Tag: Michael Hutchinson

Jellybean – Sidewalk Talk (Europe 12″)

BURNING THE GROUND EXCLUSIVE 1984

NEW 2019 TRANSFER!
METICULOUSLY REMASTERED!

Originally posted March 28, 2012

“Sidewalk Talk” is a song by American record producer John “Jellybean” Benitez from his first extended play, Wotupski!?! (1984). It was released on October 21, 1984, by EMI Records as the first single from the EP. The song was written by Madonna and produced by Benitez. They had initially met in 1983 and Benitez worked as a producer on Madonna’s self-titled debut album. When he started work on his debut EP, Wotupski!?!, Madonna wrote “Sidewalk Talk” for him. The song features bass and electric guitars, synthesizers, piano, and drums. Lead vocals are sung by Catherine Buchanan, with background vocals by Madonna.

“Sidewalk Talk” debuted at number 36 on the Billboard Hot Dance Club Songs chart for the issue dated January 5, 1985. After five weeks, it reached the top of the chart, replacing Nuance’s song, “Loveride”. In an article published in Billboard, Chin noted that “Sidewalk Talk” was an unusual song to reach the top of the dance chart since it was not released till then in commercially available 7-inch or 12-inch forms. The song was only serviced in remix form to the clubs. Chin added that the song’s “emergence without a hard copy, so to speak, is highly uncharacteristic of a market, in which the ‘commercial twelve’ is a given for a long-show pop record.” The song harkened back to the time when remix forms were not available except for club promotions. “Sidewalk Talk” ranked at number 20 on the year-end tabulation of the Top Dance Club Songs for 1985. The song was released in 7-inch and 12-inch formats after eight months and entered the Billboard Hot 100 chart at number 80 on the issue dated November 16, 1985. After twelve weeks, it reached a peak of number 18 on the chart. Its final appearance on the chart was on the week ending March 15, 1986. On the Hot R&B/Hip-Hop Songs chart, “Sidewalk Talk” reached a peak of number 51, and was present for a total of nine weeks.

“Sidewalk Talk” also charted in the United Kingdom, where it was credited as “Jellybean featuring Catherine Buchanan”. It reached a peak of number 41 on the UK Singles Chart on the issue dated February 1, 1986, and was present for a total of four weeks. On the Netherlands Single Top 100, it reached a peak of No. 31, while on the Top 40 comprehensive chart, it peaked inside the top-ten at number six. “Sidewalk Talk” also debuted and peaked at number 34 on the Official New Zealand Music Chart.

SIDE A:
Sidewalk Talk (Dance Mix) 6:05

SIDE B:
Sidewalk Talk (Funhouse Mix) 6:13
Sidewalk Talk (Acappella) 4:56

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

CHARTS:

Year Single Chart Position
1985 Sidewalk Talk U.S. Billboard Hot 100 #18
1985 Sidewalk Talk U.S. Billboard Hot R&B/Hip-Hop Singles #51
1985 Sidewalk Talk U.S. Billboard Hot Dance Music/Club Play #1

 

RELEASE INFORMATION:
Label: EMI America ‎– 1A K060-20 0937 6, EMI ‎– 1A K060-20 0937 6
Format: Vinyl, 12″, 45 RPM, Single
Country: Europe
Released: 1984
Genre: Electronic
Style: Synth-pop

CREDITS:
Arranged By –Jellybean*, Stephen Bray
Backing Vocals [Uncredited] – Madonna
Engineer [Recording & Mix] – Michael Hutchinson
Producer, Mixed By – John “Jellybean” Benitez
Vocals [Uncredited] – Catharine Buchanan
Written-By – Madonna

NOTES:
Produced and Mixed for Jellybean Productions, Inc.
From the 12″ ‘Wotupski!?!

Printed in Holland
Made in EEC

Find theb 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Schiit Mani
Soundcard:
ESI Juli@ XTe Audio Interface
Monitiring:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Username: btg
Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

Stacy Lattisaw – Nail It To The Wall (US 12″)

BURNING THE GROUND EXCLUSIVE 1986

“Nail It To The Wall” was the first single lifted from the Motown Records album Take Me All The Way by American R&B singer Stacy Lattisaw. Arranged by Fred Zarr, produced and remixed by John “Jellybean” Benitez “Nail It To The Wall” peaked at #48 on the Billboard Hot 100 while climbing to #4 R&B and #2 Dance in 1986.

SIDE A:
Nail It To The Wall (12″ Version) 6:08

SIDE B:
Nail It To The Wall (12″ Instrumental) 4:45
Nail It To The Wall (Edit Of 12″ Vocal) 3:54

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORy:

Year Single Chart Position
1986 Nail It To The Wall U.S. Billboard Hot 100 #48
1986 Nail It To The Wall U.S. Billboard Hot R&B/Hip-Hop Songs #4
1986 Nail It To The Wall U.S. Billboard Hot Dance Music/Club Play #2

 

RELEASE INFORMATION:
Label: Motown ‎– 4563MG
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1986
Genre: Electronic, Funk / Soul
Style: Electro, Synth-pop

CREDITS:
Arranged By – Fred Zarr
Engineer [Assistant] – Mark Roule
Producer, Remix, Arranged By – Jellybean*
Remix [Engineer] – Michael Hutchinson
Written-By – A. Roman*, S. B. Lunt*

NOTES:
Produced for Jellybean Productions, Inc.
Sigma Sound Studios, N.Y.C.
Album Version in, “Take Me All The Way”

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Schiit Mani
Soundcard:
ESI Juli@ XTe Audio Interface
Monitiring:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Username: btg
Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

Madonna – Like A Virgin (US 12″)

BURNING THE GROUND EXCLUSIVE 1984

Originally posted October 27, 2011

“Like a Virgin” is a song recorded by American singer Madonna for her second studio album Like a Virgin (1984). It was released on October 31, 1984, by Sire Records as the album’s lead single. The song was written by Tom Kelly and Billy Steinberg, and produced by Nile Rodgers; Steinberg said that the song was inspired by his personal experiences of romance. “Like a Virgin” was chosen for Madonna by Michael Ostin of Warner Bros. Records after listening to a demo sung by Kelly. Rodgers initially felt that the song did not have a sufficient hook, but subsequently changed his opinion after the song was stuck in his head.

Musically, “Like a Virgin” is a dance-oriented song, composed of two hooks. Madonna’s voice is heard in a high register while a continuous arrangement of synths is heard along with the bassline. The lyrics of the song are ambiguous and consist of hidden innuendo, interpreted in different ways. “Like a Virgin” received positive reviews from music critics, who frequently called it as one of the defining songs for Madonna. It became her first number-one single on the record charts in Australia, Canada, Japan, and the United States, while reaching the top ten elsewhere.

The song’s music video portrayed Madonna sailing down the canals of Venice in a gondola, as well as roaming around a palace wearing a white wedding dress. With the video, scholars noted Madonna’s portrayal of a sexually independent woman, the similarity of a man wearing lion’s mask to that of Saint Mark, and the link between the eroticism in the video and the vitality of Venice. Madonna has performed the song in seven of her concert tours. Most of the time, her performances of “Like a Virgin” were associated with strong reaction and uproar from the media.

“Like a Virgin” has been covered by a number of artists and has appeared in or been referenced in feature films such as Reservoir Dogs, Moulin Rouge! and Bridget Jones: The Edge of Reason. Family groups sought to ban it as they believed the song promoted sex without marriage. On the other hand, Madonna’s public persona of an indomitable, sexually unashamed, supremely confident woman was widely accepted by the younger generation who emulated her style and fashion. Scholars have credited “Like a Virgin” as the song which cemented her position as a pop culture icon.

SIDE A:
Like A Virgin (Extended Dance Remix) 6:07
Engineer [Additional] – Melanie West
Remix – John “Jellybean” Benitez
Engineer [Remix] – Michael Hutchinson
Written-By – Billy Steinberg/Tom Kelly*

SIDE B:
Stay 4:04
Written-By – Madonna, Steve Bray*

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1985 Like A Virgin U.S. Billboard Hot 100 #1
1985 Like A Virgin U.S. Billboard Hot Dance Music/Club Play #1
1985 Like A Virgin U.S. Billboard Hot R&B/Hip-Hop Singles #9

 

RELEASE INFORMATION:
Label: Sire ‎– 0-20239, Sire ‎– 9 20239-0 A
Format: Vinyl, 12″, 45 RPM, Maxi-Single
Country: US
Released: 1984
Genre: Electronic
Style: Synth-pop

CREDITS:
Photography By – Larry Williams (9)
Producer – Nile Rodgers

NOTES:
Original version of “Like A Virgin” and “Stay” from the Sire album “Like A Virgin”

Made in U.S.A.

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Schiit Mani
Soundcard:
ESI Juli@ XTe Audio Interface
Monitiring:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Alphaville – Jet Set (Jellybean Mix) (Germany 12″)

BURNING THE GROUND EXCLUSIVE 1985

“Jet Set” is the fourth and last single from Alphaville’s first album, Forever Young, and was released in March 1985.

Re-recorded and released after founding band member Frank Mertens left the band, the 7″ version drops the word ‘The’ from the song’s title and is mildly different from the original album version.

Marian Gold said of the song, “We didn’t intend to write a proper song; it was supposed to be some kind of jingle that advertises things money can’t buy: anarchy, freedom, love, fun and a piece of the end of the world.”

The Deluxe Edition re-issue of the LP “Forever Young” is now available.

SIDE A:
Jet Set (Jellybean Mix) 6:28
Drums [Human Drums] – Curt Cress
Engineer [Assistant Mix] – Jamie Chaleff
Engineer [Mix] – Michael Hutchinson
Mixed By – John “Jellybean” Benitez

SIDE B:
Jet Set (Dub Mix) 5:08
Drums [Human Drums] – Curt Cress
Engineer [Assistant Mix] – Jamie Chaleff
Engineer [Mix] – Michael Hutchinson
Mixed By – John “Jellybean” Benitez

Golden Feeling 3:53
Keyboards – W. Martin Loos
Mixed By – Wolfgang Loos

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: WEA ‎– 249 126-0
Format: Vinyl, 12″, 45 RPM
Country: Germany
Released: 03 Jan 1985
Genre: Electronic
Style: Synth-pop

CREDITS:
Keyboards – Wolfgang Loos (tracks: A, B1)
Producer – Colin Pearson, Wolfgang Loos
Written-By – Lloyd*, Mertens* (tracks: A, B1), Gold*, Echolette* (tracks: B2)

NOTES:
Manufactured in Germany by Record Service GmbH, Alsdorf

Tracks A & B1 was re-recorded at EMI Studios, Cologne.
Mixed at Electric Lady Studios, N.Y.

Track B2 recorded at Studio 54, Berlin.
Taken from the movie Der Bulle & das Mädchen.

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Schiit Mani
Soundcard:
ESI Juli@ XTe Audio Interface
Monitiring:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Username: btg
Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.