)

BURNING THE GROUND EXCLUSIVE 1984

A. Front

Re-Rip Remaster

Originally I posted this one back in April 2011. But for those who may have missed it or if you are a new reader just discovering BTG. I decided to give this one a new rip with my newer Ortofon 30 stylus. This 12″ is also being posted in 24 bit flac for the very first time!

“Swept Away” is a rock-flavored dance song written by Daryl Hall (of Hall & Oates) with Sara Allen, produced by Hall with Arthur Baker, and recorded by singer Diana Ross for her album of the same name. Ross released the song as a single on the RCA label in 1984.

The song talked about how the narrator thought she was in love with a special person only to find out that she had just been “swept away” after catching her lover cheating on her sending her into a rage and panic.

In the music video, directed by Dominic Orlando in Manhattan and on location in Long Island, Ross is seduced by a Frenchman and falls in love with him only to find out, after arriving unannounced in a bar, that he’s cheating on her with another French girl in a stylized Apache Dance. She then confronts the man hitting him repeatedly, and later fights with the French girl who ends up being knocked out unconscious by the singer. Later in the video, the Frenchman tries to fight his way back into her life only to have Ross accidentally push him from a lighthouse tower into the water. It was one of Ross’ most popular videos, and her first to air on MTV.

The music video was blown up to 35mm for projection during Diana Ross’ live performances at Caesars Palace in Las Vegas. There’s also an extended version of the video edited for the 12″ dance club remix.

Arthur Baker had been a club DJ turned remixer who was just breaking into production, and the twelve-inch version became one of Ross’ most successful, reaching number one on the Dance/Disco chart. The single also reached nineteen on the US pop singles chart and number three on the R&B singles chart.

SIDE A:
Swept Away (Long Version) 7:37
Backing Vocals – Daryl Hall

SIDE B:
Swept Away (Instrumental Version) 7:14

VINYL GRADE:
Vinyl: Near Mint
Cover: Near Mint

CHARTS:

Year Single Chart Position
1984 Swept Away U.S. Billboard Hot 100 #19
1984 Swept Away U.S. Billboard Hot Black Singles #3
1984 Swept Away U.S. Billboard Hot Dance Club Play #1

 

RELEASE INFORMATION:
Label: RCA Victor – PD-13865
Format: Vinyl, 12″, 33 RPM
Country: US
Released: 1984
Genre: Electronic, Funk / Soul, Pop
Style: Synth-pop, Soul
Credits: Edited By – Latin Rascals, The
Producer – Arthur Baker, Daryl Hall
Written-By – Daryl Hall, Sara Allen

NOTES:
From the album “DIANA ROSS SWEPT AWAY” AFLI 5009

Find the 12″ on DISCOGS

B. Back

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Bellari VP130 Tube Phono Preamp
Soundcard: ESI Juli@
VPI HW 16.5 Record Cleaning Machine
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Adobe Audition 3.0 (Recording)
Adobe Photoshop CS5
ClickRepair
dBpoweramp
Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
Downsampled to 24bit/96kHz and16bit /44kHz using iZotope RX Advanced 2
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Debbie Harry – French Kissin’ (US 12″)

BURNING THE GROUND EXCLUSIVE 1986

A. Front

“French Kissin” a.k.a. “French Kissin’ in the USA” is a song recorded by the American singer Debbie Harry. Released in 1986, it was the first single to be taken from her album Rockbird. It was written by Chuck Lorre, who would later create the hit television sitcoms Dharma & Greg and Two and a Half Men among others.

The song was released as the album’s first single in November 1986, and became a moderate radio hit in the US, peaking at #57 on the Billboard Hot 100. The song was also Harry’s biggest success in the UK, where it reached #8 (her only solo Top 10 single there to date).

For promotion, Harry did a live performance of “French Kissin” and “In Love with Love” on Saturday Night Live, as well as a handful of television interviews in the UK and U.S. in late 1986. A music video was also made and subsequently played on video stations. Besides the regular formats 7″ and 12″ the single was also released as a limited edition 12″ picture disc in the UK.

Harry also recorded a French language version of the track which was released as the B-side of other Rockbird singles and was also included on the 1988 Blondie/Debbie Harry remix compilation Once More into the Bleach.

A cover of the song by Carol Chapman was also featured in the 1989 movie Troop Beverly Hills.

SIDE A:
French Kissin’ (Dance Mix) 7:25
Remix – Latin Rascals, The

French Kissin’ (Edit) 4:09

SIDE B:
French Kissin’ (Dub Version) 8:02
Remix – Latin Rascals, The

Rockbird (LP Version) 3:09

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

CHARTS:

Year Single Chart Position
1986 French Kissin’ U.S. Billboard Hot 100 #57
1986 French Kissin’ U.S. Billboard Hot Dance Maxi-Singles Sales #44

 

RELEASE INFORMATION:
Label: Geffen Records ‎– 0-20575
Format: Vinyl, 12″, 45 RPM
Country: US
Released: 1986
Genre: Electronic
Style: Synth-pop
Credits:  Arranged By, Producer – Seth Justman
Design [Cover] – Stephen Sprouse
Layout – John Pasche
Painting [Background] – Andy Warhol
Photography By – Guzman

NOTES:
Original version on the LP “ROCKBIRD”

Find The 12″ On DISCOGS

B. Back

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Bellari VP130 Tube Phono Preamp
Soundcard: ESI Juli@
VPI HW 16.5 Record Cleaning Machine
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Adobe Audition 3.0 (Recording)
Adobe Photoshop CS5
ClickRepair
dBpoweramp
Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
Downsampled to 24bit/96kHz and16bit /44kHz using iZotope RX Advanced 2
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Bryan Ferry – The Right Stuff (US 12″)

BURNING THE GROUND EXCLUSIVE 1987

A. Front

“The Right Stuff” is a 1987 single released by British singer Bryan Ferry from the album Bête Noire. The song was co-written by Johnny Marr and adapted from The Smiths’ instrumental B-side “Money Changes Everything”. “The Right Stuff” was a top 40 hit in the UK, peaking at #37.

SIDE A:
The Right Stuff (12″ Dance Mix) 6:33
Edited By – Latin Rascals, The
Mixed By – Alan Meyerson

SIDE B:
The Right Stuff (Dub Mix) 6:00
Edited By – Latin Rascals, The
Mixed By – Alan Meyerson

The Right Stuff (Original Mix) 4:22
Mixed By – Bruce Lampcov

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Reprise Records ‎– 0-20799
Format: Vinyl, 12″, 45 RPM, Maxi-Single
Country: US
Released: 1987
Genre: Electronic, Rock
Style: Pop Rock, Synth-pop
Credits: Producer – Bryan FerryChester KamenPatrick Leonard
Written-By – Ferry*, Marr*

NOTES:
From the LP “Bête Noire”

Find The 12″ On DISCOGS

B. Back

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Bellari VP130 Tube Phono Preamp
Soundcard: ESI Juli@
VPI HW 16.5 Record Cleaning Machine
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Adobe Audition 3.0 (Recording)
Adobe Photoshop CS5
ClickRepair
dBpoweramp
Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
Downsampled to 24bit/96kHz and16bit /44kHz using iZotope RX Advanced 2
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi