Tag: Phil Harding

Dead Or Alive – I’ll Save You All My Kisses (Japan 12″) (1987)

Burning The Ground Exclusive

NEW 2025 Transfer
NEW Meticulous Audio Restoration

Originally posted the US 12″ on July 20, 2012

🔥This post features a brand-new, meticulously restored 2025 transfer, giving this sparkling gem the clarity, punch, and presence it deserves. Audiophiles and fans alike—get ready to hear this one like never before.

💋 “My kisses are exclusive—no one can afford them.” 💋

Today’s Pride Month selection whirls us back to 1987, into the glitter-drenched world of one of the boldest, most flamboyant acts of the era—Dead or Alive. I’m thrilled to feature their underappreciated but wildly addictive single, “I’ll Save You All My Kisses,” the fourth release from their Mad, Bad and Dangerous to Know album.

While it didn’t dominate the charts like “You Spin Me Round,” this track has long been a fan favorite—a Hi-NRG love letter draped in sequins and synths. Produced by the unstoppable Stock Aitken Waterman, it’s packed with hard-edged drum machines, shimmering layers of synth, and Pete Burns’ signature theatrical delivery.

💿 This 12″ single (Japan release) is all about the drama:

The Long Wet Sloppy Kiss Mix — stretched to 7:10 of pulsing, dancefloor perfection.

The Sonia Mezumbda Memorial Mix — a tighter, high-energy edit clocking in at 5:19 (edited by Mark McGuire).

A quick word on that mysterious mix name:
According to fan lore from the now-defunct Right Stuff forum, Sonia Mezumbda—likely real name Sonya Mazunda—was said to have done backing vocals for Frankie Goes To Hollywood in 1982. Whether she passed away or the title was simply a tribute, it’s unclear—but it adds a bittersweet edge to this already emotionally charged track.

And of course, there’s Pete. 💄
More than a frontman, he was an icon of queer defiance. Gender-blurring, razor-sharp, and impossible to ignore, Pete Burns brought a fierce confidence to everything he did. He didn’t ask for permission—he demanded attention. “I’ll Save You All My Kisses” isn’t just a club-ready track—it’s a statement. It says: I know my worth, and you better be special if you’re going to get close.

For many in the LGBTQ+ community, Pete’s unapologetic self-expression was a beacon. And during Pride Month, this kind of synth-drenched empowerment hits especially hard. This track is about passion, power, and the pleasure of owning your narrative.

🎧 So cue up the strobes, turn it all the way up, and strut like you’re wearing six-inch platforms and a crown made of mirror shards. Because these kisses are couture, darling—and not everyone’s on the guest list.

SIDE A:
I’ll Save You All My Kisses (The Long Wet Sloppy Kiss Mix) 7:10

SIDE B:
I’ll Save You All My Kisses (The Sonia Mezumbda Memorial Mix) 5:19
Edited By – Mark McGuire

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint
OBI: Near Mint

RELEASE INFORMATION:
Label: Epic – 12・3P-834
Format: Vinyl, 12″, 45 RPM, Stereo
Country: Japan
Released: Aug 26, 1987
Genre: Electronic
Style: Synth-pop

CREDITS:

NOTES:
From the LP “Mad, Bad and Dangerous to Know”

Includes OBI, and insert

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


KTP – Certain Things Are Likely (US 12″)

Burning The Ground Exclusive 1987

“Certain Things Are Likely” is a song by English band Kissing the Pink, released as both a 7″ and 12″ single in March 1987 from their album of the same name. Produced by the band and Peter Walsh, “Certain Things Are Likely” was released as the third single from the album, and was the most successful of their three entries on Billboard’s Dance Club Songs chart, peaking at No. 1 for three weeks in May 1987. The song also made the Billboard Hot 100, peaking at No. 97 on the 13th of June, 1987.

SIDE A:
Certain Things Are Likely (Garage Mix) 7:42
Certain Things Are Likely (Garage Dub) 5:06

SIDE B:
Certain Things Are Likely (Original Mix) 7:39
Certain Things Are Likely (Instrumental) 4:07

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1987 Certain Things Are Likely U.S. Billboard Hot 100 #97
1987 Certain Things Are Likely U.S. Billboard Hot Dance Music/Club Play #1

RELEASE INFORMATION:
Label: Mercury – 885 727-1
Format: Vinyl, 12″, 33 ⅓ RPM, Single, Stereo, 53 – HRM Pressing
Country: US
Released: 1987
Genre: Electronic
Style: House, Garage House

CREDITS:

NOTES:
Original version from the Mercury LP “Certain Things Are Likely”.

Mixed for PWL

Jacket identifies producer as Peter Walsh; center labels as KTP & Peter Walsh.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.



Rick Astley – She Wants To Dance With Me (Night & Day Remixes) (US 12″ Promo)

Burning The Ground Exclusive 1988

“She Wants to Dance with Me” is a song written and recorded by English singer-songwriter Rick Astley, released as the lead single from his second studio album, Hold Me in Your Arms (1988). The song was released in United Kingdom on September 12, 1988 by RCA, and became an international success, peaking in the top ten in many countries, including Canada, where it topped the chart, and the US and the UK, where it reached number six.

Originally the “Remix” was exclusive to the USA market but has since appeared on other formats internationally.

THE NIGHT SIDE:
She Wants To Dance With Me (Bordering On A Collie Mix) 6:05
Remix – Phil Harding

THE DAY SIDE:
She Wants To Dance With Me (Remix) 5:40
Remix – Pete Hammond

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1988 She Wants To Dance With Me U.S. Billboard Hot 100 #6
1988 She Wants To Dance With Me U.S. BillboardAdult Contemporary Tracks #5
1988 She Wants To Dance With Me U.S. Billboard Hot Dance Music/Club Play #13

RELEASE INFORMATION:
Label: RCA – 8851-1-RDND
Format: Vinyl, 12″, 33 ⅓ RPM, Promo
Country: US
Released: 1988
Genre: Electronic, Pop
Style: Synth-pop

CREDITS:

NOTES:
From the forthcoming RCA LP “HOLD ME IN YOUR ARMAS”

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!

Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.



Red Box – For America (UK 12″)

Burning The Ground Exclusive 1986

“For America” is a 1986 single recorded by British pop group founded by Simon Toulson-Clarke and Julian Close. The song was taken from their debut LP The Circle & the Square.

During this period the group found themselves at odds with their record company regarding what it perceived as a lack of mainstream appeal in their choice of material, despite the success of of their previous single “Lean on Me” in the UK and Europe.

Toulson-Clarke responded to WEA’s request for something to appeal to American radio with the sardonic “For America”, which criticized what he saw as the style-over-content approach of the American media, as well as alluding to American military involvement in Grenada and Nicaragua. The song was not a hit in the United States, though it did outsell “Lean on Me” worldwide, reaching number one in six countries and the top ten in several others including the UK, where it spent twelve weeks in the chart peaking at number ten.

SIDE A:
For America (Bazooka Mix) 6:00
Mixed By – Red Box
Mixed By [Mixmaster] – Phil Harding
Producer – David Motion

SIDE B:
Ain’t Got No..I Got Life (From The Musical HAIR) 2:52
Arranged By – The Famous 6
Engineer – Chris Baylis
Producer – Red Box

R’n A 4:02
Engineer – Chris Baylis
Producer – Red Box

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Sire – YZ84T, Sire – 248583/0
Format: Vinyl, 12″, 45 RPM, Stereo
Country: UK
Released: 1986
Genre: Electronic
Style: Synth-pop

CREDITS:

NOTES:
From The Circle & the Square

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.