Burning The Ground Exclusive

Wig! The B-52’s Let Their Hair Down

Some songs tell you to fit in. Then there are songs like “Wig” by The B-52’s that practically dare you to stand out.

Released as a single in the UK in 1987 from the album Bouncing Off the Satellites, “Wig” is one of the most gloriously offbeat entries in The B-52’s remarkable catalog. It may not have achieved the commercial heights of later hits like “Love Shack” or “Roam,” but for longtime fans, “Wig” remains an irresistible celebration of individuality, self-expression, and having the confidence to be exactly who you are.

And really, what could be more fitting for Pride Month than that?

By the time Bouncing Off the Satellites finally arrived in record stores, The B-52’s had endured unimaginable heartbreak. Original guitarist Ricky Wilson had passed away in October 1985 from complications related to AIDS. Devastated by the loss of their friend, bandmate, and creative force, the group chose not to tour in support of the album’s original U.S. release.

Instead, the record became something of a transitional chapter. It captured the final recordings created with Ricky’s unmistakable musical fingerprints while hinting at the resilience that would eventually propel the band into their next era.

“Wig” perfectly embodies the playful absurdity that made The B-52’s unlike anyone else. Built around a buoyant groove and punctuated by Fred Schneider’s unmistakable spoken declarations, the song encourages listeners to throw caution to the wind and embrace transformation.

Need confidence? Put on a wig.

Need an attitude adjustment? Put on a wig.

Need a little extra fabulousness? You know what to do.

Beneath the campy humor lies a surprisingly empowering message. Long before conversations about authenticity and chosen identity became commonplace, The B-52’s understood that fashion, performance, and self-invention could be acts of liberation. Whether it was teased hair, thrift store glamour, vintage dresses, or outrageous accessories, they championed the idea that identity could be joyful, fluid, and entirely your own.

The UK embraced “Wig” enough to send it into the Top 80, peaking at No. 79 on the singles chart. Released to coincide with the delayed British issue of Bouncing Off the Satellites, it allowed the band to reconnect with audiences overseas through television appearances and promotional performances. Although it was a modest chart success, the song developed a devoted following among fans who appreciated its eccentric charm.

Years later, the band rediscovered their affection for the track and began performing it live again, beginning in 2010. A live version would eventually appear on their concert album With The Wild Crowd! Live in Athens, GA, proving that even deep cuts can have a second life when audiences are finally ready to celebrate them.

The B-52’s always occupied a unique space in popular music. Emerging from Athens, Georgia, in the late 1970s, they blended new wave, surf rock, kitsch, dance music, and pure art school weirdness into something entirely their own. Their thrift store aesthetic and joyful embrace of the unconventional made them icons for generations of outsiders.

For LGBTQ+ listeners especially, The B-52’s represented possibility. They invited everyone onto the dance floor. Misfits were welcome. Individuality was encouraged. The stranger you were, the better.

So this Pride Month, if the world feels a little too serious, take a cue from Fred, Kate, Cindy, Keith, and Ricky.

Turn up the volume.

Strike a pose.

Adjust your attitude.

And if all else fails…

Put on a wig.

Whether you remember buying the 7-inch back in 1987 or are discovering this wonderfully weird gem for the first time, “Wig” remains a reminder that self-expression should be celebrated, joy should never be underestimated, and life is simply more fun when you’re not afraid to be a little outrageous.

SIDE A:
Wig 4:30
Producer – Tony Mansfield
Written-By – The B-52’s

Summer Of Love (Remix) 4:00
Producer – Tony Mansfield
Remix [Re-Mix], Producer [Additional Production] – Shep Pettibone
Written-By – C. Wilson, K. Pierson, K. Strickland, R. Wilson

SIDE B:
Song For A Future Generation 3:59
Producer – Steven Stanley
Written-By – The B-52’s

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label:Island Records – 12 BFT 2
Format: Vinyl, 12″, 45 RPM, Single
Country: UK
Released: Jun 1987
Genre: Rock
Style: Pop Rock

CREDITS:

• Design – Island Art
• Photography By – Mike Prior (2)
• Stylist [Styling] – Sue Venning

NOTES:
Track A2 Produced For – Mastermix Productions

But the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus: Ortofon Concorde Music Black
Phono Pre-amp: Pro-Ject Tube Box DS2
Phono Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
Audio Interface: MOTU M4
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Cleaning Solution: Turgikleen Record Cleaning Solution
Scanner: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

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