Tag: Eric Kupper

Yazz And The Plastic Population – The Only Way Is Up (US 12″)

BURNING THE GROUND EXCLUSIVE 1988

“The Only Way Is Up” is a song written by George Jackson and Johnny Henderson and originally released in 1980 as a single by soul singer Otis Clay.

In 1988, it became a chart-topping single for Yazz and the Plastic Population. The Yazz version was produced by Jonathan More and Matt Black (better known as dance duo Coldcut, who had worked with Yazz on their hit single “Doctorin’ the House”). “The Only Way Is Up” was Yazz’s first solo single, credited to her under the name Yazz and the Plastic Population. Released as a single in July 1988, the song became an instant smash hit, spending five weeks at number one in the United Kingdom, and ultimately becoming the second biggest-selling single of the year. In the United States, it reached number two on the Billboard dance chart, although only making number 96 on the Billboard Hot 100 singles chart.

The opening horn blast is a sample from Sharon Redd’s 1982 dance classic “Beat the Street”.

SIDE A:
The Only Way Is Up (U.K. Extended Club Mix) 6:48

The Only Way Is Up (The Up Up Up Mix) 7:04
Remix – Bam Bam

SIDE B:
The Only Way Is Up (Acid Dub) 5:52
Producer [Additional], Remix – Justin StraussMurray Elias

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1988 The Only Way Is Up U.S. Billboard Hot 100 #96
1988 The Only Way Is Up U.S. Billboard Hot Dance Music/Club Play #2

 

RELEASE INFORMATION:
Label: Elektra ‎– 0-66732
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1988
Genre: Electronic
Style: House, Acid House

CREDITS:
Edited By – Tuta Aquino
Engineer [Remix] – Daniel Abraham
Producer – Coldcut
Programmed By [Additional] – Eric Kupper
Sleeve – Pat RodgerPointblanc London*, Seán Quinn
Written-By – George Jackson (3)Johnny Henderson

NOTES:
B side additional production and remix for Popstand Productions.

Printed in U.S.A.

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
DAC/Phono Pre-amp:
Alpha Design Labs GT40a USB DAC
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

Username: btg
Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

Underworld – Thrash (Australia 12″)

BURNING THE GROUND EXCLUSIVE 1989

“Thrash” is an Australia only single released by
UK electronic music act Underworld formed by Rick Smith and Karl Hyde in 1987 after their former band Freur disbanded. The single was taken from the band’s second album titled “Change The Weather”. This 12″ seems to be pretty hard to come by these days so I am happy to add it to my Totally Obscure 80s series.

SIDE A:
Thrash (Dance Pass) 6:21

SIDE B:
Thrash (Extasy Pass) 5:49

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Sire ‎– 0-21443
Format: Vinyl, 12″, 45 RPM
Country: Australia
Released: 1989
Genre: Electronic
Style: Synth-pop

CREDITS:
Producer [Additional] – E. Kupper*, Mark Kamins
Producer, Mixed By – Dave Sussman*, Mark Kamins
Written-By – Alfie Thomas, Karl Hyde, Rick Smith

NOTES:
Original version appears on the Sire/Warner Bros. LP “CHANGE THE WEATHER”
Exclusive Australian release.

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
DAC/Phono Pre-amp:
Alpha Design Labs GT40a USB DAC
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

Username: btg
Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

Alisha – Bounce Back (US 12″)

BURNING THE GROUND EXCLUSIVE 1990

“Bounce Back” is a song written by Michael Jay and Gregory Smith. The best-known version of the song is the 1990 version by American freestyle and dance-pop singer Alisha, from her same-titled album Bounce Back, although the track was also recorded by duo Fire on Blonde and American pop singer-songwriter Martika.

Michael Jay produced the track, as well as producing the entire album, whilst the song was released as the album’s lead single. It was Alisha’s last single to make any commercial impact.

Handing the song over to Alisha for her third album, Michael Jay also gave the singer the Fire on Blonde track “Wrong Number” for the album as well, and the song was also released as the second single. After the 1987 album Nightwalkin’ only gave Alisha some minor chart action, mainly on the Dance Charts, “Bounce Back”, released nearly two years after the previous single, gave the singer her biggest charting release on the American Billboard Hot 100, where it peaked at #54 in mid-1990 On the American Dance Music/Club Play Singles chart, the song peaked at #10 whilst also peaking at #26 on the Hot Dance Music/Maxi-Singles Sales chart.

SIDE A:
Bounce Back (LP Version) 3:54
Bounce Back (7″ Radio Remix) 3:50

SIDE B:
Bounce Back (12″ Vocal Remix) 7:07
Bounce Back (12″ Techno-Bounce Dub) 7:12

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1990 Bounce Back U.S. Billboard Hot 100 #54
1990 Bounce Back U.S. Billboard Hot Dance Music/Club Play #10
1990 Bounce Back U.S. Billboard Hot Dance Music/Maxi-Singles Sales #26

 

RELEASE INFORMATION:
Label: MCA Records ‎– MCA-24018
Format: Vinyl, 12″, 33 ⅓ RPM, Single
Country: US
Released: 1990
Genre: Electronic, Pop
Style: Freestyle, House, Synth-pop

CREDITS:
Edited By – Chep Nunez* (tracks: A2, B1, B2)
Keyboards – Eric Kupper (tracks: A2, B1, B2)
Producer [Additional], Remix – Justin Strauss (tracks: A2, B1, B2)
Producer, Written-By – Michael Jay
Remix, Engineer [Remix] – Hugo Dwyer (tracks: A2, B1, B2)
Written-By – Gregory Smith*

NOTES:
LP version appears on the MCA Album “BOUNCE BACK:

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Schiit Mani
Soundcard:
ESI Juli@ XTe Audio Interface
Monitiring:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

[passster password=”burningtheground”]

[/passster]

Username: btg
Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

Kon Kan – Harry Houdini (US 12″)

BURNING THE GROUND EXCLUSIVE 1989

“Harry Houdini” (also titled as “Arts in ‘D’ Minor/Harry Houdini”) is a song by Canadian synthpop band Kon Kan, released as the second single from their 1989 debut album Move to Move. The song did not match the success of their previous single “I Beg Your Pardon”, managing to just scrape into the top forty in their native Canada at #39. In the UK, the song reached #88. In New Zealand, the song peaked at #14 in September 1989. In the U.S. the single failed to chart.

The song contains a sample of “White Lines” by Grandmaster Melle Mel and an interpolation of Blondie’s “The Tide Is High”.

**As a bonus I have included three tracks taken from the U.S. Promo 12″ that did not appear on the standard 12″ single release.

SIDE A:
Harry Houdini (The Justin Strauss Remix) 6:51
Harry Houdini (7″ Edit) 3:52

SIDE B:
Harry Houdini (Deep Underground Mix) 7:09

**BONUS PROMO MIXES:
Harry Houdini (Just Right Dub) 5:13
Harry Houdini (Bass Mix aka Miami Mix) 5:44
Harry Houdini (Deep Underground Dub) 4:56

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Atlantic ‎– 0-86416
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1989
Genre: Electronic
Style: House, Synth-pop

CREDITS:
Edited By – Todd Culver
Engineer [Remix] – Daniel Abraham
Producer – Barry Harris, Jon Lind
Programmed By [Additional Keyboard Programming] – Eric Kupper
Remix, Producer [Additional Production] – Justin Strauss
Written-By – Barry Harris

NOTES:
From the KON KAN LP “MOVE TO MOVE”

Find the 12″ at DISCOGS

Find the 12″ Promo at DISCOGS

VINYL RESTORATION BT:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7 TubeGold Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi