Tag: Europe

Juicy – Beat Street Strut (Europe 12″) (1984)

Burning The Ground Exclusive

The Electric Pulse of 1984: Revisiting Juicy’s “Beat Street Strut”

When Beat Street hit theaters in 1984, it wasn’t just another film—it was a cultural dispatch from the front lines of hip‑hop’s early evolution. And tucked inside its gold‑certified soundtrack was a track that perfectly captured the era’s neon‑lit swagger: “Beat Street Strut” by Juicy. Released the same year, the song remains a time capsule of electro‑funk energy and downtown attitude.

A Duo With Deep Musical DNA

Juicy wasn’t a one‑hit curiosity—they were a sibling duo with serious musical pedigree. Jerry and Katreese Barnes, the powerhouse pair behind the name, were already carving out a space in R&B and dance music when “Beat Street Strut” arrived. Jerry would later join CHIC, while Katreese went on to win Emmys as musical director for Saturday Night Live. But in 1984, their focus was squarely on crafting sleek, synth‑driven grooves.

A Soundtrack Standout

“Beat Street Strut” wasn’t just a background track—it was part of the film’s sonic identity. The song appears on Beat Street (Original Motion Picture Soundtrack) – Volume 1, a compilation executive‑produced by Harry Belafonte, who championed the film’s mission to spotlight hip‑hop culture authentically.

The track itself is a polished slice of electro, built on:

  • Punchy drum machine patterns
  • Glossy synth lines
  • A dance‑floor‑ready bass groove
  • A call‑and‑response chorus designed for club energy

The lyrics—flirtatious, rhythmic, and irresistibly catchy—fit right into the era’s blend of street style and pop accessibility. The hook, “Baby do the Beat Street strut,” became one of the soundtrack’s most memorable refrains.

Behind the Boards: A Who’s‑Who of 80s Production

The credits read like a roll call of early‑80s studio heavyweights. The single’s various releases list contributions from:

  • Arthur Baker, a defining architect of electro and hip‑hop production
  • Eumir Deodato, the Brazilian jazz‑funk legend who helped shape disco’s sound
  • Harry Belafonte, whose executive role helped bring hip‑hop into mainstream cinema

This blend of creative forces gave “Beat Street Strut” a polished, crossover‑ready sheen.

Chart Footprint and Legacy

While not a chart‑topper, the song made a respectable showing, peaking at #46 on the Billboard Dance chart in July 1984. More importantly, it became part of the Beat Street legacy—a film and soundtrack that helped introduce breakdancing, DJing, and street art to global audiences.

Today, “Beat Street Strut” stands as a reminder of a moment when hip‑hop was still raw, still rising, and still defining itself. Juicy’s contribution may not be the most famous track from the soundtrack, but it’s one of the most emblematic—slick, stylish, and pulsing with the optimism of a culture on the verge of worldwide impact.

Why It Still Matters

In an era where early hip‑hop history is being rediscovered and re‑evaluated, “Beat Street Strut” offers a glimpse into the genre’s formative years—before the mega‑stars, before the billion‑dollar industry, before the global takeover. It’s a reminder of the dance floors, block parties, and creative collisions that shaped the sound of a generation.

And sometimes, all it takes is one listen to that shimmering synth line to feel like you’re right back in 1984, strutting down the avenue.

SIDE A:
Beat Street Strut (Extended 12″ Version) 7:47

SIDE B:
Beat Street Strut (Instrumental) 7:36

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

Chart Performance — Juicy: Beat Street Strut (1984)
Chart Peak Position Date
US Billboard Dance Club Songs #45 1984

RELEASE INFORMATION:
Label: Atlantic – 786 943-0
Format: Vinyl, 12″, 45 RPM
Country: Europe
Released: 1984
Genre: Electronic
Style: Electro, Synth-pop

CREDITS:

NOTES:
From the LP “Original Motion Picture Soundtrack BEAT STREET” on Atlantic Records and Cassettes.

Manufactured in Germany by Record Service GmbH, Alsdorf

Made in Germany

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


Olivia Newton-John & Electric Light Orchestra – Xanadu (Europe 12″) (1980)

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Today’s Pride Month feature transports us straight to a fantasy realm of disco lights, roller skates, and synth-drenched euphoria—“Xanadu” by Olivia Newton-John & Electric Light Orchestra, the unforgettable title track from the 1980 cult musical film Xanadu.

I’m spotlighting the European 12” single, which includes the album version of “Xanadu” backed with “Fool Country,” a track featured in the film but not included on the official soundtrack. As a special treat, I’ve also added a bonus remix: the “Re-Glittered Mix” by Steve Anderson of DMC fame—a Pride-ready version that’s pure sparkle and spectacle.

🪩 Chart Success
“Xanadu” became a massive international hit. In the UK, it soared to #1 on the Singles Chart—making it ELO’s only UK #1 hit. In the U.S., it peaked at #8 on the Billboard Hot 100, earning both Olivia and ELO another top 10 pop smash. The song’s jubilant fusion of Jeff Lynne’s symphonic rock production with Olivia’s airy, crystalline vocals captured the hearts of both disco and pop fans alike.

🎶 Soundtrack Anniversary
Here’s something special: the Xanadu soundtrack turns 45 years old today! Released in the U.S. June 1980, the album has become a cult classic—featuring side A by Olivia Newton-John and side B by ELO. While the film itself polarized critics, the music became a beloved part of pop culture, especially within LGBTQ+ communities who embraced its theatricality, glam, and fantasy.

🌈 A Legendary Mardi Gras Performance
Another magical Pride moment: In 2008, Olivia performed “Xanadu” live at Sydney’s Mardi Gras, celebrating the 30th anniversary of the event. Wearing a dazzling disco sequin kimono, she took the stage at 4AM at the Royal Hall Of Industries before a crowd of over 18,000 fans—serving vocals, glam, and sheer joy. The remix she performed to? Yes, the very same Steve Anderson Re-Glittered Mix included here. The audience, as you’d expect, went wild.

Why “Xanadu” for Pride Month?
Because it’s joyful. It’s camp. It’s fantasy. And it’s a radiant reminder that escapism, glamour, and individuality are powerful tools of self-expression. Olivia Newton-John has always been a beloved icon in the LGBTQ+ community, and Xanadu is one of the glittering jewels in her crown.

This track is an open invitation to dream—to step out of the gray and into the neon. And during Pride, what could be more fitting?

🎶 “Now that I’m here, now that you’re near… in Xanadu.” 🎶

SIDE A:
Olivia Newton-John & Electric Light Orchestra –  Xanadu 3:30
Producer – Jeff Lynne
Written-By – Lynne*

SIDE B:
Olivia Newton-John –  Fool Country 2:28
Producer – John Farrar
Written-By – Farrar*

BONUS REMIX:
Olivia Newton-John & Electric Light Orchestra –  Xanadu (Re-Glittered Mix) 10:30
Remix – Steve Anderson And His Merry Mirrorball Men*

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1980 Xanadu U.S. Billboard Hot 100 #8
1980 Xanadu U.S. Billboard Adult Contemporary #2

RELEASE INFORMATION:
Label: Jet Records – JET 12.185Jet Records – 12.185
Format: Vinyl, 12″, 33 ⅓ RPM, Maxi-Single, Stereo
Country: Europe
Released: 1980
Genre: Electronic
Style: Synth-pop, Disco

NOTES:
Made in Holland

Side A Taken from the soundtrack album “Xanadu”

Bonus Remix taken from DMC Hit Mixes 195

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


Pet Shop Boys – West End Girls (The Shep Pettibone Mastermix) (Europe 12″) (1985)

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NEW 2025 Transfer!
NEW Meticulous Audio Restoration!

Originally posted February 4, 2013

Few songs encapsulate the sound of the mid-80s like West End Girls by Pet Shop Boys. Originally released in 1984, the song was re-recorded in 1985 with producer Stephen Hague. It became an international hit in 1986, topping charts worldwide. Its mix of moody synth-pop, hip-hop-inspired beats, and Neil Tennant’s signature deadpan delivery created a track that still resonates today. But for remix enthusiasts, one particular version stands out—the Shep Pettibone Mastermix.

Shep Pettibone, a legend in the remix world, was at the height of his powers in the mid-to-late ’80s, working with artists like Madonna, New Order, and Janet Jackson. His take on West End Girls amplifies its dancefloor appeal, giving it a sharper, club-friendly edge while retaining the song’s atmospheric charm. Clocking in at over eight minutes, Pettibone’s remix extends and reshapes the track, introducing new percussive elements, enhanced synth layers, and a driving rhythm that makes the song even more energetic and dynamic.

One of the standout elements of the Shep Pettibone Mastermix is its use of breakdowns and vocal manipulation. Tennant’s vocals are layered and looped, adding depth and drama to the track. The bassline, already a defining feature of the original, is pushed forward, creating a groove that feels tailor-made for dance floors. The result is a remix that not only respects the essence of the song but elevates it into something fresh and dynamic.

It’s important to note that the Shep Pettibone Mastermix that appears on the 12″ single is not the same version that appeared on DISCO: The Remix Album. Additionally, to my knowledge, neither version on the 12″ single has appeared on CD. The B-side A Man Could Get Arrested is also a different version than the one that appears on the Alternative compilation or the Please Further Listening edition.

Though the Shep Pettibone Mastermix wasn’t the most commercially promoted remix of West End Girls, it remains a favorite among DJs and collectors, capturing a moment when remix culture was beginning to redefine pop music. It’s a testament to both Pet Shop Boys’ innovative songwriting and Pettibone’s ability to transform great songs into club classics.

For those who appreciate the extended mix era, this remix is a must-listen—a perfect blend of the Pet Shop Boys’ signature style and Shep Pettibone’s remix mastery. If you haven’t revisited it in a while, now’s the time to put it back on and experience West End Girls in a whole new way.

SIDE A:
West End Girls (The Shep Pettibone Mastermix) 8:13
Producer – Stephen Hague
Remix, Producer [Additional Production] – Shep Pettibone

SIDE B:
West End Dub 9:35
Producer – Stephen Hague
Remix, Producer [Additional Production] – Shep Pettibone

A Man Could Get Arrested 4:21
Producer – Bobby Orlando, The Pet Shop Boys*
Remix – Frank Roszak

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1986 West End Girls U.S. Billboard Hot 100 #1
1986 West End Girls U.S. Billboard Hot Adult Contemporary Tracks #26
1986 West End Girls U.S. Billboard Hot Dance/Club Play #1
1986 West End Girls U.S. Billboard Hot Black Singles #36
1986 West End Girls U.S. Billboard Hot Mainstream Rock Tracks #37

RELEASE INFORMATION:
Label: Parlophone – 060-20 0998 6EMI – 1C K 060 20 0998 6
Format: Vinyl, 12″, 45 RPM, Maxi-Single
Country: Europe
Released: 1985
Genre: Electronic
Style: Electro, Synth-pop

CREDITS:

NOTES:
Tracks A and B1: Mixing and additional production for Mastermix Productions

Printed in Germany
Made in EEC.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.



Desireless – Voyage Voyage (Europe 12″) (1986)

Burning The Ground Exclusive

“Voyage, Voyage” is a 1986 synth-pop anthem by French singer Desireless (real name Claudie Fritsch-Mentrop). Released as the lead single from her debut album François (1989), the song became an international hit, topping the charts across Europe and beyond.

A Global Synth-Pop Hit
Despite being sung entirely in French, Voyage, Voyage broke language barriers and achieved commercial success in non-French-speaking countries. It reached #1 in Germany, Spain, Norway, and Sweden, while peaking at #2 in the UK—a rare feat for a French-language song at the time. It also charted well in Italy and the Netherlands, eventually becoming one of the most recognizable European pop songs of the late ‘80s.

Dreamy, Ethereal Sound
The song’s lush synth production, steady electronic beat, and atmospheric feel give it a dreamlike, almost hypnotic quality. Its theme of travel and escapism, combined with Desireless’ deep and haunting vocals, made it a perfect fit for the late ‘80s electronic pop scene.

Production & Legacy
Produced by Jean-Michel Rivat, Voyage, Voyage draws influences from new wave and Eurodisco, aligning it with the styles of artists like Jean-Michel Jarre and Mylène Farmer. Over the years, the song has been covered and remixed multiple times, most notably by Kate Ryan in 2007.

Even today, Voyage, Voyage remains an enduring classic, often associated with the golden age of European synth-pop and a staple in retro ‘80s playlists.

SIDE A:
Voyage Voyage (Extended Remix) 6:50

SIDE B:
Voyage Voyage 4:22

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: CBS – CBS 650175 6
Format: Vinyl, 12″, 45 RPM, Maxi-Single, Stereo
Country: Europe
Released: 1986
Genre: Electronic, Pop
Style: Synth-pop, Euro-Disco

CREDITS:

NOTES:
[Labels]
Ed. Rivat Music

[Sleeve]
Synthetiseurs, Programmation: Producteur
Prise de Son (Sound Recording): Studio d’Aguesseau
Mixage (Mixing): Studio Marcadet
Dédié à Gopala (Dedicated to Gopala)

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net


THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.