Tag: Disco Friday

Earlene Bentley – The Boys Come To Town (US 12″) (1983)

Burning The Ground Exclusive

Let the glitterball spin a little faster today—because the boys have definitely come to town!

Today’s Disco Friday and Pride Month pick is an unapologetic slab of Hi-NRG heat from the fabulous Erlene Bentley: the powerhouse 1983 club anthem “The Boys Come To Town.” Originally released in the UK on Ian Levine’s Record Shack Records, my post features the rare and equally fierce US 12″ pressing on Megatone Records—a label legendary in the San Francisco gay disco scene. 🔥

From its stomping bassline to Erlene’s commanding, no-nonsense vocal delivery, this track was built for the dancefloor. It’s campy, it’s charged, it’s proud—and it captures that bold, liberating spirit that defined queer nightlife at the height of the Hi-NRG movement.

💥 Fun fact: The song was so iconic in the New York club scene that it even found its way onto the big screen—featured in the 1984 film “Police Academy” during the infamous Blue Oyster Bar scene. A moment that has since become a cultural time capsule of leather, mustaches, and late-night disco sleaze.

And how can you resist lines like:
“Hey, big boy! Why don’t you come up and see me sometime?”
Camp. Sass. Power. Bentley delivers it all with a wink and a whip crack.

While she may not have had mainstream chart success, Erlene Bentley carved out her own niche in queer club culture—and this track remains one of the most iconic anthems of the Hi-NRG era. It’s pure theatricality with a pulsing heart, a perfect tribute to the freedom and flair that Pride Month celebrates.

💿 This extended mix takes its time—and you’ll want it to—building into a glorious eruption of synths, horns, and unapologetic attitude.

So throw on your harness or heels, find your spotlight, and let this Hi-NRG gem take you back to a time when the dancefloor was both sanctuary and stage.

SIDE A:
The Boys Come To Town 8:07

SIDE B:
The Boys Come To Town (Instrumental Dub) 8:16

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Megatone Records – MT-115, Record Shack Records – MT-115
Format: Vinyl, 12″, 45 RPM
Country: US
Released: 1983
Genre: Electronic
Style: Hi NRG, Disco

CREDITS:

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC: Alpha Design Labs GT40a USB DAC
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


Tina Turner – Love Explosion (Australia 12″) (1979)

Burning The Ground Exclusive

 

To continue the Burning the Ground celebration of Pride Month, we shine a well-deserved spotlight on a dazzling deep cut from the legendary Tina Turner — a woman whose strength, style, and soul have long made her an icon in the LGBTQ+ community.

Released only in Australia in 1979, Love Explosion (Extended Version) clocks in at 7:00 of pure dancefloor fire. Produced by Alec R. Costandinos (of Cerrone and Love & Kisses fame), known for his orchestral Eurodisco arrangements, this special mix pulses with glittering strings, driving basslines, and Tina’s unmistakable vocals — raw, sexy, and full of power. This is disco at its most cinematic, and Tina sounds like she’s conquering galaxies with every breath.

The B-side, “Sunset on Sunset,” cools things down into a sizzling rock groove — perfectly capturing that post-party moment when the city still hums with electric possibility.

While the Love Explosion album was overlooked at the time, tracks like this remind us how Tina was never afraid to experiment or push boundaries, both musically and personally.

What makes this post especially meaningful during Pride Month is that Tina Turner was widely considered a queer ally. She was an outspoken supporter of the LGBTQ+ community and a beacon for those struggling with identity, self-expression, or escaping trauma. In 1982, she performed at the inaugural Gay Games, and she remained a consistent supporter of HIV/AIDS charities throughout the ’80s and beyond. Her music — and her story of resilience — inspired countless LGBTQ+ fans around the world.

So as we celebrate Pride and the music that moves us, let’s raise the volume for Love Explosion — a fierce, fabulous anthem from a woman who always knew how to ignite our hearts.

With love and rhythm,
Paul (DJPaulT)

SIDE A:
Love Explosion (Extended Version) 7:00

SIDE B:
Sunset On Sunset 3:36

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Interfusion – X13055
Format: Vinyl, 12″, 45 RPM, Single, Limited Edition
Country: Australia
Released: 1979
Genre: Funk / Soul
Style: Disco, Rhythm & Blues

CREDITS:

NOTES:
Super Giant 45 RPM

From the Interfusion album “Love Explosion” LP 7085

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Pro-Ject Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC: Alpha Design Labs GT40a USB DAC
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


Grace Jones – I Need A Man (US 12″ Promo) (1977)

Burning The Ground Exclusive

NEW 2025 Transfer
NEW Meticulous Audio Restoration

Original post date: October 4, 2011

“I’m looking for a real man… Strong hands, sweet lips, a warm heart!”

Before she was a New Wave fashion icon, avant-garde provocateur, and the fierce dominatrix of the 1980s, Grace Jones made her dance floor debut with the bold and unapologetically funky “I Need A Man.” Released in 1975 in France and later re-recorded for the U.S. market in 1977, this track marked the beginning of her transformation into a queer and club culture legend.

Originally written by Pierre Papadiamandis and Paul Slade and first released as a B-side, “I Need A Man” got a second life when it was reworked for the burgeoning disco scene. The 12-inch version—especially the U.S. promo pressing on Beam Junction/Island—delivered a punchier, extended arrangement that became a favorite in underground gay clubs, particularly in New York’s vibrant disco scene. It quickly gained momentum, ultimately landing Grace her first #1 on the Billboard Hot Dance Club Play chart in 1977.

Produced by disco pioneer Tom Moulton, the remix retained all the raw sensuality of the original while dialing up the groove and extending it to nearly 8 minutes of funk-fueled seduction. With her commanding presence and deep contralto, Jones doesn’t just ask for a man—she demands one, flipping the script on gender dynamics and asserting herself with the kind of dominance that would soon become her signature.

The track’s thumping bassline, rhythm guitar licks, and gospel-inspired backing vocals give it a distinctly pre-disco feel—almost like a bridge between glam rock and Studio 54—making it one of the more unique dance singles of the mid-’70s.

This release would be the first in a string of club hits for Grace, laying the groundwork for her 1977 debut album Portfolio, and eventually leading to her more experimental collaborations with Sly & Robbie and Jean-Paul Goude in the ’80s. But it all started here—with a simple, sultry, and powerful declaration: “I Need A Man.”

If you’ve only known Grace Jones from her more aggressive ’80s output like “Pull Up to the Bumper” or “Slave to the Rhythm,” this early disco gem shows a different side of her artistry—flirtatious, fearless, and already way ahead of her time.

SIDE A:
I Need A Man (Disco Mix) 7:37

SIDE B:
I Need A Man (Instrumental Version) 4:57

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1977 I Need A Man U.S. Billboard Hot 100 #83
1977 I Need A Man U.S. Billboard Hot Dance / Disco #1

RELEASE INFORMATION:
Label: Beam Junction – 12-BJ 1004
Format: Vinyl, 12″, Promo, 33 ⅓ RPM
Country: US
Released: 1977
Genre: Funk / Soul
Style: Disco

CREDITS:

NOTES:
“A TOM MOULTON MIX”
Promotional Copy Not For Sale
Made In U.S.A.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC: Alpha Design Labs GT40a USB DAC
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


Blondie – Heart Of Glass (US 12″) (1978)

Burning The Ground DISCO Exclusive

As we spin into another Disco Friday, we shine the glitterball on one of the most iconic genre-crossing tracks of the late ’70s—Blondie’s “Heart of Glass.” Released in 1979, this shimmering hybrid of new wave cool and disco heat wasn’t just a stylistic curveball—it was a game-changer.

Produced by Mike Chapman, “Heart of Glass” was Blondie’s bold leap from punk-infused power pop into the throbbing lights of the dancefloor. Originally written as a slower, reggae-tinged track titled “Once I Had a Love,” the band revamped it with a four-on-the-floor beat, swirling synths, and Debbie Harry’s icy, detached vocal that would become instantly iconic. It wasn’t just a hit—it was a revolution.

Some fans of Blondie’s CBGB-era grit were shocked, even outraged, by the shift. But the gamble paid off. “Heart of Glass” reached #1 on the Billboard Hot 100 their first in the U.S., and topped charts in the UK, Canada, and Australia. Suddenly, it was cool for punk kids to dance.

Today’s feature is the 12″ Disco Version, running nearly 6 minutes of slick, extended grooves and hypnotic instrumental breakdowns—a must-have for any serious vinyl spinner. Released on Chrysalis Records, this version turned dance floors upside down and made Blondie club royalty.

More than 40 years later, “Heart of Glass” still pulses with life, bridging genres and generations with effortless glamour. Whether you’re a punk, pop kid, or disco devotee—this track belongs on your turntable.

SIDE A:
Heart Of Glass 5:51

SIDE B:
Heart Of Glass (Instrumental) 5:17

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1979 Heart Of Glass U.S. Billboard Hot 100 #1
1979 Heart Of Glass U.S. Billboard Adult Contemporary #44
1979 Heart Of Glass U.S. Billboard Disco Top 80 #58

RELEASE INFORMATION:
Label: Chrysalis – CDS-2275
Format: Vinyl, 12″, 33 ⅓ RPM, Single, Terre Haute Pressing
Country: US
Released: 1978
Genre: Electronic, Rock
Style: Disco, New Wave

CREDITS:

NOTES:
A: From The Chrysalis Album “Parallel Lines” CHR-1192

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Pro-Ject Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC: Alpha Design Labs GT40a USB DAC
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.