Tag: Martin Rushent

Then Jerico – Fault (The New York City Mixes) (UK 12″) (1985)

Burning The Ground Exclusive

Before Then Jerico became synonymous with glossy late-80s sophisti-pop and chart success, there was “Fault.” Released in 1985 as a stand-alone, non-album single, it’s one of those quietly fascinating moments where you can hear a band standing right on the edge of something bigger—but not quite there yet.

“Fault” arrived two years before their 1987 debut album First (The Sound of Music) and, despite impeccable credentials, it slipped through the cracks. The single failed to chart, making it a genuine Closet 80s artifact: overlooked at the time, but far more interesting in hindsight.

What immediately jumps out is the production team. Martin Rushent, fresh from redefining British pop with The Human League, Heaven 17, and Buzzcocks, gives “Fault” a taut, modern sheen. There’s a restrained elegance here—clean synth lines, controlled drama, and a sense of tension that never fully explodes. It’s not chasing the charts; it’s testing the water.

The remix comes courtesy of John Luongo, already establishing himself as a master of extended versions and club-ready polish. His touch adds space and momentum, subtly nudging “Fault” toward the dancefloor without sacrificing its introspective core. It’s less about peak-time payoff and more about atmosphere—very much of its moment.

Vocally, Mark Shaw sounds more guarded here than on later hits like “Big Area” or “Let Her Fall.” There’s a cool detachment in his delivery that suits the song’s emotional ambiguity. Lyrically, “Fault” circles themes of responsibility and fracture—personal accountability hinted at rather than spelled out—another sign that Then Jerico hadn’t yet leaned into the widescreen romanticism that would define their later work.

In retrospect, “Fault” feels like a bridge track: one foot in early-80s synth sophistication, the other stepping toward the polished pop-rock confidence that would finally break them through. It may not have charted, but it matters. Songs like this show how bands evolve—not overnight, but through these small, nearly forgotten releases that quietly shape what comes next.

For fans digging deeper than the hits, “Fault” is a reminder that the 1980s were full of near-misses and slow burns. Sometimes the most revealing tracks are the ones history almost forgot.

SIDE A:
Fault (Club Mix) 6:47
Mixed By – John Luongo

SIDE B:
Fault (7″) 3:34
Mixed By – John Luongo

The Big Sweep (Club Mix) 4:49
Mixed By – Philth TennantT.J.

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: London Records – LONX 63London Records – 882 047-1
Format: Vinyl, 12″, 45 RPM
Country: UK
Released: 1985
Genre: Rock
Style: Pop Rock

CREDITS:

NOTES:
“The New York City Mixes”
Summer ’85

First pressing with an inner sleeve with lyrics and photo of the band.

“Fault” Mixed at Sigma Sound, N.Y.
Produced & Engineered at Genetic Sound, U.K.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


The Human League – Heart Like A Wheel (US 12″) (1990)

Burning The Ground Exclusive

NEW 2026 Transfer
NEW Meticulous Audio Restoration

Previously posted March 13, 2015

Heart Like a Wheel — The Human League’s Synth-Pop Statement Gets a New 2026 Transfer

In the landscape of British synth-pop history, few acts cast a shadow as long as The Human League. Best known to casual listeners for flagship hits like “Don’t You Want Me” or “Human,” the band’s 1990 single Heart Like a Wheel remains a fascinating, sometimes overlooked chapter in their catalogue — now brought into fresh focus with a new 2026 meticulous audio restoration transfer that rediscovered its sonic heft for modern ears.

A Minor Hit with Major Intent

Originally released on 6 August 1990 as the lead single from the album Romantic?, Heart Like a Wheel marked a bold if moderate commercial return for The Human League entering the new decade. Against a backdrop of fading chart momentum for 80s synth icons, the track managed respectable placements across several territories. In the United Kingdom it peaked at No. 29 on the Official Singles Chart, logging several weeks on the listings. In the United States it reached No. 32 on the Billboard Hot 100, while Australia saw it hit No. 64 on the ARIA charts.

Lyrics as Social Commentary

Far from a simple pop confection, Heart Like a Wheel channels political and existential undercurrents that were increasingly rare in mainstream synth-pop of the era. The lyrics evoke a world becoming mechanised and emotionally detached, where individuals feel both propelled and alienated by forces beyond their control. The refrain — “Heart like a wheel, turning away from anything that’s real” — captures this sense of emotional rotation and disconnection, a heart spinning yet somehow moving away from authenticity.

Other lines — referencing “selling your soul to a holy war” or the futility of using weapons like an M16 to solve problems — underline a critique of violence, propaganda, and the erosion of meaningful engagement with reality. The imagery suggests a world where the “wheel” of society keeps turning on cold, unfeeling steel rather than warmth and human connection.

Production and Performance

Written by former band member Jo Callis and Eugene Reynolds, the track features the signature blend of synthesizers, layered vocals, and anthemic choruses that typify The Human League’s style. Produced by Martin Rushent, whose earlier work with the group helped define their sound in the early 80s, Heart Like a Wheel brought the band’s classic sensibilities into a post-New Wave context — balancing polished pop craft with introspective edge.

The 2026 Meticulous Audio Restoration Transfer

The 2026 transfer of Heart Like a Wheel is more than a simple needle-drop: it’s a meticulous audio restoration aimed at unveiling layers of detail that were buried or subdued in my previous transfer. This new transfer brings greater clarity to the synth textures, a defined presence to the vocal interplay between Philip Oakey, Joanne Catherall, and Susan Ann Sulley, and a wider dynamic range that honours both the emotional and rhythmic dimensions of the original recording. For longtime fans and newcomers alike, this version offers a chance to hear the song with fresh ears — as a statement piece of synth-pop social reflection that resonates even decades after its debut.

Legacy

While Heart Like a Wheel was not a defining chart topper, it has endured in live sets and fan circles for its energy and message, proving that not all influence is measured by chart peaks alone. With the 2026 restoration bringing new life to a classic synth-pop single, listeners have an ideal moment to revisit a track that blends pop accessibility with thoughtful, questioning lyricism — reminding us why The Human League’s catalogue still matters in the pop canon.

SIDE A:
Heart Like A Wheel (Extended Mix) 6:50
Remix – Mark Saunders

SIDE B:
Heart Like A Wheel (LP Version) 4:28

Heart Like A Wheel (7″ Remix) 4:28
Remix – William Orbit

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

Chart Performance – The Human League: Heart Like A Wheel (1990)
Chart Peak Position Date
US Billboard Billboard Hot 100 #32 1990
US Billboard Alternative Songs #17 1990
UK Singles Chart #29 1990
Australia Singles Chart (ARIA) #64 1990
West Germany #36 1990

RELEASE INFORMATION:
Label: A&M Records – 75021 2336 1
Format: Vinyl, 12″, 33 ⅓ RPM, Single, Stereo
Country: US
Released: 1990
Genre: Electronic
Style: Synth-pop

CREDITS:

NOTES:
From the LP Romantic?

Recorded at Genetic Sound

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


Pete Shelley – (Millions Of People) No One Like You (UK 12″)

Burning The Ground Exclusive 1983

“(Millions Of People) No One Like You” is the second single taken from the LP XL1 by Buzzcocks frontman Pete Shelley. The single reached #94 on the UK singles chart. The song became Shelley’s last charting single.

The A-side is named on the release as one track, but is actually separated into two,

SIDE A:
(Millions Of People) No One Like You 4:07
If You Ask Me (I Won’t Say No) 4:22

SIDE B:
(Millions Of People) No One Like You / If You Ask Me (I Won’t Say No) (Dub Mix) 6:36

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Genetic Records (2) – 12XS 2, Genetic Records (2) – 12XS
Format: Vinyl, 12″, 45 RPM, Stereo
Country: UK
Released: 1983
Genre: Electronic
Style: Synth-pop

CREDITS:
Producer –  Martin RushentPete Shelley
Written-By –  P. Shelley*

NOTES:
B is mixed into a continious track, where “No One Like You” is the later part.
Made in Gt. Britain

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge/Stylus: Ortofon 2M Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

 

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.



Leisure Process – Anxiety (Neurotica Mix) (UK 12″)

Burning The Ground Exclusive 1983

“Anxiety” is a 1983 single by British New Wave duo Leisure Process consisting of Gary Barnacle & Ross Middleton. The group was remixed and produced by Martin Rushent who had also worked with acts like Visage, Generation X, The Go-go’s, and The Human League.
Leisure Process released only four singles before disbanding.

SIDE A:
Anxiety (Neurotica Mix) (Extended Version) 6:17
Producer –  Leisure ProcessMartin Rushent

SIDE B:
Company B (Extended Mix) 8:04
Engineer – Glen Skinner*
Producer – Leisure Process International*

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Epic ‎– TA 3405
Format: Vinyl, 12″, 45 RPM
Country: UK
Released: 1983
Genre: Electronic
Style: Synth-pop, New Wave

CREDITS:
Artwork [Drafting Equipment] – Assorted iMaGes
Bugle – 22552474 Warrant Officer “Big Bill” Barnacle*
Instruments [All], Performer [Played By] –  Leisure Process
Keyboards [Uncredited], Saxophone [Uncredited] – Gary Barnacle
Photography By [Cameras By] – Garry MouatPeter Ashworth
Vocals [Uncredited] – Ross Middleton
Written-By – BarnacleMiddleton

NOTES:
Made in England.

Find the 12″ at DISCOGS

VINYL RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge/Stylus: Ortofon 2M Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi


Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.