Tag: Justin Strauss

Will To Power – Say It’s Gonna Rain (New Remixes) (US 12″) (1988)

Burning The Ground Exclusive

When Will To Power’s “Say It’s Gonna Rain” began gaining serious traction in U.S. dance clubs, Epic Records did what the best labels of the era often did: they went back to the multitracks and gave DJs something new to work with.

The result was a second U.S. 12″ single, titled “New Remixes”, released specifically to capitalize on the song’s growing club momentum. Rather than reusing earlier versions, Epic enlisted Justin Strauss and Murray Elias working together, a collaboration that brought a distinctly New York club sensibility to the project.

Together, Strauss and Elias reshaped the track with a clear understanding of dance-floor dynamics. Their remix emphasizes groove and atmosphere, allowing the song to breathe while subtly reinforcing its rhythmic drive. Alyson Williams’ vocal remains the emotional anchor, floating over a more streamlined, club-focused arrangement that feels tailor-made for late-night sets.

What makes this second 12″ particularly notable is its timing. It wasn’t issued as part of the song’s initial release campaign; instead, Epic responded directly to the record’s success in U.S. dance clubs. This kind of reactive release strategy—issuing fresh remixes after a song had already proven itself—was a hallmark of late-’80s club culture.

Today, the “New Remixes” 12″ stands as a snapshot of that moment when labels, remixers, and DJs were in close conversation. It’s not just a follow-up pressing, but a deliberate extension of the song’s life on the dance floor—and a reminder of how collaborative remix work could give a hit single renewed energy and relevance.

SIDE A:
Say It’s Gonna Rain (Popstand Remix) 8:37
Say It’s Gonna Rain (Acid Rain Dub) 6:39

SIDE B:
Say It’s Gonna Rain (Popstand Nueva York Remix) 7:27
Say It’s Gonna Rain (Orange Sunshine Dub) 6:33

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Epic – 49 07589
Format: Vinyl, 12″, 33 ⅓ RPM, Stereo
Country: US
Released: 1988
Genre: Electronic
Style: Freestyle, Electro, House

CREDITS:

NOTES:
Special Version From The Epic Lp: “Will To Power” FE 40940
Additional production & re-mix for Popstand Productions.
Edited for SOS Productions.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


Fine Young Cannibals – She Drives Me Crazy (US 12″) (1989)

Burning The Ground Exclusive

Originally released in 1988, “She Drives Me Crazy” marked the explosive return of British trio Fine Young Cannibals. Issued as the lead single from their second (and final) album The Raw & the Cooked (1989), the track became an instant classic—showcasing Roland Gift’s unmistakable falsetto and the band’s clever fusion of pop, soul, and funk.

Written by frontman Roland Gift and bassist David Steele, and co-produced by the band along with David Z (a longtime Prince collaborator), “She Drives Me Crazy” has one of the most iconic snare sounds of the era. The distinctive “pop” of the drum was no accident—David Z employed an inventive technique during the recording sessions at Prince’s famed Paisley Park Studios in Minneapolis. The snare part was recorded separately, then played back through a speaker placed on top of the snare drum while a mic underneath captured the sound again—creating that sharp, tight punch that helped the track cut through on both radio and the dancefloor.

Chart-wise, the single became the band’s biggest hit. In the UK, it reached No. 5—making it their highest-charting release at home. But it was in the U.S. that the song really took off, hitting No. 1 on the Billboard Hot 100 and staying there for a week in April 1989. It also topped charts in Australia, Canada, New Zealand, Austria, and Spain, cementing Fine Young Cannibals’ global success. Two different music videos were shot for the track—one by French choreographer/director Philippe Decouflé and another by Pedro Romhanyi.

Today on Burning the Ground, I’m featuring the U.S. 12″ single, which includes three rare remixes by Justin Strauss: a club-friendly extended remix a Dub, and a tight edit version—none of which have been released digitally or appeared on commercial CD (except for a scarce promo) which included the Justin Strauss Remix. Strauss’s approach adds extra rhythmic space and re-sequencing, extending the groove while preserving the quirky charm of the original.

If, like me, you spent countless nights in record stores or at clubs chasing down mixes you knew weren’t on your regular 12″, this one’s for you. A peak pop moment, reimagined with the dancefloor in mind.

SIDE ONE:
She Drives Me Crazy (The Justin Strauss Remix) 7:42
Edited By – Chep Nunez*
Engineer [Remix] – Daniel Abraham
Keyboards – Eric Kupper
Producer [Additional], Remix – Justin Strauss

She Drives Me Crazy (Single Remix) 3:48
Edited By – Chep Nunez*
Engineer [Remix] – Daniel Abraham
Keyboards – Eric Kupper
Producer [Additional], Remix – Justin Strauss

SIDE A:
She Drives Me Crazy (David Z Remix) 7:05
Remix – David Z.

She Drives Me Crazy (Driven Crazy Dub) 5:33
Edited By – Chep Nunez*
Engineer [Remix] – Daniel Abraham
Keyboards – Eric Kupper
Producer [Additional], Remix – Justin Strauss

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1989 She Drives Me Crazy U.S. Billboard Hot 100 #1
1989 She Drives Me Crazy U.S. Billboard 12 Inch Singles Sales #3
1989 She Drives Me Crazy U.S. Billboard Hot Dance Club Play #1
1989 She Drives Me Crazy U.S. Billboard Hot Black Singles #54
1989 She Drives Me Crazy U.S. Billboard Modern Rock Tracks #5

RELEASE INFORMATION:
Label: I.R.S. Records – IRS-23926
Format: Vinyl, 12″, 33 ⅓ RPM, Single, Pinckneyville
Country: US
Released: 1989
Genre: Electronic, Pop, Stage & Screen
Style: Dance-pop, House

CREDITS:

NOTES:
The labels state Side One and Side A.

Tracks A1/A2/B2: Additional production for Just Right Productions.
Track A1 is also known as the “U.S. Mix”.

Management is written “Tony Meilandt AGM Management”

This release was pressed at the MCA Pressing Plant, Pinckneyville .

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


Depeche Mode – Strangelove (US 12″) (1988)

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NEW 2025 Transfer
NEW Meticulous Audio Restoration

Original post date: July 22, 2013

Today’s Pride Month post dives deep into one of Depeche Mode’s most seductive and emotionally tangled singles: “Strangelove.” Originally released in 1987 as the lead single from Music for the Masses, it marked a sonic and thematic shift for the band—moody, magnetic, and rich with contradiction.

“Strangelove” is all about duality—desire vs. guilt, pleasure as pain, salvation wrapped in sin. And for anyone who’s ever loved in secret, or wrestled with their identity in the shadows, lines like “I give in to sin because I like to practice what I preach” hit like a thunderclap. At a time when queer love was often hidden or coded, Depeche Mode gave us a space to feel seen, without ever having to say it outright.

For today’s post, I’m spinning the 1988 U.S. 12″ of “Strangelove”—a stateside-exclusive remix known as the Highjack Remix, remixed by Bomb the Bass. It’s a version that takes the original’s dark sensuality and launches it into overdrive: thumping bass, fractured samples, and a jacked-up energy that’s ready for the club floor and the mirrorball of your mind.

The B-side features a standout too—“Nothing (Zip-Hop Mix)”—remixed by the legendary Justin Strauss. Sleek, rhythmic, and full of low-end bounce, it’s one of those understated Depeche tracks that quietly demands your attention.

This 12″ remains a fan favorite and club essential. It peaked at #50 on the Billboard Hot 100 and #24 on the U.S. Billboard Dance Club Songs chart in 1988, but more importantly—it struck a deep chord. It became an anthem not just for synth lovers, but for anyone navigating the gray zones of desire, shame, and self-discovery.

For Pride Month, “Strangelove” stands as a reminder that identity and emotion are rarely simple—and that’s where their power lies. Depeche Mode has long held a special place in LGBTQ+ hearts, offering music that embraces complexity, intensity, and unflinching honesty.

SIDE A:
Strangelove (Highjack Remix) 6:31
Remix – Bomb The Bass

Strangelove (Remix Edit) 3:50
Remix – Bomb The Bass

SIDE B:
Nothing (Zip-Hop Mix) 7:03
Edited By – Chep Nunez*
Engineer [Remix] – Hugo Dwyer
Programmed By [Additional] – Eric Kupper
Remix, Producer [Additional] –  Justin Strauss

Nothing (Dub) 6:38
Edited By – Chep Nunez*
Engineer [Remix] – Hugo Dwyer
Programmed By [Additional] – Eric Kupper
Remix, Producer [Additional] –  Justin Strauss

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1988 Strangelove (1988) U.S. Billboard Hot 100 #50
1988 Strangelove (1988) U.S. Billboard Hot Dance/Club Play #24

RELEASE INFORMATION:
Label: Sire – 0-21022Sire – 9 21022-0Mute – 0-21022Mute – 9 21022-0
Format: Vinyl, 12″, 33 ⅓ RPM, Maxi-Single
Country: US
Released: Aug 23, 1988
Genre: Electronic
Style: Synth-pop

CREDITS:

NOTES:
Also known as Strangelove ’88.

The mix of track B1 is also known as “Justin Strauss Mix”

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


Swing Out Sister – Surrender (US 12″)

Burning The Ground Exclusive 1986

NEW 2024 Transfer
NEW Meticulous Audio Restoration

Originally posted May 20, 2012

“Surrender” is a 1987 single released by British pop act Swing Out Sister from their debut album, It’s Better to Travel. It was issued as the follow-up to the successful single, “Breakout”. The song peaked at #7 on the UK Singles Chart in January 1987 and logged four weeks in the top ten.

Over a year after its initial release, remixes of “Surrender” reached the U.S. Billboard Hot Dance Club Play chart, peaking at #22 in May 1988.

SIDE A:
Surrender (Stuff Gun Mix) 6:38
Producer – Paul Staveley O’Duffy
Remix – Paul Staveley O’Duffy

Surrender (7″ Version) 3:45
Producer – Paul Staveley O’Duffy

SIDE B:
Who’s To Blame 5:09
Producer – Swing Out Sister

Surrender (Pop Stand Remix) 7:05
Edited By – Gail King*
Engineer [Remix] – Hugo Dwyer
Producer – Paul Staveley O’Duffy
Producer [Additional], Remix – Justin StraussMurray Elias

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1987 Surrender U.S. Billboard Hot Dance Music/Club Play #22

RELEASE INFORMATION:
Label: Mercury – 870 270-1, PolyGram – 870 270-1
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1986
Genre: Electronic
Style: Synth-pop

CREDITS:

NOTES:
From the Mercury album, “IT’S BETTER TO TRAVEL”

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!

Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.